New York drawings.

“Animal Spirits: Fables in the Parlance of Our Times” is an artist's book by Michael Stevenson and Jan Verwoert which expands upon the themes of this earlier document and re-examines them more specifically in the light of our current times.

The catalogue of Jos de Gruyter & Harald Thys's major exhibition at M HKA of the same title.

The two dancers and choreographers share and compare ideas and references that underpin their respective work.

An overview of the 2012 curatorial year at MINI/Goethe-Institut Curatorial Residencies Ludlow 38, focused on different concepts of translation.

First anthology of Rosemary Trockel's collages, which are a key for a difracted and non-academic view on the whole work of this German artist known internationaly (English / French edition).

This essay offers a careful analysis of the mass media system and the simplifying selections it operates within the complexity and contingency of the world.

Catalogue: a selection of recent and older works by Palestinian artist Taysir Batniji.

François Boutonnet's Mnemosyne offers the first consideration of the “Arts of Memory” from antiquity to contemporary art, connecting it to mind mapping in digital culture.

This new artist book by Ruth Buchanan charts three narratives associated with the life of the Staatsbibliothek Berlin, which acts as an example of the tension between what is contained in libraries and how it is contained.

The 3rd drawing novel in Ingo Giezendanner's travelling book trilogy.

Devised by Stuart Bailey, Lars Bang Larsen, Angie Keefer, and David Reinfurt, this bulletin is based on Larsen's just-completed PhD dissertation at the University of Copenhagen, A History of Irritated Material: Psychedelic Concepts in Neo-Avantgarde Art. The idea was to contrive a popular version of his academic thesis by editing it psychedelically.

An introduction to Minsky's seminal theory on financial instability.

After three years of waiting, perhaps the most beautiful issue of Le Dictateur, with twenty series of specially commissioned works by international artists and some astonishing features: an editorial tour de force, between artists' magazine, book-object and paper sculpture.

A selection of notes written by Gabriel Sierra from 2007 to 2011.

Utopias, dystopias, and anarchy in the Sixties counterculture and popular music. Plus a special feature on heavy-metal studies.

First anthology of Rosemary Trockel's collages, which are a key for a difracted and non-academic view on the whole work of this German artist known internationaly (German / English edition).

A selection of conversations between Markus Miessen and political philosopher Chantal Mouffe.

A previously unpublished text by Gilles Deleuze on Francis Bacon, with a set of contemporary readings of his Deleuze's writings on art, by philosophers and theoreticians of the various disciplines addressed (literature, cinema, music, art history...).

Julio Le Parc scratches the various actors of the art world.

Julio Le Parc scratches the various actors of the art world (book accompanied with an original artwork signed by the artist).

Thomas Crow aims to explain what makes Warhol a precursor and a virtual paragon of the contemporary artist.

A Leibnizian reinterpretation of the traditional opposition between French geometric and English landscape gardens.

The frontispiece of Hobbes' Leviathan, Marat at his last breath by David, "Your country needs you", Guernica by Picasso: four essays on political iconography.

First monographic book on the unique work of Korean-American artist Theresa Hak Kyung Cha (1951-1982), at the crossroads of performance, of conceptual art, of video and of poetry.

This book is the first English-language publication that includes a comprehensive history of all the series of this photographer-duo.

Artists' book.

Comprehensive monograph.

An animated film by Robert Breer.

Following the lead of American objectivist poetry, Gaza, d'ici-là is a poetry-testimony based on an official document published by the UN on one of the military operations carried out in Gaza by the Israeli government.

First publication ever to be devoted entirely to Duchamp's Broyeuse de chocolat, this volume also documents the event organized by the Kunsthalle Marcel Duchamp on the occasion of the 100th anniversary of this iconic work.

In the context of a pervasive and long-standing financial crisis, Joseph Vogl questions the capitalist system, its secrets, its modus operandi, and the way it perpetuates itself. One of the most noteworthy books on the economic crisis in Europe.

Artist's book (a series of drawings on paper, on aluminium, as well as some wall drawings, dealing with spoliation of artworks in France under the German occupation).

A special issue devoted to artists' research notebooks (works by Henri Jacobs, William Anastasi, Chloe Piene, Alexandre Leger, Jean Azémard, Camille Bondon, Christoph Fink, Matthieu Cossé, Manon Bellet, Raphaël Zarka, Diogo Pimentão, Alina Szapocznikow...).

Two series of images around the construction of the City of Arts in Besançon (designed by Japanese architect Kengo Kuma), by artist Stephan Girard and architecture photographer Nicolas Waltefaugle.

A new model of action to invent new modes of art production and exchange by establishing a direct dialogue between the artist, the citizen-commissioner and the cultural mediator, outside the museum and apart from the art market.

Comprehensive monograph.

The relationship to the animal in contemporary art.

First monograph on Stéphanie Cherpin's work, with two essays, an interview, and a complete catalogue of her sculptures.

A retrospective overview of the 11th edition of the Lyon Biennale, curated by Argentinean curator Victoria Noorthoorn, with a focus on the two parallel programs “Veduta” and “Resonance”, held in the Lyon conurbation and its region.

An anthology which brings to light the fertile relations between two disciplines: Cultural Studies and art history.

A modern reinterpretation of the subject of the Holy Grail (artist's book).

Interviews.

The first comprehensive survey on the work of Slovenian artist/architect Apolonija Šušteršič, between Conceptual art, Contextualism, institutional critique, and relational aesthetics.

Ten discussions based on the opening picnic scene of Charles and Ray Eames's film Powers of Ten used as score.

First monograph: an overview of the artist's oeuvre of the last ten years.

Reference monograph.

Artist's book (infinity in finity, endlessly repeated).

This book brings together authors, filmmakers, curators, critics, theorists, art historians, collaborators, and Stephen Dwoskin's film lovers, invited to parse the American filmmaker's work.

An exploration of the human back through a series of black and white images by photographer Nikita, accompanied by texts or poetic montages.