Published on the occasion of the exhibition Chrysalis: The Butterfly Dream, curated by Andrea Bellini and held at the Centre d'Art Contemporain Genève in 2023, its eponymous catalog documents and completes this ambitious and multifaceted project through the work of the more than fifty artists involved, ranging from historical and iconic figures to emerging artists. The publication includes an essay by Andrea Bellini and contributions by a number of curators, critics, artists, philosophers, and scholars on themes related to metamorphosis.

Published on the occasion of the exhibition Chrysalis: The Butterfly Dream, curated by Andrea Bellini and held at the Centre d'Art Contemporain Genève in 2023, its eponymous catalog documents and completes this ambitious and multifaceted project through the work of the more than fifty artists involved, ranging from historical and iconic figures to emerging artists. The publication includes an essay by Andrea Bellini and contributions by a number of curators, critics, artists, philosophers, and scholars on themes related to metamorphosis.

Ireland-Palestine united against apartheid; "dark romances": the problematic new publishing business; the breakdown of French cultural diplomacy in the Sahel; infiltration into armed survivalism; reportage in the dormitory town of Kiev; Alice Rohrwacher; Carolina Bianchi; Ben Rivers ; Taiyo Onorato & Nico Krebs, Hugo Pernet...

First monograph.

An overview of Eugène Carrière's work, through a selection of little-known or previously unpublished paintings, alongside his major masterpieces.

How queer theory can wed its critically anti-normative impulses to the empirical need for a state.

The first published recording by Amelia Cuni, Werner Durand (fusing her Indian Raga singing in the Dhrupad style with his minimalist and experimental approach) and Uli Hohmann (joining them in a range of hand drums from the Middle East and North Africa, plus a dulcimer-sounding hammered guitar).

Grand Illusion is a photographic series of screenshots from Google Cultural Institute's "Museum View" of Baroque European palaces—objects of beauty and manifestations of power whose gold encrusted ornamentation points to the colonial activities abroad that made this kind of wealth possible.

An improvised encounter between the two musicians (Jean-Luc Guionnet, alto saxophone / Lê Quan Ninh, percussion): five pieces of different lengths, alternating long periods of subtle restraint with moments of incredible intensity.

Monograph devoted to Yaron Michael Hakim's Psittaciformes body of work, drawing inspiration from the migratory nature of parrots and their ability to assimilate. Through bold paintings on used Dacron sailcloth, Hakim uses this subject matter to explore his own relationship with assimilation, living between cultures, and the exoticization of his heritage.

First monograph.

Dealing with the hauntings and echoes of Austria's colonial past, Belinda Kazeem-Kamiński—visual artist, writer, and recipient of the Camera Austria Prize 2021—sets the stage for the what-if, while confronting viewers with the violence of the Western gaze.

The English translation of Il viaggiatore insonne, poet legend Sandro Penna's final collection, coupled with illustrations by the American artist Louis Fratino.

A hybrid publication, between an artist book, a monograph and a field report on a lost work.

A photographic exploration of the architecture, history and people of Naples at the time of the fervent Scudetto celebrations.

The challenges of the library and the photographic collection founded by Aby Warburg in the 1920s, as a "laboratory" for collective research on the forms of transmission of images since Antiquity, and an intermedial device of knowledge. An exceptional case study, driven by the question: what was the impact of photography in Warburg's turning point in the history of art and culture?

The first monograph devoted to the piano works of composer, pianist and improviser Frédéric Lagnau (1967-2010), whose music, with its communicative energy, offers a personal and poetic approach to minimalism. Sensitivity to sound, harmonic beauty and rhythmic intensity are its hallmarks.

The fourth volume in a series that documents Tarek Atoui's project Waters' Witness, created in collaboration with French photographer and Atoui's long-term collaborator, Alexandre Guirkinger, is intended as a visual embodiment of the work's development for Museum of Contemporary Art Australia.

This catalogue offers a journey—an odyssey—through the work of Paul-Armand Gette, with the "0m." as a common thread, the manifesto gesture that has punctuated the artist's universe since 1974.

