All black and white photographs reproduced in the book as well as the cover image were taken by Gygi during the winter 1990-1991. Immediately thereafter, the quasi totality of the negatives were stacked in a press and pierced with a drill. 4 - color leaflets present recent works of the artist.

A study on Elisabeth Ballet, Jessica Stockholder, Claude Rutault, Peter Downsbrough, Cécile Bart.

A free-cultural exchange between Quebec and Mexico art centers.

Non-Places questions the redefined relationship between public and private space as well as the phenomenon of modern “nonplaces,” which appear to be everywhere and nowhere at the same time: airports, shopping malls, anonymous new suburbs, or international franchise companies.

The magazine of Le Rectangle art center (Bernard Bazile, Claude Closky, Philip-Lorca Dicorca, Wang Du, Alesksandra Mir, Gianni Motti, Thomas Ruff, Franck Scurti, Bruno Serralongue).

Performances and actions by the twenty-four artists.

Exhibition catalogue (art & architecture).

The last document of the dadasopher of Berlin.

Bernard Réquichot is well enough known as a painter, but still unknown as a writer. This new posthumous publication of his writings reveals the singular vision of a recluse, close to Stirner.

An unknown, rarely published writer who nevertheless sent shock waves into the 60s and 80s by constructing a text worthy of a great rhetoretician on the game of alliteration.

The funny though serious inventions of the thinker, poet, prophet and annagrammarian.

A selection of essays by the artist, poet, writer, happening-maker, cinematographer, art and literary critic.

François-Timoléon de Choisy's writings (1644-1724), presented and illustrated with original collages by Gabrielle Wittkop.

Unpublished story illustrated with a virtual work in original signed lithograph.

Unpublished text, signed original work (original lithograph signed and enhanced, as well as a collage), unique for each copy

An anthology of texts around issues such as spatial politics of representation and identity, the public and the private, the space of art and culture, the memory of places and the inscription of remembrance, and the relations between utopias, heterotopias and the real.

Born in 1917, a friend of Dubuffet, Michaux and Jean Paulhan, Bettencourt was a writer, before being a publisher. This book, gathering thoughts and aphorisms through the definitions of a choice of words, reveals the artist (limited edition with an original serigraphy signed by the artist.

An anthology re-mapping the relations between the modernist utopia of neutrality and that of the psychedelic moment.

Foreword The Rodin Gallery has benn the site of an outstanding series of exhibitions featuring a wide spectrum of contemporary artists and including works such as The Gates of Hell and The Burghers of Calis by modern sculpture's seminal artist and master, Auguste Rodin. Thus it gives us great pleasure to develop for the first time a collaborative work with Le consortium, a leading contemporary art center in France on the occasion of the presentation of Wang Du's Disposable Reality. Wang Du, who was trained as sculptor in China within an academic tradition, works with images taken as readymade from newspapers, magazines and advertisements and transforms these two dimensional media images into three dimensional painted sculptural works with his own masterly skill. Through the information conveyed by articles on politics, economics, society, sports, leisure and fashion the artist expresses his feeling, often in a pointed, satirical manner, about the ordinary and our social reality. In this exhibition I believe there is special meaning in seeing the direct confrontation and dialogue between the works of Rodin, which deal with human emotions and those of Wang Du, which deal with contemporary issues in our daily life with sculptures as a common denominator. The vocabularies of contemporary art have expanded so much that somtimes we have a tendency to consider painting and sculpture to be outmoded media fot artistic expression. However, it is high time to demonstrate that it is not the medium which matters, but how it is used. Ra Hee Hong Lee Director, Samsung Museum of Modern Art

An essay on conceptual art.

Reprint of Kusama's porno-artistic tabloid of 1969.

A collection of entirely revised or previously unpublished texts.

The first English language monograph on Lo Savio.

Neue Welt (New World) documents a group show which investigates the political and social restructuring of recent years. Going beyond one-dimensional statements, the texts discuss the redefinition of public space and the effects of a globalized economy.

French edition (available in English).

A selection of works by French artists: Christian Boltanski, Daniel Buren, Dominique Gonzales-Foester, Raymond Hains, Pierre Huyghe, Bertrand Lavier, Claude Lévêque, Annette Messager, Yan Pei-Ming, Philippe Parreno, Alain Séchas, Xavier Veilhan...

Catalogue / artist's book.

Charley 01 features 400 emerging artists from around the world, selected by a pool of international artists, curators, critics and art professionals (works by Martin Boyce, Mark Handforth, Olaf Breuning, Franz Ackermann, Christoph Büchel, Barthélémy Toguo, Jonathan Meese, Mathieu Mercier, Wade Guyton, Mark Leckey...).

A series of drawings by one founder of Support-Surface.

In 1829, Fourier synthesizes his entire doctrine: a systematic critique of civilization and its natural deviations, as well as his proposal for a new social scheme of mutual assocation, governed by passionate attraction rather than by repression and constraint.

A social and spiritual vision based on an economy, ecology, education, global erotic sense and aesthetics, according to laws of passionate attraction. A modern proposal for a totally restructured society.

A social and spiritual vision based on an economy, ecology, education, global erotic sense and aesthetics, according to laws of passionate attraction. A modern proposal for a totally restructured society.

Catalogue.

Fully illustrated catalogue realized for the 9th edition of the Geneva Biennial, a festival dedicated to artists' film and video.

Claude Rutault's writings on relationships between painting and photography.

A sad and violent issue, coming after September 11.

Reference monograph / artist's book.

The essential compiled by Stephen Vitiello.

An anthology focusing on the relationship of language to sound, writing to music, bringing together a collection of essays, interviews, meditations, visual projects, text-sound scores and audio by some of the leading individuals in the field of cultural and performance studies, experimental music and contemporary art.

Born in 1917, a friend of Dubuffet, Michaux and Jean Paulhan, Bettencourt was a writer, before being a publisher. This book, gathering thoughts and aphorisms through the definitions of a choice of words, reveals the artist.

Coinciding with a travelling show that presented ten specially created environments, this book assembles the artist's extravagant works of the 60's when she organized performances, happenings and orgies in the streets of New York, as well as the environments of the 80's and 90's that distort reality to propose near-hallucinatory experiences.

A true false Caribbean biennial imagined by Maurizio Cattelan for ten real artists.

Reference monograph.

27 interviews with Bertrand Lavier.

A complete panorama of the astonishing personality of the unknown writer, grammarian, cosmologist and inventor.