The third issue of the annual research book-magazine at the intersection of architecture, art and economy, addresses our urban condition at the age of Anthropocene, with contributions by about forty renowned international contributors (Nicolas Bourriaud, Pierre Huyghe, Yann Moulier-Boutang, Pierre Musso, Neri Oxman, Christian de Portzamparc, Saskia Sassen, Richard Sennett, Jean Viard...), in long and elaborate interviews.

Different “augmented” perspectives from a visit of Giorgio de Chirico's flat.

As a body of repertoire, these 150 pieces of Christian Wolff are remarkable for their freshness of musical thought and energy (John Cage considered Wolff to be the most “musical” of the experimental composers).

First monograph.

MacLise's early electronic music.

Some thoughts on authority by Jan Verwoert, Stylometry by John Menick, The Theater of Violence by Sladja Blazan, Manila in the Claws of Darkness by Giulio Bursi, Gottfried Lindauer, On Disintegration by Andrew Durbin, Notes on the Post-Digital Condition by Omar Kholeif, Learning To Escape the Politics of Prediction by Chus Martínez, Robert Gober, Jean-Frédéric Schnyder, Mélanie Matranga, Guan Xiao, Minimalism as Pathos by Nick Currie, Alice Könitz / Kim Fisher, Steinar Haga Kristensen, Bruce McLean / Tamara Henderson, The End of Art in Public Space by Jennifer Allen...

A replay of the collection of the FRAC Champagne-Ardenne by Swiss graphic design studio Gavillet & Rust.

The origins and creating process of the artwork.

Invece is an art and poetry review directed by Julien Blaine. It gathers contributions based on a specific theme. This second issue is dedicated to Native American warchief Rain in the Face.

A genealogy of cut-up: the history and development of a radical and pioneering literary technique, in Europe and the US, in the twentieth century (readings from William S. Burroughs).

A retrospective overview of the 12th edition of the Lyon Biennale, curated by Icelandic curator Gunnar B. Kvaran, with a focus on the two parallel programs “Veduta” and “Resonance”, held in the Lyon conurbation and its region.

Lasse Marhaug, Les Instants Chavirés, William Basinski, Uzeste Musical / Cie Lubat de Gasconha, a history of musical destructions by Matthieu Saladin (on John Cage)...

Collection of poems bringing together French authors on the fringes of literary trends, past and present. Under the supervision of François Dominique and Bruno Lemoine. This edition includes a DVD of video-poems by Isabelle Filleul de Brohy.

Improvisation as musical and political experimentation (essay).

A film, a portrait of Guy de Cointet (1934-1983), a French-born artist based in California who created text and sculptural works, often combining them as props and stage sets in theatrical performance pieces (interviews with John Baldessari, Larry Bell, Morgan Fisher, Paul McCarthy, Christophe Bourseiller, etc.).

An anthology of the international avant-garde poetry journal created in 1796 by Julien Blaine.

A special edition dedicated to curating.

The possibility of concrete truth as a working hypothesis, for an art that not only represents and documents, but engages in specific political and social situations—and for an activism that searches for intelligent, creative means of self-empowerment.

Artist's book.

This artist's book / CD includes an innovative work made of sound and pictures related to an installation made by the artist in Japan in 2012.

This inter- and transdisciplinary collection of essays by philosophers, artists, critics, and art historians, reconsiders the place of the aesthetic in contemporary art, with reference to four main themes: aesthetics as “sensate thinking”; the dissolution of artistic limits; post-autonomous practices; and exhibition-values in a global artworld.

A series of drawings inspired by H.P.Lovecraft (artist's book).

The first monographic close reading of Ashley Bickerton's influential early work (texts by Abigail Solomon-Godeau, Bob Nickas, Thomas Lawson, John C. Welchman...).

Works, authors and rights: music and dance in globalization.

This book excavates the notion of forensis (Latin for “pertaining to the forum”) to designate the role of material forensics in articulating new notions of public truth. The condition of forensis is one in which aesthetic practices, new technologies, and architectural research methodologies bear upon the legal implications of political struggle, violent conflict, and climate change.

The first publication of a play by one of the pioneers of conceptual art in Los Angeles (new edition).

One year in the art world.

Sound (and aural perception) in contemporary art.

