Art & vinyl: an analytic anthology of artist's records in Switzerland.

This publication explores the legacy of Renzo Martens' landmark film Enjoy Poverty: a provocative work establishing how poverty became Congo's most lucrative export.

This publication is the outcome of a touring assembly platform bringing together writers, curators, and art practitioners to reflect on exhibition practices and histories in China and Southeast Asia.

Art as a tool to reinvent our daily reality: textual and visual outcomes of the temporary master Reinventing Daily Life at the Sandberg Instituut in Amsterdam.

Farah Atassi, Ana Benaroya, Ralph Bürgin, Noël Dolla, Henriette von Muenchhausen, Gabriel Orozco, Tessa Perutz, Lee Quiñones, Mira Schor, Saul Steinberg, Yorgo Tloupas...

Roven #15 is entirely devoted to the links between drawing and sound.

Special New York issue.

Co-editor: Rachel O'Dwyer; interviews with Kyriaki Goni, Tiziana Terranova, Roel Roscam Abbing and Dennis De Bel, Tim Shaw, Surya Mattu; Dreaming otherwise: the past and future of community wireless networks; We Organise You Music, So You Don't Have To; reports: FAEN 2019, Mud Muses, Nam June Paik exhibition...

Four texts about the sky by Margaret Cavendish (1623-1673), English aristocrat, writer, philosopher and scientist whose salon was home to Descartes, Hobbes and Gassendi, precursor of feminism and author of one of the first works of science fiction.

First monograph.

Dominique Grimaud makes you listen to the The Beatles, The Rolling Stones, Pink Floyd, and many more artists from the 1960s, like you never hear before.

This artist's book / leporello gathers reproductions of artworks from the permanent collection of the Museum Ludwig, drawing out re­s­o­nances be­tween the dis­parate works.

A limited-edition box set documenting the seventh and penultimate episode of COCO, the project that brings together video art and music by artist and designer Federico Pepe and artist and photographer Jacopo Benassi.

Gathering found visual material, this publication retraces the story of an artistic failure: that of a joint project by Federico Pepe and his father Antonio, a cabinet of curiosities featuring latex sculptures of fetuses looking like Mickey Mouse.

A book of interviews with the curator and pedagogue Laurence Rassel, who develops in thought and action ways to remedy what ruins relationships and hinders emancipation.

François Havegeer and Sacha Léopold (Syndicat) invited Aurélien Mole, Jérôme Dupeyrat, Mathias Augustyniak (M/M Paris) and Thierry Chancogne to express their views on art posters, artist posters, posters made by artists, posters made with artists, posters made for artists, and the occasional participation of graphic designers (special issue of the critical review dedicated to graphic design).

Issues 19 to 21 of the critical review dedicated to graphic design.

Julien Blaine's performance manifesto.

Limited edition, numbered from 1 to 20, with an original artwork signed by the artist.

An overview of the experimental sound practices today (contributions by Jean-Yves Bosseur, Pierre-Albert Castanet, Bertrand Denzler, Bastien Gallet, Jean-Luc Guionnet, Fabien Hein, Michel Henritzi, Tom Johnson, Eric La Casa, Lionel Marchetti, and Matthieu Saladin).

The second issue of the annual publication dedicated to sound and music experimentation, co-published by Shelter Press and Ina GRM – Groupe de Recherches Musicales, is dedicated is devoted to the concept of resonances, with contributions by Maryanne Amacher, Chris Corsano, Ellen Fullman, Christina Kubisch, Okkyung Lee, Pali Meursault, Jean-Luc Nancy, David Rosenboom, Tomoko Sauvage, The Caretaker, David Toop, and Christian Zanési.

This publication critically assesses and illuminates ways in which the arts can confront food-related issues, through the contributions of artists, anthropologists, activists, agronomists, and chefs.

The reprint of an unjustly forgotten book edited by renowned historian E. P. Thompson, detailing the experience of socialist British youth volunteers working on constructing the railway from Šamac to Sarajevo in Yugoslavia in 1947.

Teruyuki Kurihara's full-length album on Mille Plateaux is inspired by nature, particularly the cycles of "destruction and creation", characterised by industrial and experimental music cast in minimalist fashion.

The meeting between the double bass player and singer Fantazio and the workers of a centre providing care through employment in Paris.

A picaresque tale of Clara Schulmann's often collective experiences.

The partitions, to be activated by the reader, by Marcel Alocco, Edouard Boyer, Matali Crasset, Jean-Claude da Silva, Frédéric Dumond, Jacques Jouet, Nicolas Richard, Sébastien Roux>, Yoann Thommerel, Éric Watier.

Retrospective catalogue spanning Morris's early years, covering the 1960s and 1970s through a selection of works, historical essays, interviews with collaborators, and texts by the artist.

An essay on art exhibition.

The first English-language anthology of writings by the Slovak critic Tomáš Štrauss.

New monograph.

An in-depth study of the diorama in the United States at the beginning of the 20th century, a place for the creation and mediation of knowledge but also for the political construction of history, between art, anthropology and natural sciences.

An ambitious and transversal study on the crisis of humanism resulting from modernity, and on the historical consequences of the universalist and absolute conception carried by Futurism and the Bauhaus, proposing little explored paths for a re-reading of the artistic stakes in the 20th century.

By renewing the dialogue with anthropology, this book invites the history of science to be refounded on other, more humanistic bases.

A score of performative gestures, drawn from the conceptual art and body art scenes from Central and Eastern Europe in the 1970s and 1980s.

This catalogue presents the artist's recent works, tackling issues related to the plasticity of space and the creation of gaze. It brings together exhibition views and photographs, an essay by Florian Gaité and an interview with Marion Guilmot.

A return on Mark Geffriaud's film installation (artist's book).

Monographic catalogue: for more than a decade, Israeli installation and performance artist Naama Tsabar subverts the gender roles associated with art and music, with a particular emphasis on rock'n'roll.

Catalogue of Soun-Gui Kim's retrospective exhibition in South Korea: an overview of her work since the late 1960s.

New catalogue.

First monograph: American artist Eamon Ore-Giron's hard-edge paintings combine Native American traditions and European abstraction. This publication offers a dialogue between his ongoing Infinite Regress series and the prose of poet and scholar Edgar Garcia.

This publication documents the artistic research for Sansour's project for the Danish Pavilion at the 58th Venice Biennale: a dark science fiction narrative set after an eco-disaster, evolving into an intimate dialogue about memory, exile and nostalgia.

Artist choreographer Myriam Lefkowitz talking to Susan Gibb and Julie Pellegrin about the evolution of her practice, and its turn to dance as a sensory trigger for relations between bodies and places.

Artist's book.

The inaugural publication of the “Research/Practice” series focuses on an artistic research by Michael Rakowitz on the aftermath of a canceled show by Leonard Cohen initially scheduled in Palestine.

This catalogue documents a project for which Steegmann Mangrané intends to reframe the history of abstraction, inviting us to re-evaluate the traditional division between nature and culture. It features a selection of works inspired by the artist's readings, from Roger Caillois to Merleau-Ponty.

The third title in a series of publications dedicated to artists' residencies at Maison Bernard, a masterpiece of organic architecture carried out in the 1970s by Antti Lovag in association with Pierre Bernard. The book documents a site-specific project by photograph Yves Gellie, a work on light and perception.