A touring exhibition which explores the existing and sometimes hypothetical connections that led four Chinese artists to settle down in Eighties' New York.

Drawing relations between writers' quotes and the works of Céleste Boursier-Mougenot (with a text by Benoît Viguier).

A collection of texts connecting ancient Chinese culture and contemporary art in search of a better understanding of our relationship with nature.

First monograph: an overview of the evolution of New York-based artist Michael Williams' work.

Light, skin, titan and body-consciousness to navigate between shelter and space: this artist's book shows collages of objects layered around in life size, then spreads out into the book space and installation works using photography and film.

This seventh issue gathers six polymorphic texts about the many aspects of drunkenness and intoxication in art and society (with Sébastien S. Th. Biset, Antoine Boute, Emmanuel Giraud, Pierre Hemptinne, Tom Marioni, Véronique Nahoum-Grappe).

In 69 / 96, Fredi Fischli, Niels Olsen and Bob Nickas enter an inter-generational dialog about exhibitions that is both personal and art historical, presenting works from 1969 and 1996 (catalogue).

Musician Kamran Sadeghi took field recordings from an anthropological research on Tierra del Fuego as a starting point to compose his digital musical score for a video installation by Mario Pfeifer.

This book discusses preservation and outcomes of design-related objects in artistic collections taking the example of Dieter Roth's works inside the Frac Bretagne's collection.

This collection of photographs was made following an assignment commissioned to eight photographers from eight different neighbourhoods in Geneva. Their photographs were initially exhibited on billboards for the “Vis-à-vis” event. The editorial process resulted in a book on its own, in which various gazes “derive” within their own variations of urban space.

First monograph. An overview of French artist Corinne Laroche's work and artistic process since 1995, with two essays and an interview.

Stephen O'Malley, Julien Palomo / Improvising Beings, the Polish scene by Kasper Toeplitz, a history of musical destructions by Matthieu Saladin...

A selection of xerox copies coming from original drawings reproduced by hand fifty times by twenty artists as part of an editorial game organized by Fabio Marco Micheli and Gigotti Pirovino in 2014 (limited edition).

Chef Pierre Hermé's culinary performance at Harvard University.

This reference monograph on New York artist Lisa Beck, who develops since more than 30 years an abstract language which is as playful and discreet as it is effective and sharp, presents a significant body of work ranging from the 1980s to the present, and also offers to revisit Beck' recent solo exhibitions (with essays by Samuel Gross and Bob Nickas).

Twenty-nine artists invest a forgotten building site in Roma during 72 consecutive hours without any institutional oversight.

This catalogue interrogates the notion of play in contemporary art, bringing together artists who use formats and imagery from popular culture usually addressed to children or teenagers.

An aesthetic and ethical approaches to the handling of natural resources. By drawing connections between works that derive from artistic practice, journalism, philosophy, activism, and other realms of research, “World of Matter” provides a place of commonality for eco-logical imaginaries.

Rike Frank and Grant Watson's research project examines the referential and analytical qualities of textiles through both contemporary and historical works.

Stephanie Kloss's photographs capture the mythos and utopianism of architecture in locations as diverse as Athens, Berlin, the United States, and Japan (catalogue / artist's book).

The decay of Detroit and its people's resistance in words and photographs (photographs by Antonio Rovaldi).

This project stages the collision between the book Walden or Life in the Woods by Henry David Thoreau (1854) and the mission of Mercury Seven (1958) sending men to space. It is a polymorphic work, evoking the questions of autonomy, isolation, solitude, but also contemplation and enlarged perspectives through music and live performance with modular synthesizers.

Luca Trevisiani stamps images derived from antique herbaria and design magazines on objects with heterogeneous surfaces (textiles, clothing, tropical leaves, minerals).

The publication brings together extensive material from Hamlet, mise-en-scène, an homage to Jack Smith presented at Portikus in 2012, along with recently restored and never-published stills, drawings, and writings by the American filmmaker related to his film Hamlet in the Rented World (A Fragment) (1970-73).

Ixiptla vol. 3 explores archaeological heritage and how it is expressed, contaminated or dissolved in the present.

An extensive publication, documenting the process and final outcome of Powered A-Hole Spanish Donkey Sport Dick Drink Donkey Dong Dongs Sunscreen Model, a sensational and excessive exhibition by the two controversial artists which takes the form of a “Gesamtkunstwerk” pointing the multifaceted excesses of contemporary art production and commodification.

New monograph.

The artistic and pedagogical experimentations and the alternative networks developed in California from the late sixties.

A montage of theoretical and speculative texts, conversations, fictions, and documents exploring different tactics of production and intellectual exchange that operate in the interstices between artistic, educational, and political contexts, and imagine novel institutional forms.

First French translation of the two famous essays in which Jack Burnham draws the profile of an “aesthetic systems.”

An interdisciplinary reflection on the new figures of subjectivity in the digital age.

A reflection on the domination of the software industry on our use of computers, which calls for a stimulating reinterpretation of materialism.

How the impact of code on everyday life has become comparable to that of speech and writing.

First monograph.

First monograph / artist's book.

With Rubber Man (2015), Khvay responds to the colonial legacy of land use and its effects on Cambodia's indigenous forests and culture today.

An alternate temporal manifestation of the themes developped by artist Christodoulos Panayiotou and curator Omar Kholeif at the Cyprus Pavilion at the 56th Venice Biennale, in 2015.

A piece for voice(s) an dead electronics with Loré Lixenberg (mezzo-soprano).

An innovative study of David Claerbout's work, following the shady—and dark—logic, until now never raised by critics, that structures many of his films with mineral duration and slowness, but also number of “invisible” photographs.

Summer Winter East West discusses Martin Beck's engagement with display not only as a tool of presentation but also as a form of communication—within and beyond the realm of the exhibition.

Before History catalogues the exhibition for the Abraaj Group Art Prize 2015, which includes a new body of work by Yto Barrada, the winner of the prize, and existing work by shortlisted artists Sarnath Banerjee, Setareh Shahbazi, and Mounira Al Solh.

Comprehensive monograph of the Californian artist and political activist.

L'Écart et l'Accolade gathers 23 texts of various kinds dedicated to contemporary artists, artistic practices, the art critic, exhibitions and curatorial activities.

Fines as an artistic medium: Stefan Marx illustrates the monetary penalties collected by Christoph Keller for its activity as a distiller.

A volume of photographs by Heinz Peter Knes representing a small selection from his extensive archive of travel photography dating back to 2010.

After the infamous split in the Situationist International in 1962, the Danish artist J. V. Martin was unexpectedly put in charge of the group's Scandinavian section. This book is the first presentation of Martin's strange trajectory within the SI, in which he would remain a member until the group's dissolution in 1972.

A shamanic journey in Tazartès's universe.

This catalogue, based on works and publications in the Serralves Collection, reconstitutes the trajectory of the KWY group and its members—from Lisbon to Paris, to Munich—, their collaborations with other artists and publications and their links to international avant-garde movements.

A concrete / post-digital oratorio in 5 parts.

A photographic account of Carsten Höller's journeys to the Democratic Republic of the Congo for the purpose of a film about Fara Fara music.