With exceptional contributions of artists, academics and musicians, Benga, A Kenyan Kaleidoscope investigates the future of East African music and avant gardes in the limelight of a digitalization of artistic practises.

Through numerous previously unpublished pictures and essays, this publication explores the history of the playground as it was shaped by education, architecture, art, and politics, and pays tribute to the most important figures, many of them forgotten today (second revised and expanded edition).

A collection of texts about space and artists working with it.

Under the title of Merry Xenotism!, Diaphanes #4 directs its attention to everything foreign and different, to the other in the same and the same in the other. With contributions from art, literature, and discourse by Leonard Suryajaya, Slavs & Tartars, Lynn Hershman-Leeson, Yves Netzhammer, Jean-Luc Nancy, Tianzhuo Chen, Elena Dorfman, Maria Gabriela Llansol, A.K. Kaiza, Miguel Tamen, Lina Atfah, Michele Pedrazzi, Angelika Meier, Joseph Morder, Jordan Lee Schnee, Jochen Thermann, and many others.

Interviews with LaToya Ruby Frazier and Fred Moten, Sergio De La Pava, Nina Hoss, Barbara Hammer, Joseph Keckler, Lydia Ourahmane, Kaneza Schaal, Hank Willis Thomas and Kambui Olujimi, and Summer Wheat; portfolio by Ville Kumpulainen; poetry and fiction; an essay by Terrance Hayes; journal by Yun-Fei Ji; exhibitions and books' reviews…

Pascal Dombis's monograph spans 25 years of digital creations exploring the excess, repetition and unpredictability of technological processes. The publication includes a large iconography (200 images), an interview with the artist, two specially-commissioned essays and a collection of articles from 2002-2015 reviewing Dombis's constant evolution.

Craig Kalpakjian is a pionneer in the use of digital software for artistic purposes. This first monographic book is an in-depth look at Kalpakjian's work Black Box, an installation featuring a robotic dog taking pictures. The artist examines this work in cunjunction with declassified CIA and Army Intelligence interrogation manuals. The publication includes an interview with Bob Nickas, and essays by curator Paul Wombell and Gilles Deleuze.

Anniversary monograph celebrating the twenty-year activity of the label Optical Sound and its founder Pierre Beloüin: this anthological publication traces twenty years of activity at the intersection of experimental music and contemporary art, featuring unpublished documents and exhibitions views, an insert, as well as critical texts and interviews.

Best of 2017: A renowned group of critics, artists, and curators from around the world take stock of the year in art, and of art's place amid social, judicial, political, and ecological shifts; Five celebrated cineasts select the top films of the year; Five musicians and artists name their music highlights of the year; Seven scholars, curators, writers, and artists choose the year's outstanding titles; 40 artists from around the world choose the most striking work, event, or exhibition of the year…

The fourth issue of the annual research book-magazine at the intersection of architecture, art and economy, explores the figure of the living as the key to contemporary challenges. Contributions by experts in different fields of knowledge offers the opportunity to rethink our relationship to the ecosystem and the new technologies, and to bring forward the essential notion of cohabitation.

The 10th issue of the art and research magazine is dedicated to Italian pedagogist Maria Montessori.

A study on the relationship between literature and madness from the 18th century until now.

An introductory examination of asylum art before the theorization of art brut, followed by a new critical edition of French alienist Marcel Réja's study on the “madmen's art”.

A two-record album of 21 original sound works by artists who exhibited at the Ronald Feldman Gallery in New York—including Eleanor Antin, Joseph Beuys, Chris Burden, Terry Fox, William Burroughs…

10 exhibition reviews, 7 interviews, 10 exhibitions in pictures, some artists special projects, and the chronicles (Raymond Pettibon, Herzog & de Meuron, Wade Guyton, Bruno Serralongue, Richard Phillips, Suzanne Koller, Bruno Gironcoli, Joe Bradley, Bertrand Lavier, John Currin, Marina Faust…).

