Edited by artist Sille Storihl, The Stonewall Nation engages the archival remains of a gay colony that a group of gay men wanted to establish in Alpine County in Northern California in the early 1970s.

The fourth volume in a series that documents Tarek Atoui's project Waters' Witness, created in collaboration with French photographer and Atoui's long-term collaborator, Alexandre Guirkinger, is intended as a visual embodiment of the work's development for Museum of Contemporary Art Australia.

A volume assembling new and existing documents that revisit, mix and remix moments in the work of artist Christian Nyampeta.

This publication presents research conducted by visual artist and choreographer Clarissa Bauman over two years, in the frame of the exerce MA in choreography and performance (National Choreographic Center of Montpellier / Occitanie). Here, writing becomes movement, a weaving of words, gestures, images, and drawings that rub against each other in a dialogue articulated from page to page.

This publication presents research conducted by choreographer Mor Demer over two years, in the frame of the exerce MA in choreography and performance (National Choreographic Center of Montpellier / Occitanie). Against the backdrop of her artistic process, Mor Demer unfolds a reflection on the production and configuration of choreographic materials, as well as on the body and the practices and fictions of which it is composed.

This publication presents research conducted by Berlin-based choreographer and performer Jule Flierl over two years, in the frame of the exerce MA in choreography and performance (National Choreographic Center of Montpellier / Occitanie). This text manages to maintain a sense of orality, of vocality, within a written format. It is at once a description, an analysis, a score, a piece of music, a voice, etc.

The culmination of the American artist's assemblage project.

This book documents six years of reflections and productions, that is to say the 47 exhibitions—dedicated to young emerging artists as well as to major actors of the French and international art scene—organized at the Galerie Art & Essai of the University Rennes 2 between 2014 and 2020 under the direction of John Cornu.

An overview of Michel Gouéry's surrealist and exuberant artistic output, through a collection of previously unpublished works and documents, as well as detailed notes by some twenty specialists.

The Darkest Corners documents and explores sculptures by Lena Marie Emrich and an eponymous exhibition.

A photographic essay on the abandoned project of a suspension bridge between the Calabrian and Sicilian coasts and on the coastline of the Strait of Messina, documenting the transformation of suburban coastal areas and the daily life of the inhabitants.

The restored and remastered vinyl reissue of a sound performance by American writer Kathy Acker and French noise/experimental band Nox, published in 1987, with a poster and a previously unpublished set of documents, letters, texts and photos.

An essay by Robert Bonaccorsi on Gilles Aillaud's highly unusual painting "La bataille du riz", illustrated by a portfolio containing the historical documents mentioned in the text, from museum archives or the author's own collection.

Archival documents and new writings on the intermedia collaborations of avant-garde jazz trumpeter Don Cherry and textile artist Moki Cherry.

A little book-object that offers a perspective the installation by French artist Mathilde Rosier at the invitation of the Mucem: glass "seed-eyes" sown on the façade and in interior spaces of the Centre de Conservation et de Ressources (Marseille).

Tori Kudo's ceramics.

Josh Mason's first vinyl outing since 2019, a pivotal release thoroughly shot through with the humidity, warmth, and "end of the line"-ness of the state of Florida.

Two discreet works by Carl Michael von Hausswolff and Erik Pauser that sit somewhere between field recording, chance composition and experimental soundscape.

The recording from Carl Michael Von Hausswolff and Erik Pauser's tumultuous and inspiring tour of the USA in 1991, with a book tracing the adventure and documenting the context of the time.

An overview of Agnès Varda's work, from her films to her visual works: collages, video art, installations and photographs (especially those made in Portugal in the 1950s).

An exploration into the complexity of sounds drawn exclusively from glass (reissue of the record released in 1970, remastered by Lawrence English).

Pardon Façade documents the artistic output of Luca Monterastelli, showcasing almost all of the sculptures and installations that he produced between 2011 and 2022.

Seven tangible prototypes that respond to our current planetary moment, enabling new ways of envisioning and inhabiting the world (a scientific and artistic collaboration turned to a catalyst for experimentation, shaping sustainable, and collective futures that combine science, technology, and the arts in a transdisciplinary and collaborative approach).

New monograph.

A monograph conceived as a self-portrait: the story of the artist's career through works and writings from 1961 to 2015, collected in chronological order to illustrate the ever-evolving, organic nature of Salvo's activities, which constantly interacted with the history of art.

