An investigation on former director of the IMF and the World Bank Jacques de Groote, sued by the Swiss courts for fraudulent privatization.

A portrait series with distinctive compositions and colors.

The tenth volume in the Solution series edited by Ingo Niermann: a speculative novel that accompanies “Friday in Venice,” a transmedia storytelling project about a possible Europe.

A tribute to literature by the artist. Book accompanied by an original and unique signed work, printing enhanced with watercolour or felt.

A tribute to literature by the artist.

Artist's book, based on the film A Sixth Part of the World by Dziga Vertov (1926).

Artist's book.

One hundred texts on art by René Denizot.

The origins of the writing of the history known as the history of modern art (catalogue).

Mark von Schlegell's fusion of theory and fiction puts the SF back in notions of “speculative aesthetics.”

The place and role of women in performing arts from 1912 to 2012, between performance and dance.

First monograph.

MacLise's early electronic music.

Facsimile of a book of drawings made between 1979 and 2010.

Pierre Denan's visual diary (artist's book).

The SalMar Construction is an amazing large music synthesis engine conceived and constructed in the early 1970's by a composer for use by a composer. These unreleased recordings were made at IRCAM in Paris in 1983. It illustrates the power that an electronic composition can achieve when the composer arrives at a true synergy with his synthesizer.

The first publication devoted to the artist's films.

Reference monograph: the first complete panorama of Kilimnik's production, allowing a vision that goes beyond the distinctions between painting, drawing, or installation (new and expanded edition).

300 drawing by Portuguese artist Gonçalo Pena.

As a body of repertoire, these 150 pieces of Christian Wolff are remarkable for their freshness of musical thought and energy (John Cage considered Wolff to be the most “musical” of the experimental composers).

Siegfried Kracauer was a leading intellectual figure of the Weimar Republic and one of the foremost representatives of critical theory. This volume brings together for the first time all of Kracauer's essays on photography that he wrote between 1927 and 1933. It includes a foreword by Philippe Despoix, and a curriculum vitae illustrated with photographs from the Kracauer estate.

A genealogy of cut-up: the history and development of a radical and pioneering literary technique, in Europe and the US, in the twentieth century (readings from William S. Burroughs).

A comprehensive look at the public artworks that Daniel Buren has made using ephemeral materials.

A collection of 38 short, self-contained episodes (artist's book).

Federico Pepe's Magnum opus (limited edition artist's book).

Both an artist's book and Kader Attia's reference monograph, “RepaiR” consists of interviews and texts around Attia's oeuvre, documented through about 1000 b/w reproductions, and the notion of repair, by 13 academics and researchers working in various disciplines. The book also reveals the artist's research and creation process, with a selection of archive texts and images.

A replay of the collection of the FRAC Champagne-Ardenne by Swiss graphic design studio Gavillet & Rust.

Three iconic series of photographs by Juergen Teller.

Artist's book.

An extreme experience seeking to hear the body's internal sounds. It uses both the medium of drawing and of writing to account for the metamorphoses produced by this sensorial experiment.

Reference monograph, featuring Francesco Arena's works collection and his most important shows from 2004 to 2014, with texts by Marcella Beccaria, Lorenzo Benedetti, Florence Derieux and Ara H. Merjian.

First monograph on Cuban artist Wilfredo Prieto.

The Coloring Book by Dr. Lakra is the first BOM DIA Kinder book, a new series of children books made by artists.

4 leporellos in slipcase: an artist's book that brings together for the first time, as individual leporellos, the four long drawings Saul Steinberg produced for the Children's Labyrinth at the Milan Triennale in 1954.

A guide for J. G. Ballard's The Atrocity Exhibition, between human sciences and science fiction, between the history of art and the medicine including reproductions of 20s pulps and of 60s independent magazines.

This publication traces two years of a project dedicated to the concept of drift, with theoretical texts, artists' contributions and contributions from educational projects, workshops and exhibitions.

First monograph.

New monograph, with texts by Quinn Latimer and an extensive interview with the artist by Adam Szymczyk, also including a catalogue raisonné of Auder's video works.

This book traces the evolution of Ulrike Gossarth's practice, with a particular emphasis on her training as a dancer in the 1970s, to draw connections between the early years with her sculptural settings and actions and her most recent work, which engages with history more generally.

The role of history and commemoration in Germany today.

The manifesto of the network of contemporary art centers.

First monograph, with an essay by Jacqueline Burckhardt.

A mapping of ephemeral architecture built during the siege of the Maiden Place in Kiev: a project by Bureau A, Leopold Banchini & Daniel Zamarbide (CH) with Burø, Sergey Ferley (UA), bewteen architecture, design, graphic design and political pamphlet.

Artist's book.

Rethinking public space.

A book that documents an oral presentation given by Pierre Bal-Blanc to a jury of professionals, as part of his application to curate the 7th Berlin Biennale. Devised as an exhibition in several acts, the session adheres to the rules of a score performed by its author or by a third party.

A research project in progress developed by the artist Johanna Viprey: the book narrates the encounter that has led the artist to investigate the personal history of Jeff Perkins, American performer painter and documentary filmmaker, from an anthropological perspective.

12 typescripts of concrete poetry (signed and numbered artist's book).

A facsimile reedition of an interview with Michael Heizer and curator Julia Brown first published in a 1984 catalogue.

New monograph.