The Second Sound is an imaginary conversation based on the testimonies of musicians and sound artists on the role of gender and sex within their field.

This monograph dedicated to Wyatt Kahn encompasses his painting production from 2011 to 2017, and introduces his recent exploration of photography.

A special issue on “The Politics of Everyday Life,” which asks, how does the political reveal itself in quotidian experience—its images, its forms, its events? Featuring responses by Silvia Federici, Simon Critchley, Julie Ault, Mariel O. Wilson, and others; a roundtable on cultural appropriation; Mimi Thi Nguyen on the politics of the hijab; plus Summer reading recommendations, Peter Eleey on Trisha Brown, Murtaza Vali on the Sharjah Biennial, Luke Skrebowski on Robert Rauschenberg, and much more.

The Second Sound is an imaginary conversation based on the testimonies of musicians and sound artists on the role of gender and sex within their field.

This work is the result of a historiographical research work carried out to revive the highlights of the Centre d'Art Contemporain Genève since its creation in 1974 to the present day. Articulated in two sections, the book traces, through nearly 500 richly illustrated pages, the singular history and the moments of grace of the first Kunsthalle of French-speaking Switzerland.

An illustrated almanac on arts, science, and society, dedicated to the wise men and the fools.

Drawing on examples from France and the United States, this publication offers a multidisciplinary reflection on a new type of engagement of art in democracy, renewing relationships between creation, culture and society (adaptated from a French publication on the New Patrons's activities, updated with contributions from the Anglo-American intellectual scene).

Paperback tribute guide to the work of Italian artist Salvatore Mangione (Salvo).

A selection of unreleased or hard-to-locate works from 2003 to 2008, a very prolific and creative period for the Californian artist.

This monograph offers a sweeping vision of the work of Lebanese artist Gebran Tarazi, whose paintings combine geometrical abstraction with oriental identity. The publication gathers reproductions of paintings, multidisciplinary projects, a selection of writings by the artist—log books, novel excerpts, correspondences—interviews, and critical texts.

Reprint of a 2006 catalogue documenting the series of exhibitions and interventions curated by Hans Ulrich Obrist and Pedro Reyes at Casa Luis Barragán's in Mexico City (with Francis Alÿs, Daniel Buren, Gilbert & George, Dominique Gonzales-Foerster, Joseph Grigely, Rem Koolhaas, Lygia Pape, Anri Sala, Ettore Sottsass, Rikrit Tiravanija, Niele Toroni…).

Connectivity and artistic practices.

10th anniversary box set gathering the complete collection of Sans niveau ni mètre (43 issues), the newspaper dedicated to the exhibitions showcased at Le Cabinet du livre d'artiste, a French-based space dedicated to artist's books since 2007.

A collection of sound works by Fluxus artists and affiliates (with Walter Marchetti, Juan Hidalgo, La Monte Young, Ben Vautier, Wolf Vostell, Milan Knižák, Robert Filliou, Alison Knowles, Emmett Williams, John Cage, Joseph Beuys, Yoko Ono, Dick Higgins, Philip Corner, Eric Andersen, Robert Watts, Nam June Paik, and Ken Friedman).

Editorial tribute to Dominique Répécaud, “Reflexio” section with Yann Leguay and Franck Lebovici, interviews with Yoshi Wada, Axel Dörner and Jean-Marc Foussat, “The Instruments of happiness” by Kasper T. Toeplitz, disc reviews, and more.

A remarkably well-documented and detailed book on designer Richard Hollis's graphic work for London's Whitechapel Gallery, from the late 1960s to the mid-1980s.

The inaugural issue of Blank Forms' anthology, bringing together a combination of never-before published, lost, and new materials that supplement the non-profit's live programs. It is envisioned as a platform for critical reflection and extended dialogue between scholars, artists, and other figures working within the world of experimental music and art.

Nightfall gives an overview of Gothic imagination in the arts, from the 18th century to the present day. This pocket-sized catalogue examines the persistent influence of the pioneering works of modern gothic fiction through a series of essays and a rich iconography.

