The first comprehensive publication exploring the practice of Trần Lương, a key figure in Vietnamese contemporary art.

Rob Mazurek graces the Keroxen Records waves with a genre defying album of field recordings, modular electronics, trumpet harmonies and spirit call chants.

As the most comprehensive monograph on Synnøve Anker Aurdal's work to date, Through the Threads writes a new, and sorely missing, chapter on the oeuvre and six-decade career of this textile pioneering artist.

An artist’s book, a work to be read, a journey through the history of painting, drawing on the collection of paintings at the Musée des beaux-arts de Rennes.

Pisseurses brings together a series of oil pastel drawings and portraits of the artist and her comrades urinating outdoors in a variety of contexts. A brief science-fiction short story carries the whole into a utopian dimension that re-signifies the trivial act of miction.

The debut publication by French, New York-based, photographer Eric Guillemain offers a privileged insider's view into the captivating world of film sets.

A project conceived by artist Julien Prévieux around current issues in space law.

Writer Nicolas Tardy is an author associated with the 2022 exhibition season of La Kunsthalle Mulhouse. He immersed himself in the universe of three exhibitions, composed freely around the works and ideas he perceived there.

Writer Véronique Vassiliou is an author associated with the 2023 exhibition season of La Kunsthalle Mulhouse. She immersed herself in the universe of three exhibitions, composed freely around the works and ideas she perceived there.

Recorded during a residency in Tenerife powered by Keroxen Festival and Discrepant back in 2020—amidst the pandemic, no less—, the duo of Carlos Godinho and Mestre André return after their "Mãe D'Água" debut on Sucata Tapes and an entry on Keroxen's Aquapelago Series through a split with tropical druids Lagoss.

A remastered 20th-anniversary reissue of the album released on the ~scape label in 2005 and long out of print on vinyl, with which Jan Jelinek turned away from his earlier jazz-glitch experiments and dance-floor incursions to venture into the organic sounds of early krautrock bands.

Californian photographer and costume designer Jasmine Benjamin pays tribute to Los Angeles in 120 portraits

An hybrid editorial object based on the language of fashion, utilizing the eponymous exhibition at the MACRO museum as a starting point.

Photographer Clark Winter catches the nostalgia and diversity of life moments associated with the automobile.

New monograph.

A layered graphic novel, conceived as a video-game trailer, weaving together diverse imaginaries, from Flaubert's The Temptation of St. Anthony to H.G. Wells' short stories, from brutalist architecture to generative artificial intelligence.

A memetic exploration of the "poor images" found on the fringes of the internet's dynamic and ever-expanding reservoir of content.

The social, historical and cultural dimensions of the skin in Brazilian art and literature.

First monograph.

An ode to automobile ruins.

An artist's book published in celebration of Peles Duo's twenty years of work.

Inside the drag-queen “Invasion” on Fire Island.

A critical reflection on colonial spaces initiated by the Portuguese artist.

An essay that intellectually deepens the historically traced furrows of colonial aberrations, crossing political science, philosophy, anthropology and psychoanalysis.

A new architecture of ruin, using wood and steel from the Baumettes prison in Marseille.

A stark and contemplative tribute to composer and intellectual Alain Pierre (1948-2024) by Belgian artist Tim Onderbeke.

Refusing the digital world of late capitalism.

Michel Guet's intellectual diary, from his commitment to "Banalytique" (an experimental movement that emerged from French post-situationnism in the early 1980s in response to the triumph of the "colonization of reality by market value" and the injunctions to make work totally profitable) to the social critique of art and the vertigo of a planet on fire.

Recorded in 2019 at the Centre Pompidou, Music for Today is the last public performance by Canadian artist Michael Snow, who died in 2023. Entirely improvised on a prepared piano, this musical piece is a true journey through the musical work of an artist who made perpetual experimentation an artistic practice in its own right.

The re-release of the much-sought-after art book by Coil's John Balance—the first ever extensive overview of his drawings, paintings and sketches—in a reformatted and largely redesigned edition.

A study of new representations and denunciation of gender violence by women in contemporary photography.

South African, Amsterdam-based artist Simnikiwe Buhlungu's most expansive publication to date.

On his Discrepant debut memotone aka Bristolian Will Yates collects some unreleased recordings under a most aptly titled name—Pruning—following a healthy stream of releases for such esteemed labels as Black Acre, The Trilogy Tapes or Soda Gong.

Seven exhibitions on paper, curated by different curators, to look back at the over-thirty-years production of one of Europe's foremost contemporary artists.

Artist's book, produced in limited print run in the Palais de Tokyo's risography micro-publishing workshop.

A series of photographs of Naples, by Jim C. Nedd, blending and reinterpreting elements from diverse iconographic traditions, such as fashion photography, documentary, and tableau vivant.

An album based on a cruel text by Moldavian writer Nicola Esinencu, somewhere in between a hybrid electronic – modern classical oratorio and a concept album.

An album based on a cruel text by Moldavian writer Nicola Esinencu, somewhere in between a hybrid electronic – modern classical oratorio and a concept album.

Artist's book, produced in limited print run in the Palais de Tokyo's risography micro-publishing workshop.

Translated into French for the first time, Vivian Sobchack's Le corps du film – Une phénoménologie de l'expérience filmique offers a new perspective to the phenomenological tradition through an interrogation of our cinematographic experience and, more generally, of our relationship to screens.

The first examination of the practices of two French artists who were key exponents of the Nouveau Réalisme movement, highlighting two opposing and complementary aspects of their poetics.

The first documentary account by artist, curator and publisher Ludovic Burel, Le laboratoire de fermentation (The fermentation laboratory) retraces four years of investigation, carried out on several continents, into wild and cultivated plants and the means of fermenting them, questioning our relationship to both the human (individual and society) and the non-human (plant and other).

An analysis of the different exhibition forms in contemporary photography.

Writing as a shifting space in which to embody the singular relationship that artists—and art critics—can have with words, texts and language.

Kim Hastreiter, co-founder of the beloved Paper magazine, has spent the last 50 years amassing a vast and iconoclastic collection of stuff. This volume, aptly titled STUFF, chronicles an extraordinary slice of history and the people who defined it, using Hastreiter's singular edit of art, fashion, design, photography, books and ephemera as a lens.

A new revelation into the deeply personal soundworld of a true voyager of both ancient, present and forthcoming times.

An extensive survey of Romanian artist Ionuț Cioană's practice, with a selection of texts he wrote over the years.

Irène Schwartz's notebooks enable us to follow the entire creative process that, between 1973 and 1983, led the artist to three actions in the field of body art or, more specifically, eat art.

Starting with a bold re-reading of Jacques Rancière, this essay unfolds a philosophy of experimentation, at the crossroads of life, politics and aesthetics, in search of new ways to explore, arrange and map the possible.