Leporello in a box: a book documenting Jean-Charles Blais' œuvre and a 6,40 meters long work.

Catalogue of the 2002 edition of the RIAP in Quebec.

This artist's book is part of the Snowi project, a digital bank image of more than 1500 images drawn in the style of press cartoonist Willem by artist Edouard Boyer. Boyer's interest in issues such as authenticity and property in art is the starting point of this project opened to diverse protagonists.

A journalistic treatment of drawings made by Edouard Boyer in the style of press illustrator Willem.

The contemporary urban city and the links to the utopian city.

16 Quebec artists and collectives selected by Bunker Sztuki, contemporary art center in Krakow.

Marcel Duchamp met Lydie Sarazin-Levassor at the end of March 1927. On 7 June, they were married. Francis Picabia acted as a witness and the ceremony was filmed by Man Ray. On 25 January 1928, they divorced. Lydie Sarazin-Levassor tells the story of their marriage, presents us with “her” Marcel, and relates her encounters with Jacques Doucet, Constantin Brancusi, Henri-Pierre Roché, Man Ray and Kiki de Montparnasse, Jean Cocteau, the Ballets Russes, the Duchamp family, Jean Crotti, Mary Rumsey, Katherine Dreier and Robert Desnos, and describes the atmosphere at the Villons' (in Puteaux, just outside Paris), the Picabias' (at Mougins, in the South of France) and the Sarazin-Levassors' (in Étretat, on the Normandy coast).

This book is the first to be dedicated to the British artist's work.

An experimental narrative by writer and poet Jerome Mauche.

A study, by five women, on the artistic representations of the female body (essays by Chrystel Besse, Marie-Joseph Bertini, Arlette Fontan, Françoise Gaillard, and Elvan Zabunyan).

A study, by five women, on the artistic representations of the female body (essays by Chrystel Besse, Marie-Joseph Bertini, Arlette Fontan, Françoise Gaillard, and Elvan Zabunyan).

A sound poem and a digital art index by a pioneer of virtual art. The artwork accompanying this limited edition comes in the form of a CD-Rom containing an algorithm that creates a unique work for each copy.

Gloria Friedmann writes about the main questions raised by its work: nature, animal kingdom and ecology; work and war, the origins of mankind and art. Limited edition with a felt-tip drawing printed on a restaurant tablecloth paper and enhanced by hand.

Geneviève Asse's reflections on her pictorial and graphic work (limited edition accompanied by a numbered and signed stencil).

Gloria Friedmann writes about the main questions raised by its work: nature, animal kingdom and ecology; work and war, the origins of mankind and art.

A transcript of lectures on culture and globalization by artists and cultural analysts.

This anthology aims to exploit the psychological associations of space and the psychological reactions to it.

The moving image in art and culture.

Reflections of a major figure of contemporary abstraction on her pictorial and graphic work.

A collection of essays on ten contemporary artists (Peinado, Achour, Sala, Cattelan, Huyghe, Scanlan, Trouvé, Bublex).

Three exibitions by Éric Troncy (with Robert Barry, Angela Bulloch, Jake and Dinos Chapman, Sylvie Fleury, Gloria Friedmann, Liam Gillick, Felix Gonzalez-Torres, Gucci, Pierre Huyghe, On Kawara, Anselm Kiefer, Bertrand Lavier, Claude Lévêque, Sol LeWitt, Allan McCollum, Sarah Morris, Helmut Newton, Philippe Parreno, Ugo Rondinone, Thomas Ruff, Niele Toroni, Xavier Veilhan, Andy Warhol, Franz West...).

A b/w movie realized in digital video, on the road and between machines.

Paintings and photographies.

The key book about French production company Anna Sanders Films.

Available in English edition.

The sole monograph available on the most internationally known French artist (English edition).

Quotes, aphorisms and stories to relate Tchouang-tseu's Eastern thought to Wittgenstein's philosophy.

In his seminal essay, author George Baker links Gerard Byrne's work to theatre and notes that the presence of avant-garde dramatist Bertolt Brecht has never been less discussed, but more widely explored, than in the last decade of artistic practice.

Artist's book: a series of bank notes brought together, lying on the floor.

A project by the Swiss artist for his exhibition at Pasqu'Art in Bienne.

Over more than a decade Ivana Keser has questioned the world of communication, and in particular the press. This book is the first monograph, documenting all the newspapers she published between 1993 and 2003 for each of her exhibitions, and which were distributed to the public free of charge.

Fully illustrated catalogue realized for the 10th edition of the Geneva Biennial, dedicated to artists' film and video.

A time machine, bringing out the past and casting it into a new light, Charley 03 presents 100 artists from the 80s and 90s.

The Gassendi Museum collection (Stephen Bann, Fabien Faure, Nadine Gomez-Passamar, Krystof Pomian, Herman de Vries, Anthony Turner, Joan Fontcuberta, Andy Goldworthy...).

A magazine printed with white ink on white paper (with Gilbert & George, Yoko Ono, Lawrence Weiner, Liam Gillick, Martin Creed, Christian Boltanski, Hans Ulrich Obrist, Niele Toroni, Art & Language, Steven Parrino, Maurizio Cattelan, Tom Morton, Swetlana Heger, Didier Marcel, Angela Bulloch, Daniel Buren...).

Monograph / interview.

A reflection initiated by Veit Stratmann on the sometimes conflictual relationship between the artist and public space.

The writings of a major artist of the 70's NY scene.

Eric Duyckaerts, Richard Prince, Robert Nickas, Thomas Hirschhorn, Iain Baxter...

Badge in reference to the artist's work entitled C'est selon, ORDONNER.

For a reassessment of the function of art in late capitalist society (contributions by Bernadette Corporation, Will Bradley, Claude Closky, Dejanov & Heger, Liam Gillick, Lars Bang Larsen, Daniel Pflumm, Superflex...).

Monograph dedicated to the post-impressionnist painter's landscapes.

First monograph on the Swiss artist.

At a time when questions of “place” are active in dialogues around globalization, cultural identities, and the loss of public space, how are artists, theorists, and architects imagining space? “Surface Tension” examines the conversations that occur as negotiations between cultural production and the place of its reception.

159 minutes of minimal electronic music, readings, soundtracks from the archives of Angus MacLise 1963-1976.

A sound poem and a digital art index by a pioneer of virtual art.

Collection of interview and essays (Parrino, Morris, Armleder, Veilhan, Walsh, Mosset, Gygi, Miller...).