A photographic portrait of Porpora Marcasciano, human rights activist, writer, sociologist and honorary president of MIT (the Italian Transgender Identity Movement).

The monograph dedicated to Italian artist, editor, critic and writer Lisa Ponti (1922–2019), daughter of the famous architect and designer Gio Ponti, who spanned a number of moments of twentieth century culture, constantly involved with the leading names of the Italian and international art scene.

A re-examination of Yvonne Rainer's Parts of Some Sextets, a radical performance and pivotal piece in the American choreographer's career, which led her to theorize her conception of dance in the 1960s, before being revived in 2019.

A retrospective of the performances, photographs, installations and videos of the avant-garde collective that disrupted the Chinese cultural scene in the 1990s.

First monograph.

A unique collaboration between photographer Gauri Gill and renowned Warli artist Rajesh Vangad.

Hardscapes / Here documents and brings together two exhibition projects by artists Nina Canell and Maria Hassabi. Produced on the occasion of the exhibitions of the same name curated by Samuele Piazza at the OGR Torino, the publication consists of two graphically specular books that merge into a single volume.

A presentation of video installations, sculptures, site-specific interventions, performance and works on paper by the duo of Californian artists and choreographers.

A series of sculptures, drawings, and videos that question alienating norms through the lens of sociology and psychoanalysis.

Issues 42 to 45 of the critical review dedicated to graphic design.

A multidisciplinary and polyphonic portrait of Kiwanga's practice and thinking.

Available for the first time since its original 1980 release on ALM-Uranoia, New Sense of Hearing documents a collaboration between Takehisa Kosugi and Akio Suzuki, two luminaries of Japanese experimental music in the lineage of Fluxus.

Available for the first time since its original 1980 release on ALM-Uranoia, New Sense of Hearing documents a collaboration between Takehisa Kosugi and Akio Suzuki, two luminaries of Japanese experimental music in the lineage of Fluxus.

A transdisciplinary investigation and a choreographic performance, between Umeå and Oslo, about ecological grief, cultural panic, and a feeling of collapse.

An exploration of the soundscape of coastal cities by the French-Lebanese artist.

Retrospective monograph of the painter, sculptor and engraver Rubem Valentim (1922-1991), an emblematic figure of the Brazilian art of the 20th century.

The current ecological crisis brings about a new relational landscape: an unprecedented collapse of distances creates interspecies promiscuities and a crisis of the human scale. In Inclusions, Nicolas Bourriaud proposes that artists are the anthropologists of this new era.

A series of watercolors created by the artist Erwan Venn around the construction of the Guiana Space Center, in the 1960s.

Raphaël Minnesota retraces the career and explores the whole oeuvre of Patrice Kirchhofer (1953-2019), one of the most mysterious and mythical filmmakers of French experimental cinema.

A new monograph devoted to Éric Baudelaire's work and collaborative method, tracing the connection between his films and his curatorial projects.

Artist-photographer Georges Senga investigates into the figure of Bonaventure Salumu, so-called "pagan hunter", who between the 1940s and 60s received a Christian education from missionaries in Congo, following which he was ordained to priesthood as a Jesuit, moved to Europe, eventually returning to his native village where he became a husband and father.

A new and expanded edition of the reference flora, the result of 20 years of studies and floristic surveys on a multitude of urban wastelands, allowing, through 600 photographs and 800 original drawings, to recognize and name some 300 silent plants that we come across every day: a methodical herbarium of the wastelands which constitutes a true guide to biodiversity, beautiful and playful, accessible and rigorous..

Nicolas Bourriaud invites artists from all around the world to question the contemporaneity of the romantic concept of the sublime, at the age of the anthropocene.

Nicolas Bourriaud invites artists from all around the world to question the contemporaneity of the romantic concept of the sublime, at the age of the anthropocene.

The fourth issue of the Catalogue Perpétuel documents the exhibitions, projects and concerts at the Consortium Museum from March 2020 to April 2021. It reviews exhibitions by Valentin Carron, Sean Landers, Adam Pendleton, Louise Sartor, New York: The Eighties, Sarah Lucas, Shara Hughes, Paloma Varga Weisz, Claude Rutault, and several Consortium Museum concerts.