This monographic essay explores Iris Clert, an unclassifiable and emblematic figure of the 1960s artistic avant-garde.

A presentation of the fascinating architectural legacy of the Tokyo Olympic Games through two iconic buildings, the Yoyogi Olympic Gymnasium and the New National Stadium, highlighting the two world-renowned Japanese architects behind these projects: Kenzō Tange and Kengo Kuma.

CURA. turns 15 and celebrates this important milestone with We Monsters, a special "horror" issue dedicated to the exploration of the revolutionary role of monsters in modern civilization, and contemporary art.

The continuation and culmination of a vast project, articulated between an exhibition and a symposium, imagined by South African curator Ntshepe Tsekere Bopape (Mo Laudi), inviting 17 artists from Africa and its diaspora and a group of researchers to evoke black aesthetics and propose an alternative vision of a world without borders.

The continuation and culmination of a vast project, articulated between an exhibition and a symposium, imagined by South African curator Ntshepe Tsekere Bopape (Mo Laudi), inviting 17 artists from Africa and its diaspora and a group of researchers to evoke black aesthetics and propose an alternative vision of a world without borders.

The 13th issue of the annual magazine of the ECAL (Lausanne University of Art and Design), with interviews with Paul Hirsch, Sébastian Strappazzon, Matthieu Gafsou, Lorenza Longhi, Gabriele Garavaglia, Loucia Carlier.

"UFO Forest +" is the third and most alchemically satisfying archival anthology of unreleased material from the Argentinian composer, building on a growing recognition of her poetic, psychosonic investigations ongoing since her studies in the early 60's with Nadia Boulanger and Edgardo Canton, and at the renowned Parisian institute INA-GRM.

Ronan Bouroullec's daily drawings.

The catalogue for Iva Lulashi's exhibition at the Albanian Pavilion of the Venice Biennale 2024, inspired by the sexual revolution advocated by Russian radical thinker and feminist Alexandra Kollonta.

A comprehensive overview of the Emirati artist's practice, with numerous archive documents.

Centered around the Villa Aurora Organ, an intriguing and mostly unknown instrument built in 1928/29 by the Artcraft Organ Company in Santa Monica, California, "Outerlands" presents a deeply personal approach to the instrument's particular properties, very much in line with Discrepant's ethos.

New approaches to Iannone's unique work.

New edition of Steve Cannon's riotous 1969/71 erotic novel Groove, Bang and Jive Around, "an underground classic of such legendary stature that New York's black cognoscenti have transmogrified the work into urban myth," with a foreword from Darius James and an afterword by poet Tracie Morris.

Caroline Bachmann's dawn paintings.

This new body of work consists of paintings featuring heart-headed figures in various emotional states and situations that sometimes teeter between the ordinary and extraordinary. From tender amorous moments to unexpected skate scenes, the work is full of the next iteration of emotive "schmoo" characters.

On their first album since 2017, the Berlin-based trio Denseland (Hanno Leichtmann, David Moss and Hannes Strobl) instead ventures slowly but steadily into unknown territory.

First vinyl edition of Giuseppe Ielasi's archipelago of animated sound sculptures.

This artist's book by Bea Schlingelhoff gathers together 366 capping phrases used for kōan practice.

Photographer David Simpson opens his 30-year archive on Louisiana's rural Mardi Gras traditions.

A split album as part of the GRM Portraits series bringing together two pieces by Jessica Ekomane (explores the multiple possibilities of polyphonic writing) and Laurel Halo (for piano and electronics).

Machteld Rullens' second publication with Zolo Press documents three years of works, friends & family moments, and travels in Senegal, NYC, LA, and Vincent van Gogh's house…

Reference monograph.

An account of artist Io Burgard's experience in the town of Ugine (archives, concert, residency, exhibition), part fanzine, part punk, part white cube.

First monograph devoted to the work of the Italian-Senegalese artist Binta Diaw.

A chronicle of the recent transformations of art schools, from the point of view of a teacher, at a time when these spaces are both threatened by increasingly fragile and uncertain public policy management, and at the same time more than ever spaces where the word opens up, practices change and art finds itself in direct contact with the most avant-garde movements in society.

The first volume in a series devoted to the archives of German artist, author and curator Marion von Osten (1963-2020), around the MoneyNations project, transversing between art, theory, and activism.

This monograph presents the visual language inseparable from the higly influential sound project of Sam McKinlay, pioneer of the "harsh noise wall" with the multidisciplinary entity The Rita.

This edition, the fifth volume in the Vues & Données series, includes data from the 2,275 "latent shots" taken by artist Aurélie Pétrel.

A survey of Florence Grundeler's work, structured according to the different media (canvas, paper, steel, installation) that form the pillars of her artistic development, with two essays.

This special second-edition monograph showcases a comprehensive selection of Nicolodi's oeuvre, presenting his work in the most compelling way to date.

An overview of the use of textile in contemporary visual arts around the world.

Unreleased tapes from the 70s and 80s.

The series of portraits of African heads of state unveiled by Kehinde Wiley at the musée du quai Branly – Jacques Chirac in Paris, an exploratory project around the representation of power on which the painter has been working confidentially since 2012.

The outcome of two years of writing and documenting Joshua Leon's own research processes, the publication comprises original writing alongside archival imagery.

An art project articulated around the issue of migration and diasporas from the Global South that sees the Mediterranean transformed into a place of waiting, suspension, and passing away, a solid space of embodying absence.

The culmination of a multidisciplinary project developed over ten years, where Miquel Mont blends real and fictional autobiographical elements to explore the economy of affects.

This publication documents the organization of fifty-two banquets (2008-2023) as artistic practice and "social sculpture"

The fifth volume of the bie bao series presents Ilya Zdanevich's fictional auto-biographical writings based on his one-year stay in Istanbul in 1921.

Monologues and "quasi-monologues" in which the characters talk indiscriminately about pollution, Pokémon, bonzes and alien octopuses.

First monograph of the Mexican queer artist.

The first French translation of the texts of the Japanese artist and writer Akasegawa Genpei (Katsuhiko Akasegawa, aka Otsuji Katsuhiko, 1937-2014), a figure of the Tokyo avant-garde of the 1960s, on the concept of Tomason, with a rich iconography.

An audacious account of the ways in which the arts in the Americas were modernized during the first half of the 20th century.

Three texts by Michel Guérin on the notions of ornament and decoration, at the crossroads of theological, anthropological, aesthetic and philosophical considerations.

An adaptation of the eponymous Christophe Lemaitre's film: a hypothesis, that of language considered as a parasite for the bodies which give birth to it.

Archival releases from the Dagar Brothers, among the most revered 20th century exponents of the ancient North Indian dhrupad tradition.

Archival releases from the Dagar Brothers, among the most revered 20th century exponents of the ancient North Indian dhrupad tradition.

A dialogue between two dress sculptors who, each in their own way, have strongly influenced the world of creation, between art and haute couture.

The complete texts and photographs published in the fanzine dedicated to free jazz.

An extended meandering conversation between Swiss art historian, critic and curator Jacqueline Burckhardt and curator/art historian Juri Steiner, accompanied by numerous texts, documents and artist inserts.

A selection of theoretical, philosophical and literary writings by Pierre Schaeffer, accompanied by testimonies of various personalities, providing a privileged entry into the multidimensional universe of the composer, engineer, theorist and radio man, whose tutelary shadow is constantly cast on the landscape of sound creation.