Through Sinnokrot's agriculture research platform Sakiya, and other ongoing projects that span moving image, sculpture, and socially-engaged practice, Palestine Is Not a Garden examines the potential to develop counter-strategies that effectively decolonial the social, political, economic, and narrative structures that goven relationships to nature in the Occupied Palestinian Territories.

Ivan McClellan's "Eight Seconds" is the result of more than a decade spent living inside Black Cowboy Culture.

This first comprehensive monograph on Mitchell Anderson spans his broad multi-media practice since the early 2010s.

A collection of poetic, dreamlike and synesthetic texts by the Polish writer and artist.

Catalogue.

Reference monograph.

An artist's book conceived by Jorge Macchi as a return—both literal and conceptual—to the city of Buenos Aires as a field of investigation.

An insect theory of media to understand our media devices and our technological modernity.

First monograph on the Swedish artist.

A transversal and analytical reading of Éric Baudart's entire body of work.

Two Thousand Years of Non-Urban History revisits the founding principles of architectural and landscape discourse in the Arabian Peninsula. The publication explores instances of pre-oil planning, ranging from desert kites to fish traps and water channels, upending the toolset for thinking through architecture's relationship to its context.

The first comprehensive monograph on Nina von Albertini's sculptural jewelry which she began making in the late 1970s after becoming a silversmith and moving from Switzerland to Florence and New York.

A companion to Kosovar artist Brilant Milazimi's exhibition for the Republic of Kosovo Pavillion at the 2026 Venice Biennale that reflects on waiting, clenching, sovereignty, perseverance, and teeth.

A poetic, gestural, visual, and semantic exploration that extends the Canadian multidisciplinary artist's work on language and the body into the pages of the book.

Comprehensive monograph.

Comprehensive monograph.

The origins, scope, and legacy of Duchamp's revolution in the visual arts.

A reflection on the autonomy and eternity of art by Canadian writer Madeleine Thien, based on a mural in the Thousand Buddha Grottoes of Bezeklik, China.

In this essay, Thierry de Duve leaves the aesthetics and history of the art to approach, under the religious prism, two anthropological questions that the mutation of the symbolic order in progress makes pressing: the difference of the sexes and the future of the politics of emancipation.

For his debut release on Faitiche, in an award-winning radio collage, the well-known drummer and composer Martin Brandlmayr (Radian, Polwechsel) explores the quiet moments in music and film recordings.

Photographer Julie Glassberg documents the misunderstood alternative culture based around brightly-coloured and neon-lit decorated trucks in Japan.

The Swiss artist and writer studies a place at beetle height.

Shot in the privacy of their bedrooms, Londoners—couples, friends, siblings, and roommates—reveal their personalities and their bonds. Sensual, raw, and magnetic, this series is an ode to the English capital and its inhabitants.

The 2025 Ringier annual report (artist's book).

P. Staff's first collection of poetry.

The second monograph on artist Sarah Tritz looks back on the last ten years of her work.

The first comprehensive and personal look behind the scenes at the architect couple Trix and Robert Haussmann's planning, design and working processes.

A short story by Victor Segalen (1809-1884), set to music by Nurse With Wound.

A genealogy of the modern artist.

An analysis of the processes by which certain seemingly innocuous popular forms of modernity are used to serve fascism, through the example of synchronized dancing, which was imbued with the symbolism of Nazi domination.

A call-to-arms for creatives to make their work widely accessible as a political and communal act.

The last writings of Antonin Artaud published in English and brought together in one edition for the first time.

As part of a series of publications on singular architectural bodies of work, this volume highlights Pierre Lajus' pioneering hedonistic wooden constructions of the 1970s, and gives his work its rightful place in the history of architectural experimentation.

An aesthetic and political reflection on contemporary monumental and commemorative art, at a time of critical revision of history.

Though published during his lifetime, Walter Benjamin's dream notes and theoretical reflections on dreams are collected here for the first time in a single volume.

Fierce Unworking highlights Ko Murobushi's role as an unparalleled pioneer of contemporary paradigms such as body language, the third space or embodied knowledge. Ten years after his death, this volume brings together writings, poems and diary fragments in collaboration with the Ko Murobushi archive in Tokyo, making many of which are available in English for the first time.

A further in-depth insight into the paradoxical universe of Beni Bischof.

A portrait of a unique artist family.

The possibility and conditions of a "de-Berlinized" world order that overcomes a 140-year history of colonial violence.

An artistic inquiry into "future nostalgia".

The years of war and exile of Constant Permeke.

Sylvia Sasse explores and analyzes subversive affirmation as a critical practice in different political systems.

A never released before live CD/DVD by Univers Zéro, a precious testimony to the band's artistic resurgence and stage energy.

The edition offers a new approach to what Ines Weizman names "documentary architecture," meaning that to write about the history of a building is also to map the world in which it is located.

A collective exploration of the murky area where practices from sound art, visual arts, performance, digital technologies, science, but also poetry and philosophy intersect in a constantly evolving digital environment, drawing on the cross-disciplinary dynamics and experiments initiated by the international festival ]interstice[ in Caen.

The Heideggerien deconstruction of metaphysics by Reiner Schürmann.

The first retrospective of the work of Jean-Claude Guillaumon (1943-2022), a self-taught artist who defies categorization, associated with the French Fluxus scene, avid practitioner of happenings and other forms of ephemeral art.

New expanded edition featuring 75 drawings/watercolors by Sigismond de Vajay.