Through a concise set of spatially-connected field recordings, Philip Samartzis' Atmospheres and Disturbances registers the changes in high altitude ecologies caused by increasing global temperatures.

A retrospective of the American artist's work, balanced on the fulcrum between sculpture and architecture, spanning more than twenty years, presented as a visual essay on experimental space-making.

A piece whose structure is "visually inspired by the wall frieze in its various forms from antiquity to art nouveau, musically by the chants of the Middle Ages moving around a central tone".

In The Institute for Other Intelligences, Mashinka Firunts Hakopian brings speculative fiction and media studies to bear on an imagined future where machine intelligences convene annually for curriculum on algorithmic equity.

Taking off along the grotesque evolutionary curve of the internet, this novel by Mochu brings together Japanese otaku subcultures, Hindu mythology, darknet highways, ultraviolent cyberpunk forums, and renegade university departments.

By now a regular and esteemed presence among the Discrepant sprawling household via releases with projects such as Alförjs, Banha da Cobra or Jibóia, Mestre André "resurrects" his O Morto alias (bad pun somewhat intended) after 2016 "The Forest, The People And The Spirits".

Reference trilingual monograph / a conceptual art's discourse around Hélio Oiticica's parangolés.

Two performances from 2020 and a selection of 1980s recordings by Japanese Fluxus artist Takako Saito.

A selection of recordings made by reductionist composer Ernstalbrecht Stiebler and cellist Tilman Kanitz between 2020 and 2022 and four improvisations with two short pieces by Stiebler.

A photographer-cum-explorer presents his stunning (both sublime and alarming) landscape images from around the world.

The Parc la Villette, Paris, as told by a series of mobile barriers.

The great Brazilian critic Mário Pedrosa (1900-1981)'s farewell to art criticism, written to his countrymen in the manner of Montesquieu's Persian Letters.

An international essay (France, USA, Brazil, etc.) on digital poetry, from the first attempts to generate text on the computer to the most contemporary developments and the problems posed by artificial intelligence.

Jérôme Duwa proposes sixteen ways to embark in the company of Jean-François Bory's books.

How art and the artist inspire business: an examination of the origins of this relationship from Joseph Beuys and Andy Warhol.

This 4 CD box edition collects all concert musics by French composer of electroacoustic music Michèle Bokanowski, eleven visionary and avant-garde works composed in 1974 and 2020.

The music of "Senzatempo", by Italian duo Ozmotic and guitarist, composer and electronic musician Christian Fennesz, moves in balance between composition and improvisation. It is a symphonic work for an imaginary orchestra in which melodies, counterpoints, dynamics and sonorities define a structural breadth reminiscent of classical music.

A hybrid collection of five illustrated short stories of speculative fiction from five countries and four continents

A glorious design herbarium of marijuana ads from the great underground magazines of the 1960s and '70s.

Yve-Alain Bois on the Reina Sofía, Claire Bishop on information overload, Sung Tieu, Josh Kline, Aria Dean, Tarek Atoui...

The central theme of the 55th issue of the design research journal are the objects created by and for the organization and mobilization of communities.

A critical investigation into the material heritage and entangled histories of Western encyclopedic museums.

A body of essays and artworks, edited by Marina Folkidis, about artistic production in the Mediterranean terroir.

Spike #75 fêtes the museum in all its stuffy, messy, showy, old-timey glory, as a home-away-from-home, the address of solace and astonishment. Featuring William Pope.L, Simon Wu, Louise Lawler, Ben Davis, Ann Demeester, Anthony Hudek, Meschac Gaba, Bernadette Van-Huy, Ghislaine Leung, Estelle Hoy, Tea Hacic-Vlahovic, and many more. 

A collective and transdisciplinary publication to address the question of the forms of the living in its scientific, philosophical, artistic and aesthetic dimension, engaging a systematic reflection on our relation to the living and to its forms, and on their theoretical and practical significance with regard to the current world.

Two unpublished texts that demonstrate the extent of the writing work that Marcel Alocco has been producing for over half a century.

