A musical encounter between two important and uncompromising figures in contemporary experimental music in France.

A musical encounter between two important and uncompromising figures in contemporary experimental music in France.

The catalogue of the 2021 Belgrade Biennale, exploring the space of dream as a metaphorical space of freedom, capable of re-reading categories, rules, and the most common certainties.

New edition of Thomas Köner's fourth album, recorded in 1994-1995.

Fantas Variations features eight reworks of Caterina Barbieri's composition Fantas (Ecstatic Computation, 2019) by a diverse mix of artists lending to a wide spectrum of new works extrapolated from the original work.

A "poly-autobiographical" musical combinatory poem inspired by the life stories of a group of musicians whose testimonies Alessandro Bosetti has collected, exploring the shifting and multiple dimension of identities through voice expression, between electro-acoustic research, jazz and experimental opera.

Binding a deep social and political conscious with rigorous musical experimentation, the Brussels based, Italian pianist, performer, composer, Giovanni Di Domenico, delivers Downtown Ethnic Music, the 4th instalment of Die Schachtel's Decay Music series, focused on inspired contemporary experimental efforts in the ambient, ethereal, and emotively abstract music.

A new edition of Thomas Köner's album inspired by the capital of Greenland and the wide open spaces of the Arctic region, an ideal gateway into the world of the German musician and sound artist.

Cylene Suisse Redux documents François J. Bonnet and Stephen O'Malley's Switzerland tour in December 2019, following the release of their first album, Cylene, whose material is re-worked by Jim O'Rourke and Ryoji Ikeda.

The new solo work for concrete sounds, electronics and instruments from Australian composer-performer James Rushford: a shimmering and skittering piece inspired by the play of light and shadow on water.

An album created as a loosely structured piece for live performance in 2018-2019, commissioned by CTM in Berlin and Sonic Acts in Amsterdam, and premiered there on the GRM Acousmonium. The music is inspired by—and dedicated to—the pioneering research of American composer and installation artist Maryanne Amacher (1938-2009), and created entirely on the Serge Modular analog synthesizer.

Yann Gourdon's new album (hurdy-gurdy) continues his exploration of places and their history through sound.

A new edition of Thomas Köner's album inspired by the capital of Greenland and the wide open spaces of the Arctic region, an ideal gateway into the world of the German musician and sound artist.

The debut full-length resulting from the collaboration between composer/producer Britton Powell and two Berlin-based artists, the British composer/cellist Lucy Railton and the electronic artist Brian Leeds (Huerco S), who fell into alignment in December of 2018 amid a handful of immersive and improvisatory recording sessions held at Gary's Electric Studio in Brooklyn, New York.

The first volume of a new series of publications by the collective Wages For Wages Against that reports on active research engaged within the artistic professions and institutions since 2017. Its aim is to question the underlying neoliberal logics in the contemporary art world, by orienting its object of study towards the struggles that impact it.

The collection of the Musée d'art et d'histoire de la Ville de Genève revisited by the transversal scenographic interventions of the Viennese artist and performer Jakob Lena Knebl, who turns perspectives upside down and radically renews our perception of the works.

A beautiful work that features piano, electronics, processing, and field recordings.

Can we recognize a book by its silhouette? (an artist's book about artists' books).

An uncanny electroacoustic composition that incorporates field recordings, synthesis, and acoustic sources, among Carlos Casas's most ambitious and accomplished musical endeavors to date.

Don Cherry's lost Summer House Sessions finally available over fifty years after they were recorded.

Don Cherry’s New Researches featuring Naná Vasconcelos.

A heterophonic musical piece for performative concert, composed by the choreographer Lotus Eddé Khouri.

A work of orchestral scale, merging a vast number of heavily manipulated sound-sources, made from the most minimal means by the British-Iranian experimental composer and turntabist.

Jean-Luc Guionnet and Claire Bergerault have been working as an organ and voice duo in various churches since 2007. The challenge is, each time, to adapt to the configuration of the building and the organ, and then to stretch their music on the breach of this singularity.

Post-isolationist, deep ambient & folk classic Murder Ballads (Drift) by M.J. Harris (Scorn) and Martyn Bates (Eyeless in Gaza) re-emerges in this first vinyl outing.

