In a refreshing and playful way this visual poem investigates freedom and circles around Freud's flight from Vienna to London in 1939.

In a refreshing and playful way this visual poem investigates freedom and circles around Freud's flight from Vienna to London in 1939.

A story, between myth and reality, of Caravaggio, by parodic artist Arnaud Labelle-Rojoux.

Limited edition, numbered from 1 to 20, with an original artwork signed by the artist.

Stemming from the Master Fine Arts at the Zurich University of the Arts, this publication promotes the art school as a place for pedagogical, civic and political implications.

This publication brings together a selection of family photos taken between the 1930s and 1950s by amateur photographer Anne-Marie von Wolff. A fascinating, powerful work, brought to light by her great-grandniece, artist Mimi von Moos.

The result of a collective reflection undertaken at the Canadian Center for Architecture, this publication is the first volume of an annual periodical series wishing to explore urgent issues in today's curatorial practices.

Richard Tuttle and color.

Facsimile scores and documents about the radiophonic work created by Luc Ferrari in 1991.

A selection of pictures shot in the '70s by Luc and Brunhild Ferrari, organized by thematics, to be kept as a treasure, to display, or to send as postcards.

A selection of pictures shot in the '70s by Luc and Brunhild Ferrari, organized by thematics, to be kept as a treasure, to display, or to send as postcards.

A selection of pictures shot in the '70s by Luc and Brunhild Ferrari, organized by thematics, to be kept as a treasure, to display, or to send as postcards.

A selection of pictures shot in the '70s by Luc and Brunhild Ferrari, organized by thematics, to be kept as a treasure, to display, or to send as postcards.

A selection of pictures shot in the '70s by Luc and Brunhild Ferrari, organized by thematics, to be kept as a treasure, to display, or to send as postcards.

This artist’s book gathers childhood memories, some lived experiences and personal reflections on the family histories and relations, and the ways in which they interweave with geographical locations.

First major retrospective monograph dedicated to the Franco-Lebanese sculptor.

What is, and what was luxury? This publication celebrates a world history of the lavish and the luxurious, through 350 extraordinary objects—fashion, jewellery, art, furniture, design and more. Discover how different cultures have defined luxury and the impact of such excess on the evolution of society, as a way to undermine or underline the status quo. Consider the the prominent role of women in defining luxury and wih it, the ebb and flow between excess and moderation.

This catalogue embodies the entire creative career of Marisa Merz (1926-2019), the only female artist from Arte Povera. Commissioned texts and selection of her most iconic works accentuate a recurrent theme in the artist's work: the exploration of the face and the human figure.

This publication documents a project inspired by Bradbury's Fahrenheit 451, in which performers memorize a book to form a collection of living books to be read in libraries by visitors. The publication brings together eighteen text contributions from artists and theoreticians, and a visual essay.

This catalogue stems from an eponymous project on the Israel Museum in Jerusalem. The artist brought out an impressive photographic recension of artifacts, revealing the forgotten stories and fascinating polyphony of the museum's collections.

This monographic volume dedicated to the work of Pedro Barateiro spans a period that dates back to 2008 and features extensive visual and written material of key projects presented in solo exhibitions, as well as other relevant installations, videos and performances.

A photographic archive of the transgender community in Bologna in the 1980s. With critical texts by scholars and queer theorists.

First monograph dedicated to the radical Swedish painter, draftsman, sculptor, and precursor of sound arts (audio CD included).

The new book from French photographer Estelle Hanania gathers over ten years of collaboration and archives revolving around the artistic universe of Gisèle Vienne.

The catalogue of the eponymous exhibition by Laure Prouvost at Pirelli HangarBicocca: a multimedia project—installations, videos and projections, sculptures and found objects—revolving around the story of Prouvost's “grandfather”, a fictional prolific conceptual artist.

Four essays by philosopher and musicologist Peter Szendy on Anri Sala's recent practice. Szendy emphasises the key role played by music and sound in Sala's sensorial installations.

