Short Circuits features essays, interviews, and documentation that highlight Dubai based artist Vikram Divecha's interest in the often invisible structures of planning, construction, demolition and maintenance. It centres on his long-term collaborations with workers, contractors and decision-makers who shape the cities of the United Arab Emirates and beyond.

John Armleder delivers a series of drawings for his “autobiography”.

An anthology of texts by Jean-Michel Bouhours on photographer and filmmaker Paolo Gioli, a key figure in the Italian avant-garde of the 1970s.

By the Means at Hand offers a look into Vlatka Horvat's eponymous project, presented at the Pavilion of Croatia at the 60th International Art Exhibition—La Biennale di Venezia in 2024.

The catalogue of the exhibition for the Cyprus Pavilion at the 60th Venice Biennale.

A collection of more than 700 photos shot by Giovanna Silva during the last three years of walks through NYC.

The best of 2024: a renowned group of critics, artists, and curators from around the world take stock of the year in art.

First monograph.

Artistic expressions of mourning.

Sonia Boyce engages with the artist and sound theorist Brandon LaBelle, who guides us through the artist's poetics, considering sound as a form of radical inclusion, a medium capable of generating interaction, narratives and new understanding.

A book spanning Cosima von Bonin's work of the last decade, and a personal journey into her private world and references.

The first attempt at a philological reconstruction of the seminal exhibition Materializzazione del linguaggio, curated in 1978 by Mirella Bentivoglio within an edition of the Biennale di Venezia, and dedicated to the verbo-visual explorations of eighty international women artists.

Stefano Arienti's photographic "autobiography" (artist's book).

76 contributions from an international selection of critics, artists, poets, architects, filmmakers, and theorists, published by e-flux between April–May 2024, arranged into 11 thematic chapters—ranging from the live question of cultural censorship through to the role of diagrams and notation in contemporary artistic practice.

This book brings together Bernhard Rüdiger's theoretical texts on the questions of language and form in contemporary art, seen from the perspective of the possibility of thinking them within the paradigm of shock or awe.

Gathering reflections and testimonies of exhibitions realized by Yann Annicchiarico in various countries, this looks back at a unique state of perception, related to the experience of emptiness and to the suspension of attention, an essential element in the artist's research.

The facsimile of a never-before-published catalogue, documenting a Milanese exhibition banned by the police in 1992, renders the productions and stances of a group of Italian artists in the artistic context of the time.

A first major monograph on Thierry Fournier's practice, French visual artist, with an extensive documentation of many recent works and a collection of texts and interviews.

Newton is a sound work conceived by Cesare Pietroiusti, an artist interested in micro-events, paradoxical situations, behaviour and minor gestures that make up our daily life. NEWTON is an epic of the fall, experienced, suffered and observed by the artist himself.

A compelling narrative by Omar Kholeif through the life and work of one of the pioneering artists of our time.

A history of stupidity (deliberate and sometimes even claimed), regression and superficiality in the arts.

Cosmos Cinema combines comprehensive visual documentation of the acclaimed 14th Shangai Biennale with newly commissionned essays reflecting on its themes.

Richard Serra (1938-2024), textile art, "Meiji Modern: Fifty Years of New Japan", "Foreigners Everywhere"...

On "Cycle and Prayer," Indonesian experimental musician and instrument builder Wukir Suryadi expands the edges of his unique artistic world further, by digging in to meditative improvisation, art, and community building in his home workshop in the mountains of central Java.

Summer issue, featuring: texts by Travis Diehl, Domenick Ammirati, Anna Kornbluh, Daniel Baumann; interview with painter and gallerist Jamian Juliano-Villani; Aodhan Madden on Maggie Lee, Ser Serpas & K8 Hardy; Jaakko Pallasvuo and Kristian Vistrup Madsen; a guide to decentralized social media; Marina Abramović's secret to longevity; Nicolas Bourriaud on this year's Venice Biennale...

The trip to Saudi Arabia by photographer Giovanna Silva and curator Emilia Giorgi.

The cataclysmic meeting between Masami Akita (Merzbow), legend of the Japanese noise scene, and pianist Nicolas Horvath, great connoisseur of the classical repertoire and unparalleled experimenter.

The catalogue of Darja Bajagić's exhibition for the Pavilion of Montenegro at the 60th International Art Exhibition of La Biennale di Venezia, 2024.

This volume collects six fables Lin May Saeed (1973–2023) wrote in the early 2000s—the only ones the artist ever shared—which explore fundamental issues of interspecies coexistence, combining scientific, ethical, and philosophical motivations.

This book takes the domestic dog as an affective standard, a practical horizon and an index of a moral economy specific to the capitalocene.

Alioune Diagne's project for the first Senegalese Pavilion at the 60th International Art Exhibition of La Biennale di Venezia, 2024.

The catalogue of the Serbian Pavilion at the 60th International Art Exhibition of La Biennale di Venezia, 2024.

The catalogue of the Turkish Pavilion at the 60th International Art Exhibition of La Biennale di Venezia, 2024.

The catalogue of the Lithuanian Pavilion at the 60th International Art Exhibition of La Biennale di Venezia, 2024.

The catalogue of the Japanese Pavilion at the 60th International Art Exhibition of La Biennale di Venezia, 2024.

The catalogue of the Malta Pavilion at the 60th International Art Exhibition of La Biennale di Venezia, 2024.

Judy Chicago, Brook Hsu, Bárbara Sánchez-Kane, Peter Shire, Lu Yang, Megan Plunkett, Lutz Bacher, Sung Tieu, 60th Venice Biennale by Estelle Hoy; Igi Lola Ayedun, Diamond Stingily, Sin Wai Kin, Win McCarthy...

Jordan Nassar, Whitney Biennal, Martha Jungwirth, Saj Issa...

Accattone #8 addresses matters of construction in relation to time, use, change and technical knowledge against the backdrop of the "negative commons" inherited from the productivist society of the past century—"zombie" habits, desires, products and processes that our contemporary condition can no longer sustain, yet cannot help but reproduce.

How machine learning and computer vision generate images.

Informal Inclusion poetically unveils the violence of a world, our own, that is the offspring of our forgotten colonial world, and is crossed each day by migratory processes that transform the social and geographic fabric thanks to the paradoxically "inclusive" power of the dynamics that are generated in the marginal spaces.

Known for his braided canvases, French artist François Rouan presents his latest "photographic-tableaux", a group of forty previously unseen pieces.

Accompanying Abdullah Al Saadi's eponymous solo exhibition at the National Pavilion UAE at the 60th International Venice Biennale, this publication invites an immersion into the artist's singularly subjective universe.

The catalog for 2024 Diriyah Contemporary Art Biennale, under the artistic direction of Ute Meta Bauer, featuring some one hundred artists of different generations: a testament of a unique moment within a changing Saudi Arabian cultural ecosystem.

Ghislaine Leung, Vaginal Davis, Joan Jonas, Vera Molnar, Vanessa Conte, Raven Chacon, Teruko Yokoi...

A "minor" and alternative history of architecture.

This edition, the fifth volume in the Vues & Données series, includes data from the 2,275 "latent shots" taken by artist Aurélie Pétrel.

Monologues and "quasi-monologues" in which the characters talk indiscriminately about pollution, Pokémon, bonzes and alien octopuses.

A comprehensive overview of the Emirati artist's practice, with numerous archive documents.

The catalogue for Iva Lulashi's exhibition at the Albanian Pavilion of the Venice Biennale 2024, inspired by the sexual revolution advocated by Russian radical thinker and feminist Alexandra Kollonta.