Building on the ground of many of the historic French electroacoustic pioneers connected to studios like Groupe de Recherches Musicales (GRM), while moving into new realms, this electroacoustic composition of sprawling scope weaves a free-standing world of texture and sublimated tonality to produce ambient expanses comprising pointillistic detail drawing on unplaceable generative sources.

Joachim Nordwall proposes for his contribution to the MMXX series a singular gesture built around captured vocalizations: the work's title, spoken by a number of voices, stands as doubling mantra and raw material, increasingly repeated layered, processed, and fed with further tonal and textural interventions over its duration, allowing Nordwall to push the boundaries of his own practice, between musique concrète, sound-art, and experimental electroacoustic music.

This catalogue brings together a series of contributions taking as inspiration Polys Peslikas's painting at the Cyprus Pavilion at the 57th Venice Biennale, in 2017.

An inspiring album that dissolves the boundary that too often separates live and studio, improvisation and composition.

An off-track, frenetic and exciting improvisation session bringing together musicians who have known each other for many years and are playing together for the first time.

A new interpretation of the explosive frog breeding phenomenon.

The first-time vinyl edition of CC Hennix's 2014 piece "Blues Alif Lam Mim in the Mode of Rag Infinity/Rag Cosmosis," intended to reveal the blues' origins in the eastern musical traditions of raga and makam.

An electronic interpretation of the works of Phill Niblock by the Prague-based group Opening Performance Orchestra.

An exquisite corpse (four pieces resulting from a process of musical exchange between Jean-Philippe Gross and Jérôme Noetinger).

Deluxe boxed set of Graham Lambkin's remastered first four solo records, including an expansive 42-page book with unseen photos and reproductions of artworks as well as essays and anecdotal recollections.

First vinyl edition of the 3rd album by Norscq (The Grief / The Atlas Project) that combines ancient texts, oriental singing, post-industrial electronica and dark ambient.

An album of “synthetic exotica & pseudo-ethnographic music”.

A photographic journey through the architecture and history of the capital of Pakistan, built ex nihilo from 1961 to the mid 1970s.

Italian pianist, performer and composer Giovanni Di Domenico presents 4 new pieces in collaboration with Eiko Ishibashi, Jim O'Rourke, Joe Talia and Tatsuhisa Yamamoto.

Two essentiel works of musique concrète commissioned for and and realised at the GRM by Lionel Marchetti during the mid ‘90s.

Two contrasting pieces by French composer Michèle Bokanowski, recorded a decade apart, which nevertheless demonstrate her unique style.

A collection of iterative cello performance that foregrounds shaking as a generative subject and explores the harmonic pulses of the instrument.

Two pieces for cello and humming written specifically for Judith Hamann by composers Sarah Hennies and Anthony Pateras alongside Hamann's own “Humming Suite” and “Study for cello and humming.”

A split album as part of the GRM Portraits series with two electroacoustic pieces by Florian Hecker (computer-generated multiphonic sounds and resynthesized recordings of localized textures) and Okkyung Lee (an acousmatic piece written for computer-generated sounds, pre-recorded materials and cello that was developed for the Acousmonium sound diffusion system during a residence at Ina GRM, Paris, in January 2019).

David Shea's The Thousand Buddha Caves explores his deep and continuous interest in the nexus of eastern and western musical forms. The recording charts his life long fascination with the caves and their connection to sound, ritual and Buddhist teachings. The record transposes those interests and is an evocation to the mythologies spinning forth from the caves.

An industrial and psychedelic sound piece recorded at the opening of CM von Hausswolff’s solo exhibition “INSNITT” at 3:e Våningen, Gothenburg, in 2018, with John Duncan, Leif Elggren, Jean Louis-Huhta, Joachim Nordwall, and Henrik Rylander.

A total musical and visual performance.

The latest album by Iranian-American electronic music producer Sote is an all electronic affair, harmonically maximalist, predominantly symphonic-synthetic, requiring active listening.

A collection of the writings, in the form of slogans, which have accompanied Marcello Maloberti in almost thirty years of poetics.

The 2020 remaster & vinyl reissue of PM016 by Danish musician Mads Emil Nielsen, re-mastered and cut by Kassian Troyer, with cover artwork by visual artist Dane Patterson.