Françoise et Jean-Philippe Billarant's collection of minimal and conceptual art.

What would an exhibition be like if we changed the environment from the gallery, museum, or Kunsthalle, to that of the cinema? (a project by Mathieu Copeland, with Chantal Akerman, Peter Downsbrough, Liam Gillick, John Giorno, Philippe Grandrieux, Isidore Isou, Philippe-Alain Michaud, Meredith Monk, Lee Ranaldo, Susan Stenger, Alan Vega, Jacques Villeglé, Lawrence Weiner, Apichatpong Weerasethakul...).

A limited edition publication of 1000 copies, with Toilet Paper watch included!

Milan Knížák 1979's masterpiece never re-released in vinyl before: classic collages of noises created during performances and happenings, widely regarded as important sound art documents on record.

Cady Noland, Robert Gober, Sturtevant, Angela Bulloch, Sigmar Polke, Hilary Lloyd, Jeff Koons, Stephen Felton, Avery Singer, 12th Sharjah Biennale, Oscar Tuazon, Olivier Zahm, William Pope L., William Leavitt, Ida Tursic & Wilfried Mille, the Picasso Museum photographed by Juergen Teller, Trisha Donnelly, “Disobedient Objects” by Bruno Serralongue, “Artists and Poets” by Marina Faust, “After Ben Green” by Marie Angeletti...

Featuring: Frances Stark, Rachel Rose, Christodoulos Panayiotou & Salvatore Settis, Valeria Luiselli, Heman Chong, the emerging art of India, Cameron Rowland...

Invece is an art and poetry review directed by Julien Blaine. It gathers contributions based on a specific theme. This third issue is dedicated to Cimendef, the legendary maroon from Bourbon Island.

A review of voluntary bareness and simplicity practices in art.

Stéphane Calais, Jean-Charles de Castelbajac, Jochen Gerner, Jean-Charles Massera, Ed Ruscha, Robert Stadler, Laurent Tixador, Collection Antoine de Galbert...

Second volume of the Toilet Paper book, gathering all of the images published in the last six issues of the magazine, also including a significant portion of previously unpublished images.

Featuring: interview and portfolio by Michel Houellebecq, Bouchra Ouizguen in Marrakech, which cultural life in New Orleans, 10 years after Katrina? (reportage), a portrait of Tiago Rodrigues, director of the National Theatre of Lisbon, Titus Andronicus's punk opera...

Drawing relations between writers' quotes and the works of Céleste Boursier-Mougenot (with a text by Benoît Viguier).

How the impact of code on everyday life has become comparable to that of speech and writing.

Jérôme Zonder's drawings in large format.

A lively improvisation lead by a quartet of instrumentalists blending drone and chamber music.

The “micro-interventions” in the public space in the age of social movements and citizen action.

A novel written orally by the artist Benjamin Seror.

A textual rendering of fifteen films from 1997 to 2015, completed by authors' comments and introductory notes by Narkevičius himself.

The subject of Vertiginous Parallels is landscape, and more precisely, the relationships between its mapping and visual or artistic (especially cinematographic and pictorial) adventures.

An essential publication that allows to reevaluate the importance and impact of the work of the pioneering English group Art & Language, and the emergence of Conceptual art in the early 1970s.

An unpublished manuscript, La Ferme radieuse et le centre coopératif (“The Radiant Farm and cooperative center”) describes the country planning project conceived by Le Corbusier and Norbert Bézard in the 1930's.

The first recorded collaboration between Charlemagne Palestine (piano Bösendorfer, orgue Yamaha and voice) and Rhys Chatham (trumpet, loop pedal, electric guitar).

A reader.

The fourth issue in the “Poetic Series” is a seasonally themed special issue, a festive anthology composed of contributions from more than twenty writers and artists.

Monograph / artist's book based on seven films by the Canadian filmmaker, whose work creates a dialogue between film, photography and painting (with a script by Mark Lewis and an essay by Chantal Pontbriand).

166 minutes with Charlemagne Palestine (piano Bösendorfer, orgue Yamaha and voice) and Rhys Chatham (trumpet, loop pedal, electric guitar).

A critical book: a reassessment of Julien Blaine's poetry and the aesthetic problems related to it.

