One year in the art world.

Imposture, falsification and diversion.

Representation of pain in the art of the twentieth and twenty-first centuries.

The legendary French trumpeter is back after 20 years with its special atmosphere and feeling, and a lot of guests—a real event.

The legendary French trumpeter is back after 20 years with its special atmosphere and feeling, and a lot of guests—a real event.

This catalogue documents the theoretical and practical research stemming from a project inspired by the legendary exhibition “Art by Telephone” held at the Museum of Contemporary Art in Chicago in 1969, extending it today with contributions from new artists. The works were first orally conveyed by telephone to then be interpreted, activated, and produced by art students.

Capture is such a productive fictitious rock band, that nobody can consume everything. It produces new music, words, images, videos and derived products every hour. Capture reverses the consumerism ideology and the relation between desire and objects. This publication documents the project.

This richly illustrated catalogue presents the work of Florence Louise Petetin in all its variety: paintings, drawings, graphic works, performances, texts, video, etc. In appendix, a selection of texts and poems by the artist.

A real, potential and fictitious museum by Michel Giroud.

This record highlights Leo Kupper's earliest unique compositions produced during the 1960's when he was ardently seeking out structures distinctly applicable to purely electronic sounds.

What happened to the boy Tadzio on the Venetian Lido beach in Thomas Mann's and Luchino Visconti's Death in Venice? British director Peter Greenaway relates Tadzio's future.

Austrian painter Oskar Kokoschka's love for Alma Mahler was so great that he had a life-sized model of her made. The OK Doll, by Peter Greenaway, is the script for an unrealized film about the doll that Kokoschka lived with for three years.

For its ten-year anniversary, the magazine addresses the fascination and obsession towards the conquest of space. The issue invites Italian authors to discuss the subject of outer space, and artists in residence at the French Space Agency document their projects (Pierre Senges, Charles Pennequin, Jean Lambert-wild, Vannina Maestri, Éric Pessan).

Essays and conversations about the practice of exhibition making; artistic projects and conversations of artists and curators (Ruba Katrib and Anthea Hamilton, Anna Gritz and Richard Sides, Diego Perrone by Cecilia Canziani, Parker Ito by Liv Barrett, George Henry Longly and Nicoletta Lambertucci, Michele Abeles and Margaret Lee, Ian Cheng, Tilman Hornig, Sara Cwynar...).

The social dimensions of artist's books.

Edouard Baribeaud, documentation céline duval, Hendrik Hegray, Jean-Baptiste Mondino, Claude Parent, Dominique Perrault, Yvan Salomone, Virginie Yassef, Erwin Wurm...

A collection of texts by Voltairine de Cleyre and Emma Goldman, two visionary anarchist women at the turn of the twentieth century.

First monograph.

Artist's book.

A tribute to Monique Antelme (Danielle Cohen-Levinas, Jean-Luc Nancy, Maurice Nadeau; testimonials...); Blanchot and the Jewish issues (Danielle Cohen-Levinas with Jean-Luc Nancy, Edmond Jabès, David Banon, Michael Holland, Ginette Michaud, Jacques Derrida and Maurice Blanchot); studies (Christophe Bident on Blanchot and Leiris, Pascal Gibourg, Francesco Vitale on Derrida); reading notes.

Françoise et Jean-Philippe Billarant's collection of minimal and conceptual art.

The collected essays presented here form the compartments of Hans Ulrich Obrist's curatorial toolbox, along with elucidating his views on stewardship, patronage, and art itself. Influences and interlocutors cited and discussed here include, among others, Alexander Dorner, Édouard Glissant, Claude Lévi-Strauss, Jean-François Lyotard, Dominique de Menil, Josef Ortner, Cedric Price, Sir John Soane, and Harald Szeemann.

On Art and Film, Art and Moving Images, Ross Birrell and David Harding, Yve Laris Cohen, Con Jobs, Douglas Coupland, Heinrich Dunst, Jimmie Durham, Ed Fornieles, Brennan Gerard and Ryan Kelly, Patrick Jackson, Wyatt Kahn, Amar Kanwar, Isabel Lewis, Liberation through Laziness, Heather Phillipson, Organic Photography, Torbjørn Rødland, Surrealism and Tags, Philippe Thomas, Brad Troemel, The Artist as Curator (Richard Hamilton and Victor Pasmore, John Cage)...

