The first French translation of Neuhaus's writings.

Designed under the direction of the artist, this monograph is devoted to Danh Vo's in situ installation at the CAPC museum, through which the conceptual artist explores the relationship between individual and collective history, and the notions of power and masculinity.

This first monograph on Aslan Gaisumov borrows its title from a video work focusing on the traumatic aftermaths of post-World War II for the Chechen people under Soviet control. The publication documents in text and images this both historical and intimate project.

Chronotopic Traverses brings together unexpected arrangements of Haegue Yang's versatile sculptures of various materials against a backdrop of a panoramic and dramatic wallpaper Incubation and Exhaustion (2018).

This catalogue accompanies the exhibition by Florence Lazar at the Jeu de Paume. It is also her first monograph.

First English translation of Antonin Artaud's writings from his apocalyptic journey to Ireland in 1937.

Published in collaboration with the Nouveau Musée National de Monaco, this book guides the reader through the discovery of Latifa Echakhch's jardin mécanique, her latest exhibition at the Monegasque institution. A collection of visual and written essays, the publication explores the artist's take on the museum's collection of automatons and set models, as well as on the historical representations of the Exotic Garden of Monaco, through the form of a flipbook, translating on the page the motion of the five video works specifically produced for the exhibition.

How did autonomous art become such an effective tool of the capitalist state? A thorough analysis of the connection between contemporary art and modern biopower.

Piano always had a central role in the discography of French composer Sylvain Chauveau. This selection of unreleased and out-of-print short pieces—mostly soundtracks—showcases what might be Chauveau's musical signature: quietness, slow pace, long resonances, a close as possible to silence. Music to be played at night.

A study by Elisabeth Lebovici on the late contemporary artist and IFP co-founder Philippe Thomas. Lebovici's essay examines Thomas's strategy to cede and fictionalize authorship through the multiple lenses of gender, reproduction, subjects' multiplicity, and the artist's tragic disappearance.

An anthology of critical texts and essays on art and literature written and published by Alexandre Mare during the last ten years: Proust, Man Ray, Oppenheim and Crevel; Bataille, Rivière, Oates and Guyotat; Mallet-Stevens and Breuer; Schulz and von Stroheim; Mansour, Hugnet, Caillois and Duprat; Pynchon, Exley, Robbins, Huncke and Kerouac&hellip

Artist's book, based on Peter Voigt and Arno Fischer's project developed for the Marx-Engels-Forum in Berlin.

First major catalogue/monograph on the French artist: an overview of Molinero's dual work, which both reflects on the academic history of sculpture and refers to pop culture, especially science fiction, splatter films, and crime news.

Belgian composer Gobert presents a chisselled and chaotic form of “Chamber Electronic Music”, for piano and laptop, in duos with pianist Nao Momitani and his [KNAPP] bandmate, Gilles Doneux, for Sub Rosa: a subtle mix of electronic composition and contemporary touches.

On Elephantine, his new Northern Spy/Sub Rosa album, Cairo-based Maurice Louca guides a 12-piece ensemble through a panoramic 38-minute odyssey, which he describes as his most ambitious project yet. Elements of free improvisation, Sun Ra's cosmic jazz, gorgeous Arabic melody, trancelike African and Yemeni music and minimalism meet in his wholly unique compositional vision. Louca also makes vital contributions on guitar and piano, and inspires stirring performances from a global lineup.

A publication conceived by Portugese artist Francisco Tropa in collaboration with writer Thomas Boutoux and graphic designer Pedro Falcão, which adopts the form of magazine one flips  through in bars or in waiting rooms. A true/false weekly style magazine with refined imagery printed on glossy paper, The Mustache Hidden in the Beard is dedicated to cultural and scientific topics, design, life styles but also real estate through a series of cutting, quirky articles, investigations, portraits and reports.

Publication devoted to the only statement the Belgian artist has ever published about his own work.

A previously unheard masterpiece of Israeli multimedia artist Ami Shavit, inspired by the Yom Kippur war, in Sub Rosa's Early Electronic Music series.

This double LP is released in an edition of 300 and includes two solo vocal pieces by Flux artist Takako Saito, two more vocal pieces in which Saito's voice interacts with the sounds of an everyday event, and two non-vocal sound pieces. It is housed in a full-color sleeve and includes one insert with liner notes by Saito, a poster, and four postcards.

Michael Snow's The Last LP is an extraordinary collection of tracks “of rare music derived from threatened, obsolete, or now-extinct cultures from around the world” that although the claiming of being field recordings of ancient musical experiences, are in fact pieces played, conceived and recorded by the artist himself.

The reference monograph deepens, for the first time in an exhaustive way, the pioneering installations created by Fontana since the late 1940s.

Perhaps It Is High Time for a Xeno-architecture to Match is a Brussels-based curatorial and research project that seeks to examine the possibilities for re-radicalizing architecture. This publication documents a conversation series from January to March 2017 that sums up their reflections.

This catalogue accompanies three solo exhibitions in which two threads in Amelia Pica's practice are brought together: communication between humans and exchange between species. It includes a series of essays on animal rights and the artistic practice of the Argentine artist, as well as documents and an iconographic ensemble.

The second title in a series of publications dedicated to artists' residencies at Maison Bernard, a masterpiece of organic architecture carried out in the 1970s by Antti Lovag in association with Pierre Bernard. The book documents a site-specific project by Emma Dusong, an artist who works with her own voice.

Jeffrey Weiss, Carolee Schneemann, and Simone Forti on the passing of Robert Morris, editor Lauren O'Neill Butler on the art of fierce pussy, Wayne Koestenbaum on the art of David Gilbert, a special dispatch from Thailand by David Teh, plus exhibition reviews from Paris, Berlin, Prague, Zurich, New York, and more.