The first major work on the history and current importance of the Biennale of Young Artists, known as the "Biennale de Paris", which took place between 1959 and 1985, bringing together thirty-five texts by international authors, including some testimonies from actors who took part in the Biennale.

An artist's book by Berlin-based sound artist Stefan Roigk, documenting acousmatic compositions, sound installations, musical graphics and text-sound compositions of the years 2005 to 2023 on 144 pages and 2 audio CDs.

Louise Bourgeois' flowers series, painted in gouache on paper.

Reference monograph (also available in English edition).

Reference monograph.

The first extensive survey of Nordic art during the transition from postmodernism to what might be called "the period of contemporary art".

New monograph.

A photo report in an photo lab (artist's book).

A hybrid proposal developed by artist and curator Lorenzo Sandoval and archaeologist Tono Vizcaíno, situated between the creation of an archive and an artistic project, whose objective is to offer a necessarily partial reading of Valencian industrial heritage based on the sound, the intangible and social movements.

Aurel Schmidt's drawings.

Reference monograph.

Reference monograph (also available in English edition).

The largest and most comprehensive monograph on van den Broek's work to date, a complete and monumental survey of 1998 until now, on over 500 pages, presented and analysed by John C. Welchman.

A trans-theoretical essay: Arnaud Labelle-Rojoux explores the arcana of artists' cult status through a kaleidoscopic series of portraits of "banished" visual artists, filmmakers, writers, musicians and architects, from William S. Burroughs to Jean-Luc Godard via John Cage.

Written and visual documentation of the German stylist-designer duo's projects from 2010 to 2022.

A publication compiled, edited and designed by Danish graphic artist Anni's, based on research into the uses of the grid.

An indepth survey to June Crespo's artistic practice.

The fourth volume of Rab-Rab Press' bie bao series presents Ilya Zdanevich's talk The New Schools in Russian Poetry, given in 1921 in Paris. In this talk, Zdanevich introduced zaum to the French Dadaists. He declared that practical and poetic languages are two poles of existence, two opposite ways of life.

A live, raw, collective sound by Maurice Louca & his band Elephantine.

A volume assembling new and existing documents that revisit, mix and remix moments in the work of artist Christian Nyampeta.

B for the birds is a singular book that aims to rethink the film-form as an open cartography of its lines of enquiry, desire and fabulation.

Wesley Brown narrates the day when trumpeter Miles Davis was assaulted by the New York Police Department. A dramatic and humorous story, told from multiple perspectives including that of Frances Taylor, Davis's wife, and the musicians in Davis's bands: a timely meditation on the psychological impact of police brutality, through the lens of a day in the life of Miles Davis.

Percussion by Paris-based Japanese improviser Seijiro Murayama and field recordings by sound artist Éric La Casa, "small, simple gestures" on the threshold of the musical, a low-key presence, listening to inhabited spaces.

This book retraces Thierry Prat's career as a player and witness to the history of contemporary art in France for over forty years, through a series of interviews that highlight the main issues at stake.

Hannah Ryggen Triennale 2022 presents artists and works that can varyingly be seen in the light of Swedish-born Norwegian feminist textile artist Hannah Ryggen's legacy (1894–1970).

A reader based on a research undertaking, an exhibition, workshops, and a series of performances that invite artists, activists, scholars, and people from other walks of life to imagine new forms of cultural and political resistance through diverse emancipation projects, past and present, taking as point of departure the philosophy of quilombismo as developed by Brazilian artist, author, and politician Abdias Nascimento.

Remedios Varo, Fereydoun Ave, Christopher Kulendran Thomas, Sam Gilliam...

The first volume of Une décennie, an anthology of ten years of exhibitions at the Frac Franche-Comté, between 2013 and 2022.

The ten volumes of the anthology of exhibitions at the Frac Franche-Comté between 2013 and 2022, packaged in a box set.

The second volume of Une décennie, an anthology of ten years of exhibitions at the Frac Franche-Comté, between 2013 and 2022.

The third volume of Une décennie, an anthology of ten years of exhibitions at the Frac Franche-Comté, between 2013 and 2022.