Art and teaching.

Richard Nonas / Claire-Jeanne Jézéquel / Hans Segers / Sylvie Bonnot / Les Ateliers du Plessix-Madeuc / Lionel Redon / Claire Tabouret / Peter Soriano / Ulla von Brandenburg / Marianne Berenhaut.

Special issue (two of two): sixteen exhibitions held in 2013 as part of the "Ulysses" curatorial program coordinated by the FRAC Provence-Alpes-Cote d'Azur, on the occasion of Marseille-Provence 2013.

Ella Kruglyanskaya, Christian Falsnaes, Ned Vena, Haroon Mirza, Loretta Fahrenholz; the deployment of off-camera commentary as a conceptual device in moving image works; the controversial work of Francesco Vezzoli; Kaspar Müller, Simon Castets, the art scene in Shanghai, Christina Ramberg, Albert Oehlen, Matthew Barney...

A collection of essays in which Chantal Pontbriand examines themes of being-in-common in today's world and their relation to the development of art practices.

A reflection on the notion of transmission (but also on the issues involved in an exhibition catalogue).

This script by Peter Greenaway follows Russian director Eisenstein to Guanajuato, Mexico, where he worked for ten days on Que Viva Mexico. Ten days that shook Eisenstein face to face with sex and death which changed the man and the filmmaker.

Artist Bill Vorn creates robotics as part of his research on artificial life and machine anthropomorphism. This catalogue, intended to be a robograhpy of the artist, attempts to understand, if perhaps not the phenomenon, then at least Bill Vorn's innovative approach to it (with contributions by Ian Fenelon and Jean-Paul Fourmentraux).

First monograph.

The catalogue of the artists' residency curated by (SIC) at the 55th Venice Biennale, with about 15 Belgian visual and video artists and authors.

An epistemology of performance (also available in English edition).

An historical and theoretical investigation into art teaching and transmission.

Sixty years of sound and music creation on the French Riviera and beyond (with Jean Dupuy, Éliane Radigue, Arnaud Maguet, Jean-Jacques Lebel, Sun Ra, Yves Klein, Thomas Köner, Pascal Broccolichi, Lars Fredrikson, Robert Malaval, Ludovic Lignon, The Bells Angels...).

Issue dedicated to Marguerite Duras.

A meeting of the GOL group with Brunhild Meyer-Ferrari around the piece composed in 1969 by Luc Ferrari, and an improvisation.

The novel by Jean-Louis Costes in a deluxe edition, illustrated by Anne Van der Linden—the crazy epic of Costes' grandfather at the beginning of the 20th century: a Cossack in Russia, a legionnaire in Morocco, a convict in Guyana and a collaborator in 1940...

An introduction to robotic art in twenty installations and performances. The catalogue includes a brief history of the artist and the robot's relationship by Austrian curator Gottfried Hattinger.

Luciano Castelli's self-portraits.

Monograph dedicated to the German artist which gathers a series of figurative paintings inspired by her practice of photography and site-specific painting. The publication includes commissioned texts by various contributors.

Interviews Special Issue.

Picture disc by Jean-Luc Verna's band.

A complete survey of performance arts between Quebec, Colombia, Spain, Switzerland, Uruguay, and Vietnam.

Christine Baudillon, Robin Fox, PaaLabRes, a history of musical destructions by Matthieu Saladin (part 4)...

Largely due to the “linguistic turn” that has dominated the humanities since the mid-twentieth century, many contemporary scholars and artists habitually equate works of art with highly coded texts to be deciphered, deconstructed, or otherwise interpreted. Within this quest to consider art differently, Jorella Andrews and Simon O'Sullivan pay attention to the asignifying character of art, or simply its affective qualities.

A collective publication that brings together artists and researchers on the issue of the body.

Listening: Discourses, Practices, Mediations.

Issue devoted to the phalanstery and its (few) representations: a rigorous as well as singular contribution on the traditional ambiguities passing through the relationship between utopia and its image.