A series of drawings created by Cornelissen after a stay in Svalbard, where he resided in 2018 at the invitation of the Arctic Center of the University of Groningen, and during which the focus of his work slowly shifted from political mythology to ecology.

A critical approach to visual communication and contemporary globalist aesthetics.

The new solo work of the French musician Pascal Battus: four pieces composed exclusively with cymbals, producing different types of resonances and as many sound expanses.

A "story-poem", forming one of the parts of a project by Jean-Guy Coulange that also includes two radio plays and an exhibition.

The third issue of the critical review Dixit in which the words of the architectural practice OFFICE Kersten Geers David Van Severen and the Brussels artist Richard Venlet confront each other around the theme of "Still Life".

20 proposals for the intersection of artistic practice and research in academic milieu.

An unprecedented insight into Louise Bourgeois' art by Jenny Holzer.

Nicolas Bourriaud invites artists from all around the world to question the contemporaneity of the romantic concept of the sublime, at the age of the anthropocene.

Nicolas Bourriaud invites artists from all around the world to question the contemporaneity of the romantic concept of the sublime, at the age of the anthropocene.

This richly illustrated volume offers the occasion to discover Tomoo Gokita's latest body of work, featuring his newest large-scale paintings and a number of never-before-seen works made under lockdown during the pandemic.

A project conceived by Julie Crenn around the interactions and interdependencies inherent to life, with ecofeminist thoughts and texts by Julie Crenn, Emmanuelle Coccia, Gilles Clément and Marie Thiann-Bo Morel.

Sadie Barnette, Gabriel Chaile, Vaginal Davis, Marlene Dumas, Ja'Tovia Gary, Stanislava Kovalcikova, Matthew Langan-Peck, Na Mira, Joseph Yaeger...

A resource book for curatorial studies and exhibition history, based on the case of the Göteborg International Biennial for Contemporary Art.

The catalogue of ARS22, the tenth edition in the series of major international contemporary art exhibitions originally launched in 1961 in Helsinki.

Lush monograph dedicated to the series "Orlando" inspired by Virginia Woolf's novel: more than 200 portraits in which the Swiss painter explores gender roles and identity as well a her own identity as an artist, and the temporality of art history.

Forty-Nine Exhibitions survey Bernhard Rüdiger's work over thirty-five years, organized in reverse chronological order.

Variations on the face: downtown legend Kenny Scharf's permutational exploration of character.

The first retrospective on design in Lebanon, from the 1920s until today, includes works by over 50 designers, uncovering this major design scene in the Middle-East.

Julius Eastman's Four Pianos (1979-80), performed by Melaine Dalibert, Stephane Ginsburgh, Nicols Horvath and Wilhem Latchoumia.

Lily Van der Stokker's illustrated autobiography of her life in New York in the 1980s, when she opened a gallery in the East Village.

Four artist's posters.

An up-close portrayal of late-'90s London's many music scenes, from the pages of Sleazenation and beyond.

Reissue of a milestone of ambient music, produced and released by Brian Eno in 1978, featuring Marion Brown, Gavin Bryars, and Michael Nyman.

Reissue of a milestone of ambient music, produced and released by Brian Eno in 1978, featuring Marion Brown, Gavin Bryars, and Michael Nyman.

The first album in a new collaboration between Tokyo artist Teruyuki Kurihara and London drone pop band The Leaf Library.  

The reissue of the compositions for tape and voice of Ursula Bogner (1946-1994), scientist, phamarcian, artist, "outsider" experimental musician fascinated by Wilhelm Reich's work, whose archives were mysteriously discovered Jan Jelinek, compiled by Andrew Pekler.

An evocative musical tribute to Greek architect and painter Dimitris Pikionis, based on field recordings and small "poor" objects such as tin whistles, music boxes and toy harmonicas: a meditative, whirring, vibrating and suspended sound piece, both "environmental" and particularly musical.

An unusually intimate, close-quarters account of daily life in postwar communist countries.

A gallery of portraits of people listening to a work by Frédéric Acquaviva in progress, laid out like a flip book.

The first ever reissue of the piece recorded by Asger Jorn & Jean Dubuffet in 1960-61 in Paris.

Edition at 1:1 scale of Lefevre Jean Claude's notebook insertions—an investigation into the work of art at work.

The first album of Viennese bass clarinetist Susanna Gartmayer and Düsseldorf-based musician and producer Stefan Schneider (Mapstation), partly recorded at the site of Kraftwerk's old Kling Klang studio, synthesizes aspects of industrial and avant-garde music with jazz.

How to teach art / can we become an artist?

A radio-commissioned album by the Canadian sound artist, based on sound fragments recorded around the world: a subtle and poetic assemblage of concrete sounds and atmospheres that evolve at the boundaries of perception (with Oren Ambarchi and Seiji Morimoto on drums and electronics).

"Two Duos" is pressed from cellist Okkyung Lee's OTO Residency; the first side a duo with Jérôme Noetinger on Revox B77 and the second with Nadia Ratsimandresy on ondes Martenot. Cut together, the two meetings seem to raise three cellos in the search for expressive voice: the cello, it's magnetic reproduction, and the dual controls of the machine invented to expand on its musical qualities.

10th anniversary reissue of this rhythmically churning one-man-band monster of an album, a hypnotic post-/krautrock pulsation recorded in a single inspired studio session, originally released in 2012 on Editions Mego.

10th anniversary reissue of this rhythmically churning one-man-band monster of an album, a hypnotic post-/krautrock pulsation recorded in a single inspired studio session, originally released in 2012 on Editions Mego.

The last album, posthumous, of Ghédalia Tazartès, entirely conceived by himself: a melting pot of unreleased tracks which cover a large part of his career.

The last album, posthumous, of Ghédalia Tazartès, entirely conceived by himself: a melting pot of unreleased tracks which cover a large part of his career.

Originally released in 2005 on Mike Cooper's Hipshot Cd-r label, and reissued here for the first time on vinyl, Spirit Songs deserves to be regarded as a true rediscovered gem, remixed and remastered by Cooper himself.

Giovanni Di Domenico adds another superb piece to his prolific discography with the first of his works to ever feature voice and language as foregrounding elements.

Oceans Of Milk And Treacle is a soundtrack for an otherwise silent film. The title of the album, and of course the film, is borrowed from Mike Cooper's late friend Fred Hardy's book The Religious Culture of India – Power, Love and Wisdom, considered to be one of the most important books on the subject.

2020, as Martial Raysse's most recent sculpture is about to be presented to the public for the first time, Jeanne Barral, who posed for it, traces in this fairy auto‑fiction the stages of her artistic collaboration with the master. How did the model become a subject?

A poetic, "necropolitical" view of sociality in Mexico.

A reflection on the relationship between architecture, art, philosophy and politics based on the house of Paros by Silvia Gmür and Livio Vacchini, a real "thinking machine" offering a lesson of architecture.

Art historian Raimund Stecker looks back at the ever-changing work of German artist Gregor Schneider, who has been transforming his own domestic world since his youth.

The first comprehensive survey of Ian Strange's architectural interventions exploring dislocation and social catastrophe.

A portrait of the Swiss architect-designer couple that reveals their intimate universe and their relationship to art.

Array expresses the experience of a remote Antarctic research station through the convergence of sound, site and performance. The result is an immersive and affective experience of the spaces, protocols and conditions comprising the bracing polar environment.

Through eleven collections and the exploration of two formats (aphorism and short prose), J.J. Zana intends, in this first book, to develop a writing that transcends the concept of genre—or gender.