Performances of clarinet solo around the work of Roger Caillois & graphic scores (with Maurice Benhamou, Jean-Yves Bosseur, Michel Doneda, Jean-Luc Guionnet, Jonas Kocher, Ly Than Tien, Christian Rosset, and Matthieu Saladin).

Michel Doneda and Lê Quan Ninh started working together in 1986 but "Aplomb" is their very first recording as a duo. An art of breath and of beating, a supple gesture for a subtle yet penetrating sound object.

A milestone film from American composer and filmmaker Phill Niblock, presented for the first time in DVD with two alternate soundtracks, T H I R is a mesmerizing and hypnotic film from his Environments series shot in upstate New York in 1972. This film is one of Niblock's finest and undiscovered jewels—a must have classic release.

New formula of the French multidisciplinary cultural magazine.

A collaborative artist's book with Véronique Verstraete and eight associated authors.

A reflection on translation phenomena in the arts.

A questionnaire (interviews with international artists, architects, and curators of the contemporary art world, such as John Baldessari, Suzanne Cotter, Bice Curiger, Chris Dercon, Charles Esche, Liam Gillick, Jacques Herzog, Thomas Hirschhorn, Rem Koolhaas, Hans Ulrich Obrist, Thierry Raspail, Beatrix Ruf, etc.).

Déborah Danowski / Stephanie Wakefield / Stephanie Wakefield & Antek Walczak / Jenna Bliss, Elise Duryee-Browner, Damon Sfetsios / Valentin Bouré & Mélanie Matranga / Daniel Horn on Stewart Uoo / John Beeson on Tetsumi Kudo / Karl Holmqvist on Lili Reynaud-Dewar / Édouard Montassut on Camille Blatrix / Kerstin Stakemeier on Anne Imhof / Karl Holmqvist on Dorothy Iannone / Mica Gherghescu on Dubuffet typographe de Pierre Leguillon  / Jason Simon on Charles James / Neil Beloufa...

The origins of the writing of the history known as the history of modern art (catalogue).

That Summer's very first vinyl, to celebrate the 20th anniversary of its first album, “Drowsiness of Ancient Gardens”, consists of reworks (covers and remixes) of a number of That Summer's songs by some of the industrious musicians who have been part of the “band” over the years, in some way or other.

The third issue of the French-American magazine of creation and reflexion is devoted to performance art.

An epistemology of historical socialism (politics, natural sciences, humanities and religion in the early XIXth century).

Invece is an art and poetry review directed by Julien Blaine. It gathers contributions based on a specific theme. This second issue is dedicated to Native American warchief Rain in the Face.

Camille Pamela Rosenkranz, Tauba Auerbach, Renzo Piano, the 12th Lyon Biennale, Thomas Hirschhorn, Palm Springs, the 14th Venice International Architecture Exhibition, Camille Henrot, Mathias Faldbakken, Milan Kunc, Katharina Fritsch, Richard Artschwager, Haim Steinbach, Collier Schorr...

Rethinking public space.

Science and Pataphysics, volume I: the history of the origin myths—how science is torn from what is now defined as pseudo-science.

An experimental novel written by two powerful voices of French experimental poetry. With illustrations by Charles Pennequin.

A critical approach to practices of photographic representation and information.

An anthology of the international avant-garde poetry journal created in 1796 by Julien Blaine.

The possibility of concrete truth as a working hypothesis, for an art that not only represents and documents, but engages in specific political and social situations—and for an activism that searches for intelligent, creative means of self-empowerment.

Abstract Specific | Specific Abstract is a project initiated by Benjamin Meyer-Krahmer and Daniel Steegmann Mangrané as a way to continue a fruitful conversation. The first six posters of this ongoing project present contributions by Water Benjamin, Jonathan Bragdon, Dora García, Nils Hoff, Charles Sanders Peirce and Philippe Van Snick.

This book excavates the notion of forensis (Latin for “pertaining to the forum”) to designate the role of material forensics in articulating new notions of public truth. The condition of forensis is one in which aesthetic practices, new technologies, and architectural research methodologies bear upon the legal implications of political struggle, violent conflict, and climate change.

Imposture, falsification and diversion.