The work of African-American artist Rashid Johnson is considered central in the contemporary debate revolving around the issues of identity, integration and memory. This exhibition catalogue showcases a series of his most iconic oeuvres to offer an intimate yet broad introduction to Johnson's artistic practice.

Interviews with the artist Alain Bublex and the architect-designer-researcher Joseph Grima, a text by the designer and typographer François Chastanet on the graffiti of Los Angeles gangs...

A special section on Artists on Politics featuring Zoe Leonard, Dread Scott, and Wolfgang Tillmans, the architecture of Donald Trump, Johanna Fateman on Paul Verhoeven's new film Elle, a Top Ten from DJ collective Discwoman, and Joseph Gringley's portfolio “Soundscaping.” Plus, reviews from Tallinn, Washington DC, Munich, Sharjah, Paris, and more.

Limited edition, cover by Ari Marcopoulos, with three stickers.

Jordan Wolfson, Ari Marcopoulos, Kahlil Joseph & Deana Lawson, Pierre Paulin, interview with Nhu Duong, contributions by Darja Bajagić, Georgi & Ketuta Alexi-Meskhishvili, Korakrit Arunanondchai, Julie Verhoeven, special feature on Disorientalism including interviews with Sophia Al-Maria and Meriem Bennani, two essays, a case study and a round table, Christopher Williams, Jasper Spicero, Alexa Karolinski & Ingo Niermann's Army of Love, a tribute to Alan Vega…

Fall 2016 exhibition previews, featuring 45 noteworthy shows worldwide. Plus, Kerry James Marshall on Marvel's Black Panther, Alan Licht on Martin Creed's “The Back Door,” the art of Willem de Rooij, Amy Taubin on the art of Bruce Conner, a special dispatch on art in Dakar, Jill Magid discusses her new work, and Hannah Black reviews the 9th Berlin Biennale…

The second issue features contributions by a range of authors from different fields such as art criticism, investigative journalism, postcapitalist economics, accelerationist philosophy and transhumanist theory. Featuring: Kenny Schachter, Linda Yablonsky, Michael Gross, Paul Mason, Natasha Vita-More, Armen Avanessian, Joseph Walsh, Casey Jane Ellison and Christian Haye.

An acoustic-phonetic approach of book's corporeality in 38 tracks.

The artist's own archive of phantasmagoria: a unique collection of objects and ephemera relating to magic, the paranormal, occultism, pseudoscience, technology as well as their cultural and media portrayals (new edition).

Peeping Tom's Digest is an experimental, empirical and subjective publication dedicated to contemporary artistic practices. This issue, dedicated to Paris, teases out an offbeat and distanced portrait of the Parisian and French scene

Peeping Tom's Digest is an experimental, empirical and subjective publication dedicated to contemporary artistic practices. This issue, dedicated to Paris, teases out an offbeat and distanced portrait of the Parisian and French scene

This applied research project and publication deals with archival practice and its spatial repercussions. Inquiring whether any accumulation and organization of knowledge is productive—to the effect that it generates a narrative and / or history—the project focuses specifically on archives becoming productive due to their spatial framework.

A collection of unpublished or rare texts by architect and theoretician Frederick Kiesler written between 1927 and 1957.

Liaisons urbaines [Urban Connections] chronicles the development and implementation of an eponymous programme for enhancing public spaces in African cities by operations that combine urban planning and development, design, art and heritage.

The complete PDF edition of the avant-garde journal Change, created by Jean Pierre Faye in 1968: 42 facsimile issues in a 8482-page file with free-text search engine.

Special Beatles Studies issue.

British novelist Tom McCarthy questions the specific obsession with time in modern and contemporary literature, examining the works of Thomas Pynchon, J. G. Ballard, Maurice Blanchot, Thomas Mann, Joseph Conrad, James Joyce, and William Faulkner. The essay is followed by a conversation with the author in which he discusses his own practice of writing.