First compilation on LP of the sound works of the two Dutch visual artists, demonstrating that sound produced by the Bosch & Simons music machines can also be listened to as autonomous "music".

Swedish drone alchemist Mats Erlandsson is sitting in a fictional room on "Gyttjans Topografi", imagining a virtual chamber orchestra using zithers, tapes, double bass, harmonium, organ, and various synthesisers to draft a treatise on alternative tuning and non-normative harmonic structures. Transcendent material.

Recorded at the height of the global pandemic, and at a time when remote communication was becoming increasingly prevalent, "Choreological Exchanges" is part of Hastings Of Malawi's continuing investigations into the medium of communication itself.

A theater work by Jacques Jouet with "performative" rules for the actors in each play.

A retrospective of 50 years of creation of the visual artist Bistra Lechevalier.

The Well & The Gentle, two of the major works of Pauline Oliveros, are presented here in a first time reissue on double vinyl in a gatefold sleeve with extensive liner notes.

A photographic journey through the city of Genoa, exploring the past of historic buildings, the contemporaneity of the first modern museums, and Franco Albini's interiors.

An artist book by Luca Trevisani, overwriting in the mode of a palimpsest Piero Camporesi's Bread of Dreams, an Italian cult classic of "food" anthropology.

The first collaboration recorded on CD between the two American artists and musicians, based on a process of reciprocal sending of electronic and acoustic sound sources, reworked successively by each and then together, gives rise to a series of delicately crafted and wonderfully evocative atmospheric pieces.

An immersion in the creative process of the American painter.

First reissue since its initial 1969 release of New York minimalism and drone pioneers La Monte Young and Marian Zazeela's first full-length album, popularly known as "The Black Record" or "The Black Album".

First reissue since its initial 1969 release of New York minimalism and drone pioneers La Monte Young and Marian Zazeela's first full-length album, popularly known as "The Black Record" or "The Black Album".

Twelve interviews (Sarah Morris, Nathaniel Mary Quinn, Austin Eddy, Jameson Green, Sébastien Tellier & Xavier Veilhan, James Richards, Tursic & Mille...), a dozen exhibitions and places in images (Genesis Belanger, Julia Scher, Robert Longo, Matthew Lutz-Kinoy, Man Ray's studio, Sam McKinnis, William Morris. ..), texts and special projects by artists (Sarah Morris, Emma McIntyre, Pierre Charpin, Marina Faust on Pierre Klossovski's studio...), exhibition reviews and columns, over 300 pages.

An illustrated almanac on arts, science, and society, dedicated to the wise men and the fools.

The temporal dimension of the image.

An multidisciplinary approach of the war by its traces.

The second part of José Vicente Anaya's poetic trilogy, deeply rooted in the infra-realist movement founded in Mexico City in the 1970s, combining verse and prose, is marked by a formal experimentation anchored in the poet's life and his wanderings from the north to the south of Mexico.

José Vicente Anaya closes his poetic trilogy with a rereading of Mexican political history through the memories of his own wanderings.

Rilke Shake—a humorous variation on the milkshake—summons part of the author's library (Mallarmé, Ezra Pond, Gertrude Stein, etc.) in poetic sketches that are in turn comical, burlesque, and absurd. At once trivial and erudite, this unbridled poetry explodes with images of parties—and the mornings after—, flashes of the street, and reminders of Brazil.

A poetic text fragmented into three parts each generating its own handicap in expressing the economy as alienation from life.

The collection of poems by the Brazilian writer, rewritten in French, in a process that includes translation and re-creation, combines with delicacy, ingenuity and great coherence a research on the relationship between language and Eros, personal reflections, extensive cultural references and philosophical questionings.

The first collection of writings and speeches in French by Adriano Olivetti (1901-1960), an Italian entrepreneur and publisher who transformed his writing and calculating machine factory into a laboratory for experimenting with a new model of social, political, and cultural life: a model of "concrete utopia" based on the idea of community and centered on the individual, whose instruments of realization are architecture, urbanism, and design.

A collective project around the Vietnamese and Asian artistic diaspora, on the theme of cultural identity in the post-migration society.

A collaboration between Otto (10) and Robin (42).