Music Book is a 64-page facsimile artist's book by Sarah Cain, comprising a series of colorful abstractions painted directly over a collection of vintage sheet music.

Retrospective monograph.

An artistic project around the secret code of the Incas developed with a system of knotted cords.

A program of performances, sound installations, projections, and conversations, to explore the relationship between sound, movement, and the social and geographic specifics of Marfa, Texas, at the intersection of music, minimalism, and the political.

A photographic journey through the architecture and history of the capital of Pakistan, built ex nihilo from 1961 to the mid 1970s.

Dave McEnzie, Luke Libera Moore, Niki de Saint Phalle, Chao-Chen Yang...

An anthology.

In a series of essays the artist Edith Brunette and François Lemieux outline collectively a few proposals on the question of inhabiting as put forward from their multiple and tenuous attachements to the land.

169 fundamental free jazzrecords recommended in 180 pages by Maurizio & Roberto Opalio (My Cat Is An Alien) and Philippe Robert, from must-have classics to indispensable curiosities.

This book furthers the reflection that was given form in the exhibition Blues Klair, a site to test History in terms of the present. A series of essays probes the enduring presence of colonialism as well as of alliances and cultural crossovers across time and space through the filter of the colour blue.

A historiography of impressionism: a historical and critical study of the writing of impressionist history as a documentary (de)monstration.

This biography of a fictitious artist constitutes a critical analysis of the professionalization of arts education as well as a support for reflection in favor of the socio-economic responsibilities of artistic practices.

The volume New England brings together a series of portraits by Liu Xiaodong of homonymous subjects. The project represents the artist's search to portray a generation of young Chinese professionals who have moved to London to try and follow their dreams.

Joan Mitchell, Louis Fratino, Cecilia Vicuña, Lorraine O'Grady...

The series of works developed by Sara Enrico around the concept of the textile jumpsuit.

Four artist's posters.

Jupiter is the monograph of the artist Andreas Sell by the curator Joel Mu and the outcome of their collaboration. It includes a selection of Andreas Sell's work of the last fifteen years, an essay in five parts by Joel Mu, and a poem by Alice Heyward.

An exploration of the synesthetic phenomenon, where language and perception interweave in poetical ways.

Issues 27 to 30 of the critical review dedicated to graphic design.

Italian composer Mauro Lanza delivers a masterful and radical work of electroacoustic artistry with his contribution to Matière Mémoire's MMXX Series, between electronic and acoustic tactics, pushing the boundaries of experimental and avant-garde music.

An encounter between Gilles Clément, botanist, landscape gardener and writer, and Thierry Fontaine, photographer, both globetrotters and fascinated by the evolution of living things and mutant landscapes.

An encounter between Gilles Clément, botanist, landscape gardener and writer, and Thierry Fontaine, photographer, both globetrotters and fascinated by the evolution of living things and mutant landscapes.

A new essay by curator and publisher Mathieu Copeland about Arnaud Labelle-Rojoux's reinvention of Allan Kaprow's environment The Apple Shrine and considering, more generally, the themes of reinvention in art and the exhibition form.

Artist's book.

The fertile exchanges between French and American poetry since 1968.

The drawing practice of Kara Walker.

A book about art, publishing and collaboration.

New monograph, documenting a large-scale installation that reflects the artist's dreamlike aesthetic, his ongoing exploration of notions of movement, transition and vulnerability, and mythological narratives, offering a rare glimpse into Clemente's forays into the field of sculpture.

Valentin Husson overturns the traditional hierarchy between being and having, rehabilitating the latter as an ecological imperative, in order to rethink our relationship to the environment, in an innovative re-reading of the history of philosophy.

An conversation around the question of time and the links between the short and long term, the present, the past and the possible futures in the artistic practice of Marie Velardi.

Voce a vento (a vinyl LP + an artist's book) represents the result of a choral, visual and performative intervention realized by Claudia Losi in the Cilento countryside in Southern Italy in 2018.

Isabelle Magnon asked Ghédalia Tazartès to take pictures of his "Cabinet de curiosité". This book shows 40 pictures of Tazartès' objects and small installations. There is a free CD included of the only recorded performance of the trio formed by Ghédalia Tazartès, Jérôme Lorichon and Quentin Rollet.

Special offer for the purchase of the 6 books / DVDs.

The album “Balance” by Frank Bretschneider & Taylor Deupree was originally released in 2002 by Mille Plateaux on CD only. The 9 tracks are a perfect example for the aesthetics to arise within the Click & Cuts scene and (ambient-)glitch music movement of the late 1990s and early 2000s.

Giuseppe Ielasi experiments for the MMXX series with edgy and unpredictable rhythmic elements, buzzing tones and unusual environments.

A tribute to William S. Burroughs.

A tribute to William S. Burroughs.

Entonnoir de Nous: a machine misunderstands two humans over several years, and unwittingly writes a book of poetry.

Book / sonic sculpture.

Denis Lavant reads/says the poem Vents by Saint-John Perse (1946), accompanied by Quentin Rollet (saxophones) and Patrick Müller (electrosonic). With the participation of Romain Perrot (guitar).

Sébastien Roux pushes Max Neuhaus' concept of succession of timbres to a new height in a drastically systematic composition.

Alter Architecture Research Collective's manifesto (contributions by Andreas Rumpfhuber, Tiqqun, Mariapaola Michelotto, Giorgio Agamben and Julian Siravo).

A wide-ranging collective reflection on the philosophical legacy, current resonances and historical articulation of May '68 and the Prague Spring (contributions by Jacques Rancière, Étienne Balibar, Michael Hauser...).

A series of drawings made in Paris with felt pen in small notebooks. The hours-long work on the drawings, which are all made right on the spot, displaces Giezendanner into meditation and lets him perceive the urban space in different ways.

A village, its people, nine characters, some children, a forest. Three seasons : winter, lockdown an spring. Bruissons is the tale of a motionless journey, slightly disrupted. An exhibition – pictures, sounds. And a book.

Sans Grace is the book by two actresses, one from Geneva, the other based in Paris. It takes up the first improvisational exercises that they carried out before conceiving the stage diptych Sans Grace / Avec Grace, on tour in Switzerland and Belgium.

This comprehensive publication by the art foundation Thyssen-Bornemisza Art Contemporary (TBA21) engages with more than 100 works of art in over 1,300 pages, proposing a speculative topography that organizes and weaves together sequences of potential narratives and interrogations along with close examinations of different works of art and a collective archive of images.

Issues 23 to 26 of the critical review dedicated to graphic design.

An historical perspective of the representation of non-western art in western museums and imagination / an essay on the relations between African arts and avant-garde.

First monograph dedicated to Pierre Leguillon's Museum of Mistakes: a traveling exhibition gathering a collection of mass culture artifacts and craft objects, questioning with humor and subversivity the mechanisms of today's visual culture.