Spike's "Web3" issue is all about the blockchain (with Holly Herndon, Rhea Myers, Charles Broskoski, Constant Dullaart, Jerry Gogosian, Ruth Catlow, María Paula Fernández, Wassim Z. Alsindi, Damien Hirst, Miao Ying, Harm van den Dorpel, Sarah Friend, Kenny Schachter, Mónica Belevan, Rafaël Rozendaal, Toby Shorin, Mark Alizart, Primavera De Filippi, Elie Ayache, Simon Denny...).

Two pieces based on Milan Knízak's canonical text Aktual University, dating from 1967, containing ten short lectures outlining the university's character—On Conflict, On Dreams, On Revolutions, On Love, On Belief, On Art, etc. These lectures were to serve as inspirational schemes for lectures, seminars and discussions held at an ideal university.

Three pieces for speaking pianist by the American avant-garde musician, politically committed composer and virtuoso pianist Frederic Rzewski (1938-2021), performed by Stephane Ginsburgh (for whom two of the pieces were composed).

Catalogue.

Contemporary poetry in Arabic: Lamis Saïdi; Pascale Criton; homage to Peter Rehberg by Jérôme Noetinger; Romain Perrot aka Vomir; Michel Doneda; Wuppertal festival / Peter Brötzmann; Yosuke Yamashita interviewed by Michel Henritzi; 45 album reviews...

The first new album in over 40 years by American composer, pianist, and digital audio pioneer Loren Rush: Bay Area experimentalism meets 20th century classical modernism.

A long history of Fourierism in France, Great Britain and the United States, based on the theme of cooperation.

The new magistral piece from Phill Niblock, played by the Arditti String Quartet, David Watson and the Phoenix Ensemble Basel.

First monograph devoted to the work of video artist and performer Wolfgang Stoerchle (1944-1976), an artistic figure of the Californian scene in the 1970s, based on extensive research and three international exhibitions.

The renunciation of art / the art of renunciation.

The new magistral piece from Phill Niblock, played by the Arditti String Quartet & David Watson.

The new magistral piece from Phill Niblock, played by the Phoenix Ensemble Basel.

A 1975 unreleased Strumming performance in Antwerp.

FLEE's new project focuses on the music of the pearl fishermen of the Persian Gulf and aims to honor the memory of the divers, their culture and their music.

FLEE's new project focuses on the music of the pearl fishermen of the Persian Gulf and aims to honor the memory of the divers, their culture and their music, through a 2XLP compilation and a 240 pages long book in Arabic and English.

The first issue of the magazine Bagarres, made of constraints and rules of the game.

Reference monograph dedicated to Regina Cassolo Bracchi, in art Regina (1894-1974), one of the most fascinating, innovative, and to this day lesser-known figures of the European artistic panorama of the twentieth century.

A territorial project but also a collective, musical, social and political experience of listening and exchange.

The collaboration of two American greats: master of metafiction Robert Coover and graphic legend Art Spiegelman.

An attempt to feel and investigate the quality of time, with references to Jonathan Crary, Paul B. Preciado, Charles Baudelaire, and Walter Benjamin.

The second issue of the Cahiers du centre national du graphisme (National Graphic Design Center) is about typography (new edition).

The first new album in over 40 years by American composer, pianist, and digital audio pioneer Loren Rush: Bay Area experimentalism meets 20th century classical modernism.

Crossed interviews around the project of the curator Mathieu Copeland, who transposes the exhibition to the stage for the duration of a show, pursuing his investigation into the nature of an exhibition.

A project by contrabassist, composer and theorist of experimental and improvised music Christopher A. Williams, inspired by Kantian proposals for perpetual peace, applied to collective musical composition and performance.

Crossed interviews around the project of the curator Mathieu Copeland, who transposes the exhibition to the stage for the duration of a show, pursuing his investigation into the nature of an exhibition, accompanied by a libretto that gathers the transcriptions of the texts of the thirteen invited artists.

The seventh entry in an ongoing series of anthologies, this book features rare poems alongside new essays and interviews that engage the artists and themes explored elsewhere in Blank Forms' public programming: Terry Allen, Thulani Davis and Jessica Hagedorn, Sarah Hennies and Judith Hamann, Tashi Wada and Charles Curtis, Milford Graves, Graham Lambkin by Alan Licht, Still House Plants, Angel Bat Dawid...

An inspiring album that dissolves the boundary that too often separates live and studio, improvisation and composition.

An off-track, frenetic and exciting improvisation session bringing together musicians who have known each other for many years and are playing together for the first time.

The first-time vinyl edition of CC Hennix's 2014 piece "Blues Alif Lam Mim in the Mode of Rag Infinity/Rag Cosmosis," intended to reveal the blues' origins in the eastern musical traditions of raga and makam.

An electronic interpretation of the works of Phill Niblock by the Prague-based group Opening Performance Orchestra.

The call is clear: Museums must change. Amid an ongoing global pandemic and growing demands for decolonization, racial justice, and economic parity, culture needs new tools for structural transformation. In the first of two special issues focusing on this urgent topic, Artforum has invited some of our leading theorists, curators, artists, and museum directors to consider how art institutions might evolve.

Contemporary poetry in Arabic: Maya Abu-Alhayyat; "Jean-Michel Jarre or the time of the jesters", by Jérôme Noetinger; Takayuki Hashimoto; Louis Moholo-Moholo; Simon H. Fell; Titania Tapes; 60 album reviews...

Twenty-two drawings made during four months by the Mexican artist from his own observations of the evolution of a forest landscape written on a single day.

The tenth issue of the journal-collection that brings together academic writings, interviews with artists, critical essays and artists' interventions in the form of inserts, with & about Sara de Chiara, Moyra Davey, Jana Euler, Sylvie Fanchon, Jim Fletcher, Alexander García Düttmann, Jeanne Graff, Martin Laborde, Liz Magor, Nick Mauss, Edith Schloss, Albert Serra, Pierre Thévenin, Emily Wardill...

Two pieces for cello and humming written specifically for Judith Hamann by composers Sarah Hennies and Anthony Pateras alongside Hamann's own “Humming Suite” and “Study for cello and humming.”

A collection of iterative cello performance that foregrounds shaking as a generative subject and explores the harmonic pulses of the instrument.

The ten years of activity of the international program of research, experimentation, and artistic and pedagogical residencies devoted to questions of artistic community, art in public space, landscape and the political issues of borders, territories and migrations, in Marfa, Texas, a mythical place that has become a veritable artistic laboratory.

A program of performances, sound installations, projections, and conversations, to explore the relationship between sound, movement, and the social and geographic specifics of Marfa, Texas, at the intersection of music, minimalism, and the political.

Issue dedicated to music as work.

Break dance at the Olympic Games: hip-hop aims for street gold; in Perpignan, a far-right mayor takes on culture; resisting capitalism by joining forces with ospreys; Wang Bing, filming China before it all disappears; Kathy Acker, punk writer, star by plagiarism...

The catalogue raisonné of the Frac Île-de-France Collection.

Souffle Continu Records; interviews with François Bonnet / Kassel Jaeger, Yann Gourdon, Satoko Fujii, Hans Reichel, Christophe Guérin; Lelio Giannetto; books and records reviews; contemporary Arabic poetry: Carol Sansour by Henri-Jules Julien...

An issue dedicated to Éliane Radigue's ground-breaking compositional work, OCCAM Ocean as seen through the eyes of her chevaliers de Occam, the performers who, in collaboration with Radigue, have brought the sprawling musical eco-system to life.

Two improvised concerts where are woven between the piano and the saxophone subtle games of harmonic textures, appearances of differential sounds, resonances and sometimes some more noisy sequences.

An analysis of the exhibition pavilions (universal exhibitions and bienniales) from the point of view of their architecture, crossing the contributions of designers and architects, historians, philosophers and aestheticians.

This biography of a fictitious artist constitutes a critical analysis of the professionalization of arts education as well as a support for reflection in favor of the socio-economic responsibilities of artistic practices.

Joan Mitchell, Louis Fratino, Cecilia Vicuña, Lorraine O'Grady...

Can objects be traumatized? How does the commercial value of an art object relate to its aesthetic qualities? How do objects interact? These are some of the questions addressed by Graham Harman, the originator of object-oriented philosophy and a central figure of the Speculative Realism school of thought in contemporary philosophy.

Two short stories by Lucien Jean (1870-1908), accompanied by a mini CD slipped into the book: an unpublished atmospheric piece, recorded for the occasion, by Lee Ranaldo.

Alan Michael, Jesse Wine, Beth Collar, Peter Fend, Tau Lewis, Robin Peckham, McKenzie Wark...