Three films on the art of copying & the works of painter Jean-Baptiste Chardin.

The series of "Papiers Ouverts" by Jean Degottex (1918-1978) created in 1974 and poems by Maurice Benhamou fed the improvisations of the two musicians. Ghosts, ruins, stars, rubble ... punctuate this work recorded in Belgium, Monos gallery.

A portrait of painter Max Schoendorff through a long-lenght interview, a collection of writings and paintings, and a sketchbook.

Conférences sur l'affinité de la peinture avec le reste des beaux-arts (“Conferences on the affinity of painting with other fine arts”) shed a new light on the career of the inventor of the famous Morse code, best known at his time as one of America's most promising painters of his generation.

The heighth volume of Rémy Zaugg's complete writings (1988-1989): a portrait of Jean-Christophe Ammann.

Soun-Gui Kim engages her collaborators—philosophers Jacques Derrida and Jean-Luc Nancy, and John Cage—in conversation about contemporary art and the relationship of artists to the globalized art world and market, from the perspective of Eastern thought.

A literary and philosophic exploration of the various states of sleep. Embark upon a dreamlike path to the heart of sleep through the reading of four texts by Michel Butor, Clément Rosset, Pierre Pachet and Jean-Luc Nancy, and a series of sleepers.

Invited by Marie de Brugerolle, a group of artists look at the work of John Baldessari.

Aesthetics of breathing: new ways of getting to know the air we breathe and developing a sensitive culture of air qualities.

A massive anthology of photographs made by Ari Marcopoulos between 2009 and 2018, featuring an introduction text by the artist as well as an essay by art critic, curator, and New York figure Bob Nickas..

A total environment-cum-woodland utopia created by an all-star team of "mad sculptors" led by Jean Tinguely.

a panoramic view of John Cornu's practice since 2006, with thirty-eight works accompanied by thirty-eight texts by historians, curators, conservation experts, art critics, and contemporary artists, with as many different approaches and possible readings.

Renewing our understanding of Ruscha's art.

A collective work examining fifty years of poetic activity by Bernard Heidsieck (1928-2014), a central figure in sound poetry and performance poetry, a major poet of the second half of the 20th century, along multiple axes.

An overview of the early days of video art in Europe, drawing on a network of some fifty researchers.

Françoise et Jean-Philippe Billarant's collection of minimal and conceptual art.

Irène Schwartz's notebooks enable us to follow the entire creative process that, between 1973 and 1983, led the artist to three actions in the field of body art or, more specifically, eat art.

A collection of texts and interviews, some previously unpublished, covering a period of 40 years, with rare illustrations.

Writings, manuscripts, bibliography, index.

The 22 exhibitions programmed by Philippe Piguet at La chapelle de la Visitation art center in Thonon-les-Bains since 2018, in 400 pages.

An education turned around by art: famous English anthropologist Tim Ingold invites us to consider the arts as the very basis of an education in the 21st-century, an education that might begin to address the profound social and ecological crises we face.

The very first monograph dedicated to the work of Bruno Pélassy (1966–2002), featuring all his works, installation views, and a vast range of materials from his unpublished personal archive.

Monograph dedicated to the famous designer's early work.

The ultimate edition of percussionist Lê Quan Ninh's famous text, which explores, in the form of an ABC, the singular experience of improvising and free improvisation.

A philosopher's journey into the heart of New York artistic life.

A very personal essay that provides a clear introduction to Gilles Deleuze's thinking through his relationship with cinema, seen as a field of experimentation (existential, conceptual and aesthetic) to resist death, disaster and the stupefaction produced by the “modern fact”.

An essay by Yoann Sarrat on two works by Jean-François Bory and Kathy Acker.

A visual corpus that brings together one hundred and thirty-two artists' books collected and reproduced as part of an artistic residency conducted at the Centre des livres d'artistes (Saint-Yrieix-la-Perche).

The first attempt at a philological reconstruction of the seminal exhibition Materializzazione del linguaggio, curated in 1978 by Mirella Bentivoglio within an edition of the Biennale di Venezia, and dedicated to the verbo-visual explorations of eighty international women artists.

Seven European women artists (Katinka Bock, Claire-Jeanne Jézéquel, Rachel Labastie, Mélanie Matranga, Juliette Minchin, Valérie Mréjen, Agnès Thurnauer) brought together by Sébastien Gokalp share their views on Eva Hesse (1936–1970), a major figure of the 20th century.

First monograph: an exploration of the thought of the exhibition in relation to its spaces, contexts, and encounters.

A drawn chronicle of sleepless nights, Vigil brings together over one hundred and sixty drawings by the artist.

The new volume of an experimental series on historiography, about toys.

How AI can be used in the creative process in art and design.

An illustrated almanac on arts, science, and society, dedicated to the wise men and the fools.

A groundbreaking, multidisciplinary collection that rethinks our present moment and anticipates the key concepts that will shape and direct the twenty-first century.

An anthology of the constructivist movement, bringing together newly translated or previously unpublished writings by artists and theorists, accompanied by numerous illustrations and an extensive critical apparatus: this reference volume sheds new light on the multiplicity and diversity of the approaches of constructivism and productivism in the 1920s-30, and provides a major contribution to the studies of the Soviet avant-garde.

Jean-Christophe Thomas analyzes François Bayle's complete work in 52 recurring features (book augmented with 151 sound examples to download).

A large survey of Marc Hurtado's cinematographic, musical, poetic and plastic work, with texts by some thirty authors, artists, critics, poets and musicians from all over the world (Lydia Lunch, Pascal Comelade, Nicolas Ballet, F.J. Ossang, Kris Needs, Nick Soulsby, Nicole Brenez, Vincent Deville, Romain Perrot, Alexandre Breton, Marie Möör...).

A performance by Jérôme Lorichon (Buchla, electronics), Thierry Müller (electric guitar, iPad) and Quentin Rollet (saxophones), recorded live on May 5, 2016 at Le Détail, Paris.

Four veterans of experimental music get together for a sunny studio improvisation.

Three long poems by American writer, artist and actor Rene Ricard (1946-2014), an icon of the New York underground in the 1970s, accompanied by a series of drawings by American painter Robert Hawkins.

Gathering reflections and testimonies of exhibitions realized by Yann Annicchiarico in various countries, this looks back at a unique state of perception, related to the experience of emptiness and to the suspension of attention, an essential element in the artist's research.

Two revenant stories by Léon Bloy (1846-1917), with music by Nurse With Wound.

The facsimile of a never-before-published catalogue, documenting a Milanese exhibition banned by the police in 1992, renders the productions and stances of a group of Italian artists in the artistic context of the time.

To mark the centenary of Surrealism, this ephemeral journal, featuring 150 contemporary voices from literature, art, cinema, poetry, theater, and civil society, brings together over 200 unpublished contributions, responding to the surrealist enquiries.

Kiki Jones; Fady Joudah; Mica Levi; Pascale Ciapp; Kasper T. Toeplitz; Graham Lambkin; Risaripa; Steve Albini; David Grubbs; DASDAS...

Book-object: a collection of fifty drawings made on a train, within the meanders of a straight line.