A sonic adventure, where the Coax musicians' collective merges with the vibrant spirit of the Groupe d'Entraide Mutuelle de Montreuil, a mental health peer-help structure nicknamed "Les gens du 110". The ebullient, motley crew explores uncharted sonic territory, inspired by a series of workshops at the GEM, amid sculptures, frescoes, odds and ends, cries and laughter...

A series of works by the duo of painters Les Sœurs Siamoises, who work the images together "like a decomplexed table tennis game, with Indian cactus in the pin-up colors of the forests of the kingdom of Siam".

New monograph.

The meeting between the double bass player and singer Fantazio and the workers of a centre providing care through employment in Paris.

Companion book to a project by the artists Annie Vigier and Franck Apertet (les gens d'Uterpan), which emanates from the analysis of individual or collective attitudes and behaviors produced in the public space of a given city.

Artist's book / catalogue.

Artist's book / catalogue.

Installations 2003-2011.

Collection of interviews with author and filmmaker Alexander Kluge and philosopher and professor of literature Joseph Vogl, specially produced by Kluge for German television.

Grounded in theories and practices of withdrawal and in the critical questioning of creation, materiality, and objectified artistic output, The Site Residency program at the Baltic Art Center was imagined as a residency that would result in no material production. This publication presents the outcomes of the program's three participating artists—Annika Eriksson, Susanne Kriemann, Agnieszka Polska—, including the results of their invited ghostwriters.

In the cross-over between sound and architecture.

A new reading of the relationship between art and the "question of style", in a social perspective.

An anthology focusing on architectural and acoustic space, sound sculpture, field/environmental investigation and recording, and site-specificity, featuring writings, visual works, interviews and artist projects by leading experimental composers, sound-artists, architects, contemporary authors, cartographers, and ecologists.

Site Specific Sound documents a series of sound installations from 1998 to 2002 by sound-artist and writer Brandon LaBelle, exploring the relationship between sound and space.

At a time when questions of “place” are active in dialogues around globalization, cultural identities, and the loss of public space, how are artists, theorists, and architects imagining space? “Surface Tension” examines the conversations that occur as negotiations between cultural production and the place of its reception.

Researching the myth.

Four epistolary exchanges between Thierry Chancogne and Richard Niessen about the Palace of Typographic Masonry, a project initiated in 2014 by the Dutch graphic designer as an imaginary architecture devoted entirely to the variety, abundance, digressions and poetry of graphic expression.

The first comprehensive overview of the work of the Argentine-Japanese duo, which builds a unique bridge between Latin America, Europe, and Japan.

A much-needed mapping of the Indian art scene.

Renewing our understanding of Ruscha's art.

Renewing our understanding of Ruscha's art.

This intimate publication documents an iconic art space of the 20th century, the Warsaw apartment and studio of Polish artists Henryk Stazewski (1894–1988) and Edward Krasinski (1925–2004)—a lively artistic and social space shared by multiple artists.

The English translation of Matthieu Peck's third novel, in which he confirms his talent as a stylist.

A critical history of a fundamental video art event: the large-scale study of the entire history of Locarno's VideoArt Festival, the culmination of a four-year research project.

An artist's book conceived by Jorge Macchi as a return—both literal and conceptual—to the city of Buenos Aires as a field of investigation.

Performance in the United States as told by those who practiced and theorized it (texts by Al Hansen, Allan Kaprow, Anna Halprin, Carolee Schneemann, Emmett Williams, George Brecht, John Cage, Jonas Mekas, Robert Watts, Yvonne Rainer).

Performance in the United States as told by those who practiced and theorized it (texts by Carl Loeffler, Chris Burden, Claes Oldenburg, Jean Toche, Joan Jonas, Jon Hendricks, Lucinda Childs, Merce Cunningham, Meredith Monk, Vito Acconci, Wolf Vostell).

An analysis of the processes by which certain seemingly innocuous popular forms of modernity are used to serve fascism, through the example of synchronized dancing, which was imbued with the symbolism of Nazi domination.

The second monograph on artist Sarah Tritz looks back on the last ten years of her work.

A genealogy of the modern artist.

Comprehensive monograph.

Comprehensive monograph.

A poetic, gestural, visual, and semantic exploration that extends the Canadian multidisciplinary artist's work on language and the body into the pages of the book.

The last writings of Antonin Artaud published in English and brought together in one edition for the first time.

An insect theory of media to understand our media devices and our technological modernity.

A 33-year journey through the Venice Biennale (1993–2026).

Based on the relationship between the visible and the invisible in the development of Antoni Muntadas' projects, this publication examines the five series of works that bring together significant projects reflecting Muntadas's artistic approach since 1999.

A radicant thought extended to modes of cultural production, consumption and use, against the multiculturalist critical model.

Art as a set of practices which take as their theoretical and practical point of departure the whole of human relations and their social context: the manifesto that has renewed the approach of contemporary art (also available in English edition).

A reflection on our present, through a series of portraits of contemporary artists.

An essay by Alexandra Midal on visual learning experiences through images, based on two revolutionary projects by major 20th-century designers: Charles & Ray Eames, Georges Nelson and Alexander Girard, and Ken Isaacs.

Witches of Design interweaves design with the rebellious and feminist figure of the witch, based on the history of the messianic, socialist, utopian, and egalitarian Shaker sect in the 18th century.

Witches of Design interweaves design with the rebellious and feminist figure of the witch, based on the history of the messianic, socialist, utopian, and egalitarian Shaker sect in the 18th century.