Facsimile edition of an artist book by Marcel Broodthaers based on a verse from Baudelaire's poem La Beauté.

Facsimile edition of an unpublished artist's book by Marcel Broodthaers from 1968 referring to Stéphane Mallarmé's poem “Un coup de dés jamais n'abolira le hasard.”

Reproduction of the artist's book published in 1975.

Poetry and space for Marcel Broodthaers—a critical essay.

A collection of conferences for an exibition.

A poetic conversation, in five acts, between Yvon Lambert (Paris), Marie-Charlotte Calafat (director of the Mucem collections), Stéphane Ibars (artistic director of the Lambert collection), and numerous artists, accompanies the exhibition, which brings together works from the Yvon Lambert collection and Mucem folk art objects.

A book bringing together about 160 portraits of artists when they were "about" five years old.

Interviews with Michel Dector et Jean-Baptiste Farkas, Alice Dourlen, Apichatpong Weerasethakul, Jim O'Rourke, Steven Stapleton, Andrea Laszlo De Simone; Johanna Went and Dame Darcy by Nicolas Ballet; Mickael Vis; Yûichi Yokoyama; SMITH; Marcel Broodthaers; Current 93; IKHÉA©SERVICES; Alan Dunn; Oskar Schlemmer; Blaine L. Reininger; Martin Le Chevallier; Ludovic Chemarin©...

A cultural examination of the enigmatically iconic figure of the Dandy, both in history and as a figure for the future.

The third volume of Une décennie, an anthology of ten years of exhibitions at the Frac Franche-Comté, between 2013 and 2022.

A trans-theoretical essay: Arnaud Labelle-Rojoux explores the arcana of artists' cult status through a kaleidoscopic series of portraits of "banished" visual artists, filmmakers, writers, musicians and architects, from William S. Burroughs to Jean-Luc Godard via John Cage.

Comprehensive documentation on the vast and daring interdisciplinary project conceived and staged by the Swiss artist John Armleder, a programme of exhibitions comprising invitations to other artists as well as presentations of different collections, for the Kanal-Centre Pompidou spaces.

A bilingual text by Alessandro De Francesco that blurs the boundaries between art and poetry.

Published on the occasion of the forty-year anniversary of Chantal Crousel Gallery, this extensive publication (more than 700 pages) traces the history of the gallery, a major actor on the contemporary art scene, in France and abroad.

Françoise et Jean-Philippe Billarant's collection of minimal and conceptual art.

What can be changed through the twists and tweaks of design, architecture, technology, infrastructure, economics, or daily routines? How can the way we eat, learn, dress, live, and talk be a way to renew ourselves, and so too our society, from the ground up? Given that a different present is almost impossible to imagine and utopia is currently out of reach, this issue looks at the non-heroic ways of doing things differently that can open our minds and make the world better. This issue is all about lifestyle protocols.

American critic Isabelle Graw conducts an innovative genealogical study on the success of painting as a medium. Keeping a close eye on painting's fourteenth century theoretical foundations, Graw analyses the work of artists like Édouard Manet, Jutta Koether, Martin Kippenberger, Jana Euler, and Marcel Broodthaers. It also includes conversations with artists who confront their vision with that of the author.

The history of capitalism of the 1960s revisited in the light of the artworks that challenged it.

Issues 10 to 12 of the critical review dedicated to graphic design, around Robert Brownjohn, Klaus Scherübel, Julia Born, Simon Starling et Poster of Girl, Revue Emmanuelle.

Documentary dedicated to Herman Daled (1930-2020), one of the major collectors of Conceptual art: on a journey from Brussels to New York, the Belgian collector looks back on his past and that of an aesthetic movement that marked the second half of the twentieth century. Grand Prize at the International Festival of Films on Art in Montreal in 2016.

The book of the 14th edition of the international exhibition, curated by Emma Lavigne, with more than 50 artists.

The third issue in a series of publications revolving around the materiality of language: a collection of 18 works and texts by international artists and scholars who examine the physical act of writing.

