A large selection of drawings from Brauntuch's early carreer, based upon iconographic resources from the Third Reich.

A series of photographs by Izet Sheshivari made on the island of Fårö, where Bergman shot numerous films (newspaper).

Artist's book.

This LP inaugurates a new series of vinyl-only releases based on the extraordinary Logos archives. Here, never released before recordings from live sessions at Logos Foundation, in 1974, 1979 & 1981, featuring Max Eastley, Feminist Improvising Group, COUM, Derek Bailey, and the Logos Ensemble.

A studio album of songs by Frédéric Le Junter (voice, texts and home-made instruments) and Dominique Répécaud (electric guitar), where the music is truly at the service of texts with a pataphysical and surrealist edge but still in the realm of popular music.

Halfway between the autobiography, the adventure story, the manifesto and the catalogue, this publication traces twenty-five years of travels, explorations, and encounters by artist-explorer Till Roeskens.

A singular series of photographs exploring the theme of alternative therapies.

Documentation of Inferno, a prophetic short film on the inauguration and the destruction of a replica of Solomon's Temple in São Paulo

Monograph dedicated to Dokoupil's most recent soap bubble paintings series.

More than a decade after his first work as Manyfingers, Chris Cole returns with The Spectacular Nowhere, with which he confirms his status as an atypical composer, able to marry references and genres, to offer a singular work of pop, classical, and experimental music.

More than a decade after his first work as Manyfingers, Chris Cole returns with The Spectacular Nowhere, with which he confirms his status as an atypical composer, able to marry references and genres, to offer a singular work of pop, classical, and experimental music.

This publication results from Braegger's “The Grateful Dead” paintings series, ink jet prints of colorful psychedelic marching bears on canvas. These bears were used as a logo by San Francisco Sixties rock band The Grateful Dead.

Performances of clarinet solo around the work of Roger Caillois & graphic scores (with Maurice Benhamou, Jean-Yves Bosseur, Michel Doneda, Jean-Luc Guionnet, Jonas Kocher, Ly Than Tien, Christian Rosset, and Matthieu Saladin).

Michel Doneda and Lê Quan Ninh started working together in 1986 but "Aplomb" is their very first recording as a duo. An art of breath and of beating, a supple gesture for a subtle yet penetrating sound object.

Eight pieces mostly made for flutes (for piccolo, flute, alto flute, piano and percussion).

A suite of musique concrète composed in the personnal studios of the composers from 2013 to 2015.

A "self-portrait" in which Jean-Pierre Raynaud draws on the book's inherent sense of time to trace his artistic journey since 1962, using personal texts written spontaneously and a selection of emblematic works.

Six audio explorations for mixed electro-acoustic quintet.

A retrospective of the artist's life through his works, which he briefly discusses.

Compilation of photographs taken by Carla Pérez Vas, composer and guitar player with music band Mourn, during her first North-American tour.

Catalogue gathering the early paintings of Charline von Heyl.

Publication exploiting the book's physicality as a metaphorical space to express the artist's feelings after a breakup.

This cookbook is the outcome of a collective project for which random people opened the door of their kitchen to share their favorite recipe and tell their life experience. A celebration of life and cooking in 52 recipes and 31 portraits illustrated with colir photographs.

A literary and sound dive into a fantastic and whimsical bestiary (with Benjamin Bondonneau, Jean-Pierre Drouet, Géraldine Keller and Michel Mathieu).

Interviews with Jon Ippolito, Ben Fido-Radin, Olia Lialina, Constant Dullaart, Graham Dunning, Museo dell'Informatica Funzionante (Working IT museum); articles on Artworks & defunct software, embracing social life & forgetfulness, sound reconfigurations, reports on Bio-Fiction 2014, Transmediale 2015, Sonic Acts 2015, Accès)s( #14, records and books reviews...

This catalogue-reader accompanies Armando Lulaj's project for the Albanian Pavilion at the 56th Venice Biennale. A time capsule of the country's past, presenting strange memorabilia and trophies that tread the line between fact and fiction.

Monograph / catalogue.

A complete survey of performance arts between Canada, Cuba, Noway, Philippines, and Poland.

Drawing from a namesake installation, No More Sleep No More engages in a reflexion on the chronopolitics of sleep under neoliberalism.

An historical-critical recontextualization of the artist's figure with an important tool of documentation on his work from 1973 to 1979.

This artist book is composed of the observations, texts and images that Durham collected during a Venetian stay, pointing out the complex relationship between the tourism industries, the stories of local workers and Venice's history.

A glossy and luxurious exhibition catalogue including an illustration board with 24 bittersweet photographs.

An embracive and well-documented overview of three works by Stan Douglas covering the emergence of political and multicultural emancipation projects during the Seventies, from Portugal's 1974 revolution and the end of colonialism, to the emergence of multicultural music such as jazz-rock, funk, disco, and afrobeat.

Last Words is a dual-input device: a book associated with a sound piece built from the last statements of all inmates executed in Texas since the resumption of executions on December 7, 1982.

First monograph: thirty-four watercolors summarizing Lionel Renck's three years research at ESAAA art school.

The first monograph dedicated to Fortino's performances and videos takes the form of a 160 pages volume which constitutes a synthesis of the work and research conducted by the artist at ESAAA art school, Annecy, and beyond.

Artist's book featuring a selection of photographic archive from the European Organization for Nuclear Research: without the context of the archive or explanatory legends, the content becomes abstract and hypothetical, and plays with the representational capacity of the image and with the reception of information.

This artist's book features the research notes of a video work based on a sign language interpretation by a deaf performer of a Geneva College Orchestra's live performance.

Grégoire Bergeret collected 1.000 images from his vast personal database to build this ambitious first monograph: an erratic and abundant selection of documents introducing Bergeret's artistic practice.

Publication gathering five conference performances, written in French and English, by the Franco-Korean duo of artists and researchers Ju Hyun Lee and Ludovic Burel, whose works combine installations, performances, and publications.

A facsimile edition of a fanzine originally published in 1977. It gathers sculptures and fluxus' objects from Laurence Whitfield.

An unconventional autobiography based on the American artist's sales catalogue of personal belongings on eBay.

Filmmaker Rudolf di Stefano shares his views about cinema through a series of quotes by four representants of contemporaneity in film: Robert Bresson, Jean-Luc Godard, and Jean-Marie Straub & Danièle Huillet.

In Mohammed Laouli's Golf project, residents of a poor neighbourhood nearby Rabat are invited by the artist to play golf in their own streets, thus subverting the signs of power.

The last volume of the journal of political activist Jann-Marc Rouillan after his prison release.

Catalogue.

Reference monograph.

Katja Eydel's photographic body of work.

Artist's book based on a complex project linking Vernasca, Ethiopia and Jamaica according to two points of view, placing certain critical moments in Italy's colonial history in relation to the symbolism of Rastafarian tradition.

This vinyl LP stems from a series of performances by sound artists Mattin and Hong-Kai Wang. The recording consists of a superimposition of four layers of conversations between the two artists.