An insight into the radical film praxis and extensive oeuvre of Serbian filmmaker Želimir Žilnik.

The partitions, to be activated by the reader, by Marcel Alocco, Edouard Boyer, Matali Crasset, Jean-Claude da Silva, Frédéric Dumond, Jacques Jouet, Nicolas Richard, Sébastien Roux>, Yoann Thommerel, Éric Watier.

The ultra-blackness manifesto: a Deleuzian reading of the philosophical and socio-political stakes of the current electronic music scene (publication marking the reactivation of the influential label Mille Plateaux, with texts by an ensemble of international musicians, artists and theorists: Frédéric Neyrat, Achim Szepanski, Holger Schulze, Gerriet K. Sharma, Bernd Herzogenrath, Corry Shores, Marcus Schmickler, Thomas Brinkmann, Thomas Köner...).

Frédéric Acquaviva's new record—A QR code record without record limited to 100 copies: a 69 minutes opera for voices (with Joël Hubaut, who also wrote the text, Dorothy Iannone and Loré Lixenberg), dead electronics and video.

The stakes of Francis Picabia's creative process, between exaltation and rejection of the self, at the heart of the constitution of modernity.

A collection of photographs of children who grew up to become famous in a variety of fields, from literature to arts, sports, politics, and even crime. A photographic “Guess Who” of the 20th century in the making.

Françoise et Jean-Philippe Billarant's collection of minimal and conceptual art.

Stefan Banz has brought together and evaluated all the relevant documents and sources relating to Fountain by Richard Mutt alias Marcel Duchamp. At least one thing is certain after reading them: Elsa von Freytag-Loringhoven had definitively nothing to do with the creation of Fountain. In addition, Banz has succeeded in writing a highly inspiring book containing many new and revealing ideas that present this work of the century in a much more differentiated light.

The Fevered Specters of Art is the final chapter of a long-term project curated by Edit Molnár, Lívia Páldi, and Marcel Schwierin that started with a group exhibition at Edith-Russ-Haus für Medienkunst, Oldenburg, in 2016. The show looked back on the epoch of Cold War radicalism and anti-colonial revolution, an era characterized by a proliferation of ideas about how radical social change might permeate the globe.

The comprehensive catalogue of the 9th Busan Biennale, curated by Cristina Ricupero and Jörg Heiser, on the theme of divided territories caused by war, conflict, or colonization.

New monograph, presenting over thirty new works produced specifically for a large-scale curatorial project, with an in-depth essay by Tristan Garcia.

This lavishly illustrated catalogue comprehensively documents three recent projects by Franco-German artist Ulla von Brandenburg.

What can be changed through the twists and tweaks of design, architecture, technology, infrastructure, economics, or daily routines? How can the way we eat, learn, dress, live, and talk be a way to renew ourselves, and so too our society, from the ground up? Given that a different present is almost impossible to imagine and utopia is currently out of reach, this issue looks at the non-heroic ways of doing things differently that can open our minds and make the world better. This issue is all about lifestyle protocols.

Reference monograph.

Publication devoted to the only statement the Belgian artist has ever published about his own work.

An exploration of the theme of emptiness in art (exhibition catalogue).

The publication presents a series of works and two critical texts stemming from Bertrand Lamarche's project on the occult figure of Baphomet.

First publication dedicated to Jamaican-born American photographer Percy Rainford, a longtime collaborator of both Marcel Duchamp and architect Frederick Kiesler. Drawing from extensive archival research and interviews, author Michael R. Taylor showcases the work of this remarkable avant-garde photographer, while also shedding new light on his collaborations with Duchamp and Kiesler.

The second issue of the magazine FREEING (Our Bodies) is dedicated to the musical work of Frédéric Acquaviva: some forty prestigious contributors (Jean-François Bory, Broutin, Laurent Cauwet, Henri Chopin, Jacques Donguy, Michel Giroud, Bernard Heidsieck, Joël Hubaut, Dorothy Iannone, Otto Muehl, Virgile Novarina, ORLAN, Jean-Luc Parant…) examine and pay tribute to this original creator through poetic texts, portraits, drawings, photographs, interviews, chronicles…

Concerto for town and voice created from recordings collected the same day in London and Paris, and illuminated by the voice of mezzo-soprano Loré Lixenberg.

Fourth publication by the collective Suspended spaces, which questions the connections between stories and territories, in the former Portuguese colonies in Africa, Brazil, Portugal and France.

The first publication ever dedicated to the musical works of American painter Louis Michel Eilshemius: Halfway between romantic tradition and futurist audacity, these sound pieces which prefigure the use of sampling are interpreted with virtuosity by the young pianist Imke Lichtwark in the accompanying CD. The book also includes texts by Roberto Ohrt, Sven Daigger, Stefan Banz, and by Eilshemius himself.

Drawing relations between the works of Claude Lévêque and quotes from contemporary writers (Don de Lillo, Pierre Michon, Giorgio Agamben, Gilles Deleuze…), modern writers (Charles Baudelaire, Arthur Rimbaud, Jean Giono, Marcel Proust, Paul Valéry…), and classics (Shakespeare, Dante, Aristote…).

120 true and oxymoronesque scores-instructions composed by Frédéric Acquaviva between 2015 and 2017 in Berlin.