A wide-ranging collection of texts on contemporary painting, by one of its most finest observer today.

The fourth issue of Typologie, a collection of design books about ordinary objects, is dedicated to the wooden crate.

The fourth issue of Typologie, a collection of design books about ordinary objects, is dedicated to the wooden crate.

A collection of photographs of children who grew up to become famous in a variety of fields, from literature to arts, sports, politics, and even crime. A photographic “Guess Who” of the 20th century in the making.

The best of 2019.

Diaphanes #8/9 looks into curious loops of reproduced present, the integral of circular I-effects, the other side of the social Möbius strip. Is the self nothing but an echo? An effect without cause? The human being a message, an autoreply in the jargon of social-memes? Who or what massages the backchannel so astoundingly self-similarly, like an invisible hand?

Issues 16 to 18 of the critical review dedicated to graphic design.

Thomas Krempke's photographic diary.

A textbook for the project "The Kids Want Communism,"—a clandestine and public series of events marking the century of the Bolshevik Revolution. Contributions discuss the legacies and meaning of communism today.

What can it mean to return home? Inspired by author Georges Perec's Espèces d'espaces and artist Hreinn Friðfinnsson's House Project, this catalogue brings together international artists to investigate the various facets of coming home.

The first in a series of publications dedicated to the exploration of the archives of the Italian region of Basilicata from an artistic perspective. This volume focuses on areas affected by the reclamation of the water system.

Celebrating the ten-year anniversary of the project A Collective Memory by Azin Feizabadi—a series of five narrative films—this publication features fictions by guest contributors who were asked to expand on their viewing experience of one of the films in the Collective Memory series.

This publication is the result of a research project led by artists Raphaël Grisey and Bouba Touré around the archives of the self-organized agricultural cooperative Somankidi Coura, in Mali. A historical reflection on agricultural, archival, health, and migratory issues through a decolonial perspective.

Monograph dedicated to the films of the Israeli artist Assaf Gruber. Articulated around eight conversations related to the films' production, this publication reflects an important theme in Gruber's work: what effects can art have on individuals far removed from the artistic field.

This catalogue explores how miracle making—making the impossible possible—is reflected in artistic practices today. It includes commissioned essays and poetry by the Miracle Workers Collective and writers close to the collective (catalogue of the exhibition at the Finnish Pavilion at the 58th Venice Biennale).

A post-colonial pamphlet on the ethnological museums of Europe, primarily the upcoming Humboldt Forum in Berlin.

Publication documenting a series of workshops involving Raumlabor, a Berlin-based group architects, and the youths of Barca, a neighbourhood in outskirts of Turin. The project, which advocates for the re-appropriation of the public space, saw the development of a series of inhabitable environmental installations.

This publication documents a visual research on the perimeters of all five boroughs of New York, featuring a photographic portfolio, a set of maps and a series of texts.

Comprised of a series of texts, drawings and photographs, this catalogue documents and expands on the multimedia installation by "Natascha Süder Happelmann" (Natascha Sadr Haghighian), an artistic reflection on ruinous space (catalogue of the German Pavilion at the 58th Venice Biennale).

The second in the series of publications "Notes on Archives" dedicated to archival practices, Culture is Our Business offers a comparative case study on the archival policies of a commercial agency and a non-profit independent organization through the example of a 1919 image by photographer Willy Römer.

The fourth in the series of publications "Notes on Archives" dedicated to archival practices, Dear Jadwa draws on a photographic archive from the Wadi Ara Valley in Israel to reflect on how visual archives can shed light on forgotten stories.

This artist's book derives from a series of videos documenting the present situation of six unrecognized Republics on the border of Eastern Europe and Western Asia. Vellahu collects the collective memories of people and lands which have been affected by years of war and by the politics of borders.

Both a journal and a photographic report, this publication documents Luca Vitone's travel from Italy to India, in the footsteps of the first Roma migrations between the eighth and fourteenth centuries.

This monographs presents a decade of Wudtke's artistic work on gentrification in the city of Berlin.