Fully documenting Koki Tanaka's latest video & photo project, this publication focuses on a pressing issue from the artist's native country—the mutual incomprehension and mistrust between Zainichi Koreans and ethnic Japanese—to plead for vigilance when it comes to racism and discrimination.

Originally conceived for live context employing high volume playback and extended duration, Conduit pushes the parameters of musical composition and perception. Minimal in construction, applying high frequency staccatissimo that gradually turns in on itself, Kaori Suzuki's latest output delivers a striking twenty-six minutes of intoxicating computer music. A remarkable statement.

Issue coedited with Rachel O'Dwyer, media and communications Research Fellow at Trinity College Dublin; interviews with Olivier Sarrouy, Furtherfield (Ruth Catlow & Marc Garrett), Holly Herndon and Mat Dryhurst, Martín Nadal, Ami Clarke, Sarah Friend; A token called ART; How is the Blockchain Transforming the Art World?; reports on the Meta.Morf 2018 – the 5th Trondheim Biennale, and Transmediale 2018.

The first publication ever dedicated to the musical works of American painter Louis Michel Eilshemius: Halfway between romantic tradition and futurist audacity, these sound pieces which prefigure the use of sampling are interpreted with virtuosity by the young pianist Imke Lichtwark in the accompanying CD. The book also includes texts by Roberto Ohrt, Sven Daigger, Stefan Banz, and by Eilshemius himself.

New paintings, sculptures, photographs and site-specific installations.

An interview with artist James Hoff by theorist writer Marian Kaiser, focusing on Hoff's publishing practice and reflections on books.

This comprehensive monograph on Teresa Burga acknowledges the recent reassessment of the multidisciplinary artist's work as a pioneering voice in Peruvian contemporary art.

Laurent Lolmède's journal, revisiting the latest political, cultural and sporting news.

A visual tour de force (artist's book).

Art critic Rahma Khazam brings together a heterogeneous collection of authors offering a variety of interpretations on the work of artist and poet Franck Leibovici.

This artist's book gathers the 67 photographs that make up the contact sheet #234 of the photographs taken by Jef Geys during the 1969 Tour de France. Year of Eddy Merckx's first victory, the same day as the man's first step on the moon.

The 2018 edition of the Jahresring, guest-edited and designed by Wolfgang Tillmans.

The 2018 edition of the Jahresring, guest-edited and designed by Wolfgang Tillmans.

Summer previews (Charles White at the Art Institute of Chicago; Bodys Isek Kingelez at the Museum of Modern Art, New York; Diamond Stingily at the Institute of Contemporary Art, Miami; Michael Jackson at the National Portrait Gallery, London; Anna Boghiguian at the Museum der Moderne, Salzburg; Xu Bing at the Ullens Center for Contemporary Art, Beijing…), Harry Cooper on Ellsworth Kelly's Austin, Chloe Wyma introduces Ebecho Muslimova, Superpower: Hannah Black on Black Panther, Tectonic Arts: Frank Gehry talks with Julian Rose, and more.

Exploring the potentialities of virtual reality: with Björk VR experiments; sound and VR; Michel Chion; interviews with Molleindustria, Viktor Timofeev, David Guez, Boštjan Čadež, Naotaka Fujii + Grinder-Man + Evala, WonJik Yang; reports on Temblor – 13 Bienal de Arte Mediales, and Gamerz 13 – Techno-esoteric visions…

This leporello artist's book is the last iteration of an ever-mutating project by artist Tanaz Modabber. It reproduces a sixty-meter-long drawing which was also used in the past as a score, and as a referential mapping. The work also refers to the links between poetry, music, architecture, and politics in Iran.

The Dynamics of archiving: interviews with Ernesto Oroza, Simone Osthoff, Red conceptualismos del Sur, Manu Luksch, Daniel G. Andujar; Anna Ramos presents the Memorabilia podcast series; the British Library's 140 years of recorded sound vs. Centuries of Sounds; Rhizome's Net Art Anthology; reports on ISEA 2017 – “Biocreation and Peace”, Lisbon's xCoAx 2017…

Archivio is a new half-yearly magazine focused on archive's culture, in its many dimensions.This first issue features: Soviet subcultures; computer pioneer Charles Babbage; Studs Terkel radio archive; Milan's economic boom; Eighties Florence; the Whitechapel Gallery's archive; Stokholm city archives; fashion writer Anna Piaggi; young Pasolini; Joan Brossa's archives at MACBA; a project by Ugo la Pietra; scores by Sylvano Bussotti; film archives from Lucio Fulci and Kon Ichikawa, and much more…

Contemporary views on Egon Schiele; the controversial artistic treasury of the Gurlitt Collection; Macron's victory explained in literature; interviews with Giuseppe Penone and Lucy McKenzie; Glasgow: Britain's true artistic capital; photography in India; Tokyo's urbanistic issues; “Negative” section with Robert Menasse's Die Hauptstadt, Tonya Harding, Google, ballet's gender-free future, and a marriage advice for an American at Kensington Palace; portfolio by photographer Michele Borzoni.