Both an exhibition catalogue, a retrospective of thirty years of graphic research, and an experimental hybrid publication that provides the reader with a graphic and sensorial universe by experimenting with enhanced reality devices with the body.

Both an exhibition catalogue, a retrospective of thirty years of graphic research, and an experimental hybrid publication that provides the reader with a graphic and sensorial universe by experimenting with enhanced reality devices with the body.

The complete series of works made by David Toop for Sub Rosa, 1996-2003.

This catalogue documents the theoretical and practical research stemming from a project inspired by the legendary exhibition “Art by Telephone” held at the Museum of Contemporary Art in Chicago in 1969, extending it today with contributions from new artists. The works were first orally conveyed by telephone to then be interpreted, activated, and produced by art students.

The legendary French trumpeter is back after 20 years with its special atmosphere and feeling, and a lot of guests—a real event.

Terry Adkins, Kai Althoff, Art After Art, Art Against the Net, Art and Appropriation, Josh Bitelli & Felix Melia, Elaine Cameron-Weir, Paul Chan, Liz Deschenes, João Enxuto & Erica Love, Hallucination Museum, Alex Olson, Laura Owens & Lisa Williamson, A Pedagogy of Invention, Sean Raspet, Cameron Rowland, Ben Schumacher & Jared Madere, A.L. Steiner, Stylometry, Franz Erhard Walther, The Work of Images in the Age of Digital Reproduction, Worldly Worlding, The Artist as Curator.

A collection of essays on contemporary art, literature, landscape, aesthetics, and cultural history.

A “memorial” consisting of testimonies and interviews with friends, models, collaborators, and specialists of Robert Mapplethorpe (Pierre Apraxine, Pierre Bergé, Germano Celant, Lucinda Childs, Marcus Leatherdale, Richard Marshall, Bettina Rheims...).

Ten texts written by Peter Wächtler between 2011 and 2013.

The logbook and review of the first two years of the journey of the mobile contemporary art museum for children: 32 000 kilometers in 5 countries to meet 40 000 children, with 250 educational and cultural partner structures...

Toilet Paper in book form: this deluxe volume gathers all of the images published in the first five issues of the magazine, re-edited by Dennis Freedman in collaboration with Maurizio Cattelan; it also includes a significant portion of previously unpublished images.

The Diamond limited edition of 1000 copies includes the book Toilet Paper + a special Toilet Paper magazine issue. The front cover of the book has a lenticular image and the magazine features an unseen combination of images of Toilet Paper (limited edition of 1000 copies).

On Art and Film, Art and Moving Images, Ross Birrell and David Harding, Yve Laris Cohen, Con Jobs, Douglas Coupland, Heinrich Dunst, Jimmie Durham, Ed Fornieles, Brennan Gerard and Ryan Kelly, Patrick Jackson, Wyatt Kahn, Amar Kanwar, Isabel Lewis, Liberation through Laziness, Heather Phillipson, Organic Photography, Torbjørn Rødland, Surrealism and Tags, Philippe Thomas, Brad Troemel, The Artist as Curator (Richard Hamilton and Victor Pasmore, John Cage)...

The collected essays presented here form the compartments of Hans Ulrich Obrist's curatorial toolbox, along with elucidating his views on stewardship, patronage, and art itself. Influences and interlocutors cited and discussed here include, among others, Alexander Dorner, Édouard Glissant, Claude Lévi-Strauss, Jean-François Lyotard, Dominique de Menil, Josef Ortner, Cedric Price, Sir John Soane, and Harald Szeemann.

A new perspective on one of the most sticking bodies of work to have emerged in the last twenty years.

Art and teaching.

Critical texts by Kim Gordon brought together for the first time.

Françoise et Jean-Philippe Billarant's collection of minimal and conceptual art.

In his influential 1986 text, now translated into English for the first time, Swiss artist Rémy Zaugg (1943–2005) laid out fundamental ideas on the art museum. For him, the museum is an everyday tool that enables the encounter between viewer and work—raising the question of the kind of architecture appropriate for such a space.

Other Writing.

A short retrospective of the blog Au grisli clandestin, a visual annex of the musical website Le son du grisli.

An anthology: selected criticism, essays, interviews, and curatorial projects, since 1986-2012.