A selection of xerox copies coming from original drawings reproduced by hand fifty times by twenty artists as part of an editorial game organized by Fabio Marco Micheli and Gigotti Pirovino in 2014 (limited edition).

Featuring: interview and portfolio by Michel Houellebecq, Bouchra Ouizguen in Marrakech, which cultural life in New Orleans, 10 years after Katrina? (reportage), a portrait of Tiago Rodrigues, director of the National Theatre of Lisbon, Titus Andronicus's punk opera...

A touring exhibition which explores the existing and sometimes hypothetical connections that led four Chinese artists to settle down in Eighties' New York.

Musician Kamran Sadeghi took field recordings from an anthropological research on Tierra del Fuego as a starting point to compose his digital musical score for a video installation by Mario Pfeifer.

This book discusses preservation and outcomes of design-related objects in artistic collections taking the example of Dieter Roth's works inside the Frac Bretagne's collection.

Chef Pierre Hermé's culinary performance at Harvard University.

Twenty-nine artists invest a forgotten building site in Roma during 72 consecutive hours without any institutional oversight.

This catalogue interrogates the notion of play in contemporary art, bringing together artists who use formats and imagery from popular culture usually addressed to children or teenagers.

Avant-garde meets Cinecittà: in 1964, artists Baruchello and Griffi edit found footage of Hollywood films from the fifties in Italian version. This original assemblage seeks to disclose the formatting process in the Cinema Industry and offer a new meaning to images.

This new “varia” issue of Volume! is made of six papers proposing different while often complementary perspectives on popular music (the role of the Hellfest festival in representations and uses of metal culture, discourses of loudness in rock music, recent evolutions in South American music, Damon Albarn and the English identity, La Monte Young vs The Velvet Underground). Also in the issue: Alf Björnberg and wind harmony, a musical device by Bruno Lefebvre...

An aesthetic and ethical approaches to the handling of natural resources. By drawing connections between works that derive from artistic practice, journalism, philosophy, activism, and other realms of research, “World of Matter” provides a place of commonality for eco-logical imaginaries.

Stephanie Kloss's photographs capture the mythos and utopianism of architecture in locations as diverse as Athens, Berlin, the United States, and Japan (catalogue / artist's book).

Ixiptla vol. 3 explores archaeological heritage and how it is expressed, contaminated or dissolved in the present.

This luxury monograph focuses on Xavier Veilhan's Architectones project, a series of interventions started in 2012 in which the artist invests major modernist's architectural sites.

A concrete / post-digital oratorio in 5 parts.

A concrete / post-digital oratorio in 5 parts.

A piece for voice(s) an dead electronics with Loré Lixenberg (mezzo-soprano).

First monograph / artist's book.

An artist's book presenting the many aspects of Susan Cianciolo's artworks.

Summer Winter East West discusses Martin Beck's engagement with display not only as a tool of presentation but also as a form of communication—within and beyond the realm of the exhibition.

With Rubber Man (2015), Khvay responds to the colonial legacy of land use and its effects on Cambodia's indigenous forests and culture today.

This catalogue, based on works and publications in the Serralves Collection, reconstitutes the trajectory of the KWY group and its members—from Lisbon to Paris, to Munich—, their collaborations with other artists and publications and their links to international avant-garde movements.

First monograph.

Comprehensive monograph of the Californian artist and political activist.

Before History catalogues the exhibition for the Abraaj Group Art Prize 2015, which includes a new body of work by Yto Barrada, the winner of the prize, and existing work by shortlisted artists Sarnath Banerjee, Setareh Shahbazi, and Mounira Al Solh.

A volume of photographs by Heinz Peter Knes representing a small selection from his extensive archive of travel photography dating back to 2010.

A shamanic journey in Tazartès's universe.

The Korean artist's first monograph.

The extraordinary recordings from 1978 by David Toop of Yanomami ritual songs, shamanistic ceremonies and rainforest sounds. The 40 pages booklet recounts the full story of his fascinating journey in 1978 through the Amazon jungle to meet and record the last Yanomami shamen.

The extraordinary recordings from 1978 by David Toop of Yanomami ritual songs, shamanistic ceremonies and rainforest sounds. The 40 pages booklet recounts the full story of his fascinating journey in 1978 through the Amazon jungle to meet and record the last Yanomami shamen (LP version mixed by Lawrence English).

Fines as an artistic medium: Stefan Marx illustrates the monetary penalties collected by Christoph Keller for its activity as a distiller.

An extensive documentation on Céleste Boursier-Mougenot's installation for the French Pavilion of the 56th International Art Exhibition of the Venice Biennale.

First published in German in 1987, this is artist and writer Jutta Koether's meditation on painting. In novella form, f. follows several disembodied female characters as they consider velvet, coral, the curtain, money, color, red.

A text by André Salmon on French anarchist Léon Léhautier, accompanied by a mini-CD containing a piece by Nurse With Wound, Close to You.

Disembodied girls and sadistic imagery: the nightmarish and disturbing universe of The Pit. Perfect, graphically speaking.

The complete work (unreleased for the most part of it) by a key composer of Belgian electronic music.

Miriam Sturzenegger's Renovieren is a compilation of texts about space, time, and the relationship between them, as well as with her work.

The catalogue of the Iraqi Pavilion at the 56th Venice Biennale.

No World is an original piece in an audio book composed from daily images, sounds and texts collected through the Internet, songs, poems, interviews and field recordings created by Winter Family between 2011 and 2014 while living between Paris and in the Caribbean neighbourhoods of Brooklyn, NYC.

After the infamous split in the Situationist International in 1962, the Danish artist J. V. Martin was unexpectedly put in charge of the group's Scandinavian section. This book is the first presentation of Martin's strange trajectory within the SI, in which he would remain a member until the group's dissolution in 1972.

Catalogue.

This publication supplements the exhibition of the same title at the MAXXI museum in Rome and contains a selection of texts, installation views and a special section focused on Huang Yong Ping's project notes, sketches and models.

Alice Dourlen' new EP stands has a condensed document of a 18 months non-stop tour, melting experimental and oriental sounds with a strong theatrical aesthetics.

An innovative study of David Claerbout's work, following the shady—and dark—logic, until now never raised by critics, that structures many of his films with mineral duration and slowness, but also number of “invisible” photographs.

A photographic account of Carsten Höller's journeys to the Democratic Republic of the Congo for the purpose of a film about Fara Fara music.

A montage of theoretical and speculative texts, conversations, fictions, and documents exploring different tactics of production and intellectual exchange that operate in the interstices between artistic, educational, and political contexts, and imagine novel institutional forms.

An interdisciplinary reflection on the new figures of subjectivity in the digital age.

The internet is an ever-growing storage space of information that we have come to rely on—but what does this thing called the internet really mean? (contributions by Julian Assange, Franco “Bifo” Berardi, Diedrich Diederichsen, Joana Hadjithomas & Khalil Joreige, Bruno Latour, Hans Ulrich Obrist, Hito Steyerl...).

This publication is devoted to the phenomenon of the artist novel, and whether it can be considered to be a medium in its own right within the visual arts. Thanks to the contributions of a selected group of artists, writers, curators, and scholars this publication strives to demonstrate that literature, when treated by visual artists, can take place well beyond the space of the book.

This third Art Zoyd cult album was no more available since years. Re-released with a new artwork and additional track.