Armen Avanessian's Miami chronicles: An inventory of the self in the second person, intertwining thoughts on the art world and interrogations on our digital times.

The first publication dedicated to the work of fashion illustrator and artist Kelly Beeman. Drawing her inspiration from lookbooks and catwalk shots, Kelly Beeman creates paintings that plunges the viewer into a fantasy world of rare delicacy, tinted with subtle references to interior design, architecture, music and literature.

A self-portrait (a collection of Robert Breer's interviews, correspondence and statements over fifty years).

Artist's book: an illustrated collage-book made up of recurring visual elements from Franco-Belgian comics. The publication is designed in the traditional format of the bande dessinée.

An extraordinary publication gathering a selection of stock images and original photographs drawn from the myriad ads for drug sales on the dark web designed to catch the consumer's eye. These photographs are invisible under normal light: printed in invisible ink, they can only be viewed under ultraviolet light (the publication includes a mini flashlight).

Publication documenting an eponymous video work by the Palestinian artist, in which she follows the matrix of hierarchies and relationships involved in an agricultural transaction of seeds between a Norwegian town the Bekaa Valley in Lebanon. This book includes an essay by historian Shela Sheikh and a text by the artist tracing the reflections that led her to her project.

Mark Thomas Gibson questions the long-lost quest for utopia in the USA through a narrative that brings together the high and low visual languages of painting and comics.

This monograph offers a rich critical overview of the work of Luca Bertolo from 2012 to 2017, with essays by Craig Burnett and Dieter Roelstraete and an interview with Antonio Grulli.

Cura's new issue connects the different sections with one common thread: the machine as a possibility or as a threat. The magazine also extends its “Inside the Cover” section with three essays on this issue's cover artist, Max Hooper Schneider. Plus: Sam Lewitt on Michael Asher's 1991 exhibition at Le Consortium in Dijon ; interviews with John Bock, Korakrit Arunanondchai, Kenric McDowell, Bailey Scieszka ; David Horvitz in conversation with Margot Norton ; Nicolas Deshayes' sculptures ; Pakui Hardware ; Haroon Mirza's visual essay ; Bruno Zhu…

This issue of Spike looks at the real as a fault-line of art and a utopian horizon of its agency. Welcome to the oasis of the real (featuring Francesco Vezzoli, Maria Hassabi, Asad Raza, Emily Jacir, Wayne Koestenbaum, Gabi Ngcobo, Tristan Garcia, Calla Henkel & Max Pitegoff…)!

Catalogue of the first Orleans Biennale of Architecture: introduced by a series of texts on Guy Rottier, Demas Nwoko and Patrick Bouchain, the publication offers an intersecting vision from over forty contemporary architects working on building a shared world. The concluding part presents a mapping of the research in architecture.

The American illustrator's new series, field with characters that operate in a kind of abstract epic or post-Columbian codex that blurs pure myth and daily life. Leines' output reflects the 80's pop culture, modern art and a global range of graphic influences.

This publication provides a wide-ranging survey of the Argentinian artist's literary collages—produced from 1965 to 2013—which use appropriated texts, representing a kind of experimental writing at the intersection of visual arts, performance, theater, literature, and activism.

The first title in a series of publications dedicated to artists' residencies at Maison Bernard, a masterpiece of organic architecture carried out in the 1970s by Antti Lovag in association with Pierre Bernard. The book documents a site-specific project by Paul-Armand Gette, the first artist ever to exhibit at Maison Bernard.

Catalogue dedicated to a video project on the practice of gospel mime within the African-American church. This subject is an opportunity for Jemison to express her interest in language and gesture, and on the discursive dimension of African American culture.

This artist's book reactivates a press controversy which took place in 1970s London and affected the Tate Galleries' collecting strategies—in particular, the acquisition of Equivalent VIII, a work by minimalist artist Carl Andre made in firebrick.

