Critical texts by Kim Gordon brought together for the first time.

New expanded edition: this reference monograph, realized in close collaboration with the artist, presents a 10-year overview of Walead Beshty's approach to photographic and sculptural representation.

Michel Parmentier's writings and interviews.

Comprehensive monograph.

New monograph.

The collected essays presented here form the compartments of Hans Ulrich Obrist's curatorial toolbox, along with elucidating his views on stewardship, patronage, and art itself. Influences and interlocutors cited and discussed here include, among others, Alexander Dorner, Édouard Glissant, Claude Lévi-Strauss, Jean-François Lyotard, Dominique de Menil, Josef Ortner, Cedric Price, Sir John Soane, and Harald Szeemann.

Texts and interviews around the work of dancer and choreographer Xavier Le Roy (available in English edition).

Artist Stéphane Blanquet re-draws a collection of (mostly) vintage pornographic pictures. These disturbing diptychs constitute an essential catalog of sexual fantasies and oddities.

A collection of essays in which Chantal Pontbriand examines themes of being-in-common in today's world and their relation to the development of art practices.

The art of etching in Hartung's work

Critical photography.

An extraordinary overview of Ion Grigorescu's body of work since the late 1960s until today.

Artist's book.

Three artist's books in a box set.

Reference monograph dedicated to Romanian artist Geta Brătescu, one of the most remarkable personalities of the Eastern European postwar avant-garde.

A series of provocative projects by the architectural collective Decolonizing Architecture Art Residency (DAAR) that try to imagine “the morning after revolution.”

Luis Camnitzer plays the Drawing Room Confessions.

Andrea Pichl's photographs, sculptures, and drawings to date, with two essays by Sven Beckstette and Gabriele Knapstein.

Artist's book.

Catalogue / collective artists' book.

A new perspective on one of the most sticking bodies of work to have emerged in the last twenty years.

A complete documentation on Francesco Arena's installation for the Italian Pavilion at the 55th Venice Biennale.

Reference monograph.