The first ever portrait album of Ash Fure's music, performed by the International Contemporary Ensemble, Interlochen Arts Academy Orchestra, Rebekah Heller, Brandon Lopez, and Nate Wooley. Released as a limited edition hardcover book with a digital download code included, featuring documentation from Ash Fure's immersive performances, commentary by the composer, an interview with Nate Wooley (Sound American editor), and contributions from Zachary Woolfe (New York Times), Steve Smith (New Yorker), and others.

How the question of legitimacy and authenticity has influenced the practices and receptions of hip-hop music.

A piece composed by Phill Niblock, performed live by Ensemble IRE trio: Kasper T. Toeplitz (ebass), Franck Vigroux (eguitar), Hélène Breschand (e harp) on side A / a piece composed and performed by Kasper T.Toeplitz (ebass) and Franck Vigroux (guitar, electronics) on side B.

A small selection of Ronan Bouroullec's recent drawings.

Set alongside guest contributions, this catalogue offers, from the works of the two Dutch artists Nicky Assmann and Jan Robert Leegte, a fresh take on the fundamental concept of nature, in an age when science and technology are capable of replicating its phenomena.

Ian Kiaer's new monograph is based on a project that the artist began several years ago and whose configuration changes with the circumstances. Drawing on the notion of marginal endnotes in books, it references the utopian concepts of the Austrian American architect Frederick Kiesler (1890-1965).

Presenting the first perfomance of Hermann Nitsch's grand and large-scale “Traubenfleisch” symphony.

The life and work of Maryanne Amacher are as vast as they are as yet unknown. Situated at the very onset of serious study of her papers, Amy Cimini and Bill Dietz offer a heterodox and idiosyncratic selection of largely unpublished documents spanning the bandwidth of the still unprocessed contents of the Amacher archive (hardcover edition).

Reissue of Nitsch's very first release, originally published in 1972 by Edition Galerie Klewan in a limited edition of 100 copies.

Monograph / artist's book.

First issue of the critical journal published by Cosa Mentale, in which the words of the architecture practice Bruther and of Laurent Stalder, professor of architecture history at ETH, confront each other around the theme of “hypercomfort.”

This book is dedicated to the work of Roberto Sironi, as part of a series of monographs on the thought and work of young contemporary designers. The activity of the Italian designer unfolds through highly symbolic projects, based on his personal interest in anthropology and ethnology.

Entonnoir de Nous: a machine misunderstands two humans over several years, and unwittingly writes a book of poetry.

Book / sonic sculpture.

A series of drawings made in Paris with felt pen in small notebooks. The hours-long work on the drawings, which are all made right on the spot, displaces Giezendanner into meditation and lets him perceive the urban space in different ways.

Drawing from notions of "bad poetry" as the critical undoing of normative taste, Antilogy brings together works by the Brazilian artist and poet Alex Hamburger.

A collection of texts by Alessandro Bosetti, between theory, poetry and score, all of which breathe in concert with a series of sound projects and often focus on the voice from different angles and perspectives.

The third solo album by Paris-based Japanese experimental musician and sound artist Tomoko Sauvage, recorded in a former water tank in Berlin, a building with a special architecture and acoustics.

Conceived as a children's book, Stories of Little and Big Blossoms is a collection of illustrated short stories about Elham, a little Iranian girl exiled in Germany, and her difficulties to fit in this new environment. A poetic work on exile, friendship, courage and open-mindedness, inspired by the childhood of author and illustrator, Shirin Azari.

The series of photographs plastered by Alessio Bolzoni over twenty six billboards in sixteen different locations across the city of Milan.

Drawings and texts by Olivier Bringer (series of 30 drawings and 12 unpublished texts printed on Munken paper).

Denis Lavant reads/says the poem Vents by Saint-John Perse (1946), accompanied by Quentin Rollet (saxophones) and Patrick Müller (electrosonic). With the participation of Romain Perrot (guitar).

Sébastien Roux pushes Max Neuhaus' concept of succession of timbres to a new height in a drastically systematic composition.

Agricultural landscapes and portraits of the Swiss Alps: a fascinating visual study of the relationship between humans, animals and topography in the context of a rapidly changing agriculture and dairy industry.

Stéphane Vigny's first monograph, conceived as an object with several levels of reading, as well as the sculptures of the artist.

Steve DiBenedetto's drawings.

Matali Crasset's drawings sketchbooks.

Thulani Davis' collection of poetry about music.

New monograph / artists' book.

This book is dedicated to the work of Marcin Rusak, as part of a series of monographs on the thought and work of young contemporary designers.

Catalogue dedicated to contemporary artists whose production concentrate on the reuse of existing images (new expanded edition). This publication investigates the various practices of these iconographer artists through documentation, illustrations, essays, and interviews (with Haris Epaminonda, Wade Guyton, Camille Henrot, Thomas Hirschhorn, Jonathan Monk, Linder Sterling…).

A survey of the history of temporary exhibitions in France, through a series of interviews with 38 curators.

Ça m'est égal: The Involution of Desire by Estelle Hoy; Hervé Guibert by Pierre-Alexandre Mateos and Charles Teyssou; Julien Nguyen by Mónica Belevan; Andrew Berardini on artist, writer, and Semiotext(e) coeditor Hedi El Kholti; Tsai Ming-liang by Dora Budor; Wendy Vogel on artist and writer Rosemary Mayer (1943–2014), one of the founding members of A.I.R., New York's first all-women cooperative gallery; Carolyn Lazard by Richard Birkett; Tuan Andrew Nguyen converses with Rahel Aima...

Curating performing arts (a research project by Reykjavik-based curators Alexander Roberts and Ásgerður G. Gunnarsdóttir).

Female identity through the images of five Italian women photographers, 1965-1985: a reflection on identity and its representation in recent history.

A book produced in conjunction with Bauer Verlag's eponymous series of screenings at the Studio/Cinema in Brooklyn, with about 25 contributions.

The first ever anthology of feminist poetry from Russia.

Karbe Dinel creates a complex work of sound that shifts through diverse moods and seamlessly dovetailed sections, using synthesizer and effects to create deep resonating tones and high pitched complements, mysterious grainy ambience, haunting chambers of drifting electronics; a mysterious and compelling journey in the electronic realm.

A phenomenology of voice and hearing.

Klima #3 focuses on the occult, the spiritual dimension that emanates from the different encounters and cohabitations of the living and the non-living, the deviant and erudite aspects of witchcraft, magic, rituals, spiritism and their societal implications.

Six films around six exhibitions by Cécile Bart, closer to the aesthetics of an artist's film than a documentary, introducing the viewer to the proximity of the works.

In 2020, Julien Blaine, born in 1942, inventories (and offers) what remains in an artist's studio at the end of a lifetime of creation. Le grand dépotoir brings together essays, letters and reflections on his vast poetic enterprise since its beginnings.

Julien Blaine's new collection of poetic, visual and typographic experiments.

This collection of texts—with many unpublished—spans over half a century of the conceptual artist's radical engagement with art education and its institutions.

This luxurious monograph presents a wide selection of works by Izumi Kato, Japanese painter and sculptor known for his mysterious representations of human figures with primitive aesthetics, alongside exhibition views. It is accompanied by four original critical texts and a poem by the artist.

Reissue of Nitsch's very first release, originally published in 1972 by Edition Galerie Klewan in a limited edition of 100 copies.

First monograph.

David Graeber's interviews (with Mehdi Belhaj Kacem, Nika Dubrovsky, and Assia Turquier-Zauberman) redefine the contours of what an anarchist morality could be today.