120 true and oxymoronesque scores-instructions composed by Frédéric Acquaviva between 2015 and 2017 in Berlin. Luxury limited edition, signed, including an original artwork and the sound artwork “Oxymoron Music” on CD.

American critic Isabelle Graw conducts an innovative genealogical study on the success of painting as a medium. Keeping a close eye on painting's fourteenth century theoretical foundations, Graw analyses the work of artists like Édouard Manet, Jutta Koether, Martin Kippenberger, Jana Euler, and Marcel Broodthaers. It also includes conversations with artists who confront their vision with that of the author.

This publication revives the fascinating adventure of Pierre Keller's invention and dissemination of the “Kilo-Art,” the “Swiss standard for art measurement.” For the two years 1972 and 1973, the young artist—now a key figure of the contemporary artistic and pedagogical scene in Switzerland—dedicated his life to what he called “conceptual art with realization.”

Art critic Rahma Khazam brings together a heterogeneous collection of authors offering a variety of interpretations on the work of artist and poet Franck Leibovici.

Throughout the twentieth century, critical art history often chose to ally itself with a restrictive brand of formalism. Therefore, critical analyses regularly reduced the artwork to its material and its social use. Based on this observation, historian Sebastian Egenhofer takes Deleuze's readings of philosophers as a starting point to renew the narrative of art history since the 1960s.

The history of capitalism of the 1960s revisited in the light of the artworks that challenged it.

Issues 10 to 12 of the critical review dedicated to graphic design, around Robert Brownjohn, Klaus Scherübel, Julia Born, Simon Starling et Poster of Girl, Revue Emmanuelle.

DVD gathering the video recordings of two musical performances by Frédéric Acquaviva, in French and English, made at EMS in Stockholm and La Plaque tournante in Berlin.

A piece for mezzo, mouths, skins and Buchla, recorded with mezzo-soprano Loré Lixenberg (vinyl sleeve with a CD inside).

Eight essays on the German avant-gardes (Hugo Ball, Max Beckmann, Marcel Breuer, Franz Marc, Merzbau, Expressionnism, Dada…).

Vincent Barras's poems-scores; the music of David Jackman and Organum by Paul Hegarty; Ring-Modulation # 25: "Some Classicism" by Kasper T. Toeplitz; 30 years of Metamkine: interview with Jérôme Noetinger and Franck Laplaine; carte-blanche to Patrick Renaud; chronicles and disc reviews…

Since 2012, Mathieu Copeland et Philippe Decrauzat produce videos stemming from “a desire to film sound, record places, and dive into the process of a material construction and destruction.” This publication—between artist's book and critical essay—considers all films produced until then by the art critic and the artist, and offers a basis for reflexion and work for those to come.

In her brilliant essay, Helen Molesworth pinpoints the significance of the return of the handmade in Duchamp's artistic oeuvre of his later years and, at the same time, and for the very first time, makes this fundamental paradigmatic change the focal point of academic debate.

A collection of texts written between 1983 and 2016, enabling us to comprehend the singularity of Sivan's work. Prefaces in opening section offer insights into this unusual poetry, pointing the links between Sivan's poetic universe and those of Denis Roche, Raymond Roussel, Charles Olson, Maurice Roche, Marcel Duchamp…

Anniversary dictionary of the The French National School for Decorative Arts, which brings together the students and teachers who contributed to the reputation of the school, from Rodin to Xavier Veilhan, Martial Raysse, Francis Picabia, Cieslewicz, and Matisse.

Second issue dedicated to the notion of risk in art, together with a booklet celebrating the 100th anniversary of Fountain, the iconic work by Duchamp. The magazine also features tributes to two recently deceased artists, Gusztav Metzger and Felipe Ehrenberg.

This monograph documents over a decade of works and exhibitions, and offers an intimate portrait of an artist who put the language at the center of his visual practice.

Double QR-Code LP (an empty sleeve with no discs), edition of 100 copies. The recording to listen online is a 5-hour composition for computer voice, first presented in Paris on March 25, 2000: a deepening of the idea of a dematerialized disc.

A study on the relationship between literature and madness from the 18th century until now.

Documentary dedicated to Herman Daled (1930-2020), one of the major collectors of Conceptual art: on a journey from Brussels to New York, the Belgian collector looks back on his past and that of an aesthetic movement that marked the second half of the twentieth century. Grand Prize at the International Festival of Films on Art in Montreal in 2016.

The book of the 14th edition of the international exhibition, curated by Emma Lavigne, with more than 50 artists.

The third issue in a series of publications revolving around the materiality of language: a collection of 18 works and texts by international artists and scholars who examine the physical act of writing.

The catalogue raisonné of the The Franche-Comté Frac, including exhibition views, archives, reproductions, documents, index and essays.

At the heart of this collection of short writings are three provocative texts extracted from important artworks by Rosen, offered here as genre-defying literature at the intersection between reality and fiction, speculative narrative and historical-political critique, humor and eroticism.

What would a current-day demon look like? The Swiss artist playfully rehabilitates these evil figures in 170 minimalist portraits—rendering them as an ideal type of the postmodern, at once terrifying and comical.

An in-depth exploration of the Canadian artist's anthropology-based research method in the form of a conversation with Corinna Ewald, Smaranda Olcèse, and Julie Pellegrin (inaugural title of the “Digressions” series initiated by La Ferme du Buisson in collaboration with Captures editions).