Ascending from the Liquid Horizon focuses on the possibilities and potentials once proposed by speculative narratives about the future, and reflects on the realm that is currently emerging from the intersection of science, corporate interests, and ecology. Vast developments in technology, advancing hand in hand with rapid climate change, predict a situation far more complex than the current one, defined by an environment where technology levels nature and notions of the biological, natural and terrestrial need to be revised.

A panorama of the world of do-it-yourself fanzines.

Giving Voices features documentation on four of Erkan Özgen's video works dealing with war, violence, and trauma—beyond the boundaries of the political, within the dimension of the private and the human. It includes essays and an interview with the artist lead by Hans Ulrich Obrist and Hilde Teerlinck.

Revised and expanded edition of the“Color notebooks” published by the National School of Decorative Arts, a synthesis of a series of in-depth studies initiated by Jacques Fillacier on the characteristics of color perception. A reference pictorial manual, for pedagogical as well as professional purposes, for all practitioners of color—painters, architects, designers, stylists, etc.

An expanded reflection around the optical principles, the light and the visual perception that constitute the main axes of Flavien Théry's artistic research.

New monograph, focusing on the ephemeral sculptures made by French artist Arnaud Vasseux in the context of recent exhibitions, at the end of which the works are destroyed.

Prints by Jennifer Bornstein gathers together a body of work encompassing her latest projects in printmaking during a recent fellowship at the Radcliffe Institute for Advanced Study at Harvard University. These works are contextualized by earlier projects in drawing, film, and artist books that span the 1990s to the present.

An exploration of the absence and presence of the (red) color.

Part of The New Sanctuary, the Satellite Programme 12 devised by Laura Herman for the Jeu de Paume and the CAPC, Anna & the Jester in Window of Opportunity is published in conjunction with the exhibition of work by Julie Béna, which takes the form of an architectural tale.

New monograph: a retrospective of Cécile Bart's main projects since fifteen years, from the multiple configurations of her painting/screen to her most recent immersive works, with three interviews.

10 exhibition reviews (Mike Kelley, Matthew Brannon, « Peindre la nuit », Trisha Donnelly...), 8 interviews (Yan Pei-Ming, Ashley Bickerton, Nathalie Du Pasquier, Arno Brandlhuber, Rob Pruitt, Emily Mae Smith, Ida Tursic & Wilfried Mille...), 9 exhibitions in pictures, some artists special projects, and the chronicles.

First major monograph devoted to the “Icarus of Lautertal”, a key figure of outsider art, flying machines inventor Gustav Mesmer. This publication looks back at his path through essays by Lucienne Peiry, Juliane Stiegele and Franz Xaver Ott, as well as photographs by Franco Zehnder and Stefan Hartmaier.

Intersubjectivity is a collection of writings on the presence of language in the visual arts: this second volume investigates the relationship between performance, subjectivity, and human agency within a more global reflection on transhumanism.

Since the 1990s, artist Rainer Ganahl has been inspired by Karl Marx's writings. In over 700 pages, this publication brings together essays, photographs and other documentation from dozens of Ganahl's projects adapted from Marx's theories.

Sophie von Hellermann by Tenzing Barshee; David Horvitz in Conversation with Yann Chateigné; Helen Lundeberg by Andrew Berardini; Queer Abstraction by Travis Jeppesen; An Unpardonable Mannerism of Style by Rose Vickers; The Art of Judging a Book by Its Cover by Dieter Roelstraete; Tomás Saraceno; Mario García Torres...

Interviews with Cornelia Sollfrank, Lílian Campesato, Hyphen-Labs, Faith Holland, Mary Flanagan, Spideralex, Linda O'Keeff; Sonic Territories, monumental loudspeakers to the people; books, DVDs and CDs reviews...

Artist's book with which Lauren Huret looks at the question of erasing images on the Internet.

A composition for improvising sextet by Austrian double bassist, composer and improviser Werner Dafeldecker, providing a structure that doesn't curtail the qualities of the musicians, yet forces them to listen very closely to each other and make focused decisions about parameters that are often overlooked in completely free improvisation.

A set of pieces written by sound artist William Engelen for a 18th century organ, exploring and pushing the sonic boundaries and possibilities of the instrument.

Philosopher Ludger Schwarte presents a critical essay against the notion of contemporaneity in art and pleads for a renewed temporality: an art of futurity.

This catalogue accompanies the group exhibition curated by Meg O'Rourke at Eykyn Maclean gallery in New York. With Viennese architect Adolf Loos's eponymous 1908 diatribe against excessive ornamentation as its guide, the exhibition draws on the tenets set forth by Loos—simplicity, purity, freedom—with particular attention to their philosophical implications and their persistence into the latter twentieth century.

17th issue proposes a journey through the many “mental geographies” deployed by 43 contributors, artists, historians, scientifics, and writers.

This collective publication, bringing together texts and images by artists and theoreticians, proposes to turn away from the inexorable question, so often reiterated, “What is painting?”, to question the ways in which the painting is made and thought today, with or without the pictorial medium, in or out of the canvas, with or sometimes without the painters themselves.

The first book by Elena Reygadas, Latin America's Best Female Chef, is more than a cookbook.

The first issue of the annual publication dedicated to sound and music experimentation, co-published by Shelter Press and Ina GRM – Groupe de Recherches Musicales, Spectres – Composing Listening presents a series of texts by composers (Félicia Atkinson, François Bayle, Brunhild Ferrari, Stephen O'Malley, Jim O'Rourke, Eliane Radigue, Chris Watson...) who discuss personal dimension in the practice of experimental sound art and music.