This work is the result of a historiographical research work carried out to revive the highlights of the Centre d'Art Contemporain Genève since its creation in 1974 to the present day. Articulated in two sections, the book traces, through nearly 500 richly illustrated pages, the singular history and the moments of grace of the first Kunsthalle of French-speaking Switzerland.

Summer preview of 45 shows worldwide; Irene V. Small explores Jennifer Allora & Guillermo Calzadilla's latest project, which places a Dan Flavin light sculpture deep in a cave in Puerto Rico; Christine Macel talks with Michelle Kuo about the 57th edition of the Venice Biennale; Art Under Nationalism: Dispatch from Warsaw; Johanna Fateman and Tobi Haslett on the 2017 Whitney Biennial and the violence of cultural representation; Ara Osterweil on Warhol and Fassbinder; Lantian Xie; the fall-winter 2017 fashion collections, and much more.

This Flipbook by Michalis Pichler is a reformulation of the artist's film Une Seconde d'Éternité (d'après un idée de Charles Baudelaire) by Marcel Broodthaers (8mm film, b/w, 1 sec.).

October issue of Supernova's fanzine, including an unpublished text by J.G. Ballard. Each copy is accompanied by an original color stencil by French artist Serge Stephan.

This catalogue examines the role of the Museion Bolzano in the urban environment of Bolzano city in Italy by looking back at the museum's history and mission from the perspective of artists in all disciplines: architects, filmmakers, performers, musicians, composers, etc. These are joined by a number of major historical works that have inspired the exhibition throughout its conception and helped our understanding of museographic history.

This issue explores contemporary archetypes—the microcelebrity, the one-percenter, the refugee, the feminist, the sleeper, the saviour, and the thief—who likewise occupy a position between hyper- and invisibility within the social space.

A typology of erasure as artistic gesture throughout the twentieth century.

Drawing on key texts by S. M. Eisenstein, Deleuze and Guattari, Alain Badiou, Donna Haraway et al., and analyzing works by iconic artists and contemporary ones, this volume brings together theory and art, showing how both turned to animals to find new ways of problematizing “life.”

This richly illustrated publication reviews the additions to the Generali Foundation collection made under Sabine Folie's leadership between 2008 and 2014.

L'Écart et l'Accolade gathers 23 texts of various kinds dedicated to contemporary artists, artistic practices, the art critic, exhibitions and curatorial activities.

In the Holocene is based on a 2012 group exhibition of the same name at the MIT List Visual Arts Center that explored art as a speculative science, investigating principles more commonly associated with scientific or mathematical thought.

A special issue dedicated to words written by artists—essays, articles, poetry, scripts, drafts, letters, telegrams, notes and footnotes, and text-based artworks.

Volume #6 explores the production spaces and other soundscapes, through the works of Marie Cool Fabio Balducci, Martin Kersels, Raymond Gervais, Janet Cardiff & George Bures Miller or Dan Peterman, Marcel Broodthaers' performance at Speakers' Corner, and Audio Arts magazine. With special interventions by Arnaud Maguet and Cocktail Designers.

The work of Raymond Roussel as a point of departure for an oblique and transversal reading of 20th century art.

Documenta 5 in film.

Catalogue of a double exhibition dedicated to the contemporary British art scene.

This mini, compact catalogue, accompanies the eponymous exhibition at CAPC museum of contemporary art of Bordeaux.

A study of political and ideological stakes of Beuys' oeuvre and its myth in Germany.

Catalogue of the second Rennes Biennal (available in English edition).

Theoretical and artistic reflections on the history and contemporary relevance of animism.

Third volume of the ultimate collection of archives of all the avant-garde in Belgium from Magritte to Broodthaers, from James Ensor to Christian Dotremont.

A selection of Xerox printed preliminary works by artists—based on the 1966 book by Mel Bochner following the iconic conceptual art exhibition “Working Drawing And Other Visible Things On Paper Not Necessarily Meant To Be Viewed As Art”.

Exhibition catalogue of the 1972 show that took place at the occasion of the 5th birthday of the Yvon Lambert gallery.