Study book made by artist George Trakas in response to a commission issued by inhabitants of the Lamelouze commune in the southern French region of Gard, north of Alès (as part of the “New Patrons” program, initiated and supported by the Fondation de France).

Propaganda issue, with Italian sociologist and marketing strategist Andrea Natella as special editor: interviews with Natella, Fatima Al Qadiri, Brandalism, Jonas Staal; Is there something outside the hyperstition? On accelerationism and propaganda; Mapping the “Alt-Right;” Insider Trading Terrorism; Bello Figo, the Italian Pop Star of Over-Identification; reports from WRO 2017 Biennale and Transmediale 2017.

Catalogue documenting two projects by the Colombian artist—a photo essay and an artist's book—focusing on immigration and family ties.

Modernist master Florine Stettheimer; South Korea's gangster cinema; saving the National Endowment for the Arts; interviews with Charline Von Heyl and Christodoulos Panayiotou; “Negative” section with Rei Kawakubo, Eurovision, Macron, and more; reviews and summer's agenda; portfolio by Jane Chang Mi…

Fifth part in the Selten Gehörte Musik reissue series: recordings by Dieter Roth and Oswald Wiener, at Mosfellssveit, Iceland, from May 28 to 30, 1976.

An overview of the German artist's work, through a selection of paintings from 2006 to 2016.

The late Maria Lai; Bruce LaBruce's latest film The Misandrists; the Apollonian and Dionysian in the work of Jill Mulleady; Patrick Jackson; Xavier Veilhan, Christian Marclay and Lionel Bovier talk about their collaboration for the French Pavilion at the 57th Venice Biennale; Yan Xing's art of absence; 1996 interview with Vija Celmins by Jeff Rian; exhibitions reviews…

Summer preview of 45 shows worldwide; Irene V. Small explores Jennifer Allora & Guillermo Calzadilla's latest project, which places a Dan Flavin light sculpture deep in a cave in Puerto Rico; Christine Macel talks with Michelle Kuo about the 57th edition of the Venice Biennale; Art Under Nationalism: Dispatch from Warsaw; Johanna Fateman and Tobi Haslett on the 2017 Whitney Biennial and the violence of cultural representation; Ara Osterweil on Warhol and Fassbinder; Lantian Xie; the fall-winter 2017 fashion collections, and much more.

Interviews with Florian Hecker, Ben Bogart, Jonas Lund, Gene Kogan, Eric Drass; AI representation in Black Mirror TV series; Machine Fallibility and Emergent Weirdness; Burak Arikan's Data Asymmetries; the “Fear and Love” exhibition at London's Design Museum…

Anne Pontégnie on Daan van Golden; Sérgio B. Martins on Ferreira Gullar; Documenta 14; Christo & Jeanne-Claude's Running Fence; Alex Schweder and Ward Shelley's ReActor; exhibition history: Hans Haacke in Frankfurt, 1976; Top Ten by Sol Calero; Omar Kholeif on Nil Yalter's Le Chevalier d'Éon; the art of Michael Williams; reviews from Francis Picabia and Raymond Pettibon's exhibitions in New York, and more.

First retrospective monograph dedicated to the “agency” created in 1984 by Jean-François Brun, Dominique Pasqualini and Philippe Thomas: an immersion into the collective's history through numerous press archives and exhibition views. The publication also includes an unpublished interview with Brun and Pasqualini, and a glossary.

First monographic catalogue dedicated to the works of multidisciplinary artist Darja Bajagić who culls her imagery from fan-gore magazines, true-crime TV shows, fetish websites, obscure online forums, and hidden chat rooms tucked away in the darker reaches of the Web.

Yves Scherer, Anthony Huberman's “The Machine” with Robert Snowden and Lutz Bacher, a portrait of Walter Hopps, Renate Bertlmann in conversation with Vincent Honoré, artists' projects by Eva Papamargariti and Zin Taylor, 25 questions for Mitchell Anderson by Liam Gillick, Anna Uddenberg in conversation with David Lê, Pablo Bronstein, Stuart Middleton, a visit to the new Guerrilla Girls' exhibition at Whitechapel Gallery, HOT! Section with Daiga Grantina, Elliot Dodd, Pia Camil, and Daniele Milvio.

Filmed inside a series of empty museum galleries across Paris, Ali Cherri's Somniculus articulates the tension between the lives of dead objects and the living world that surrounds them—thus highlighting their ideological value. This publication accompanies and complete the Lebanese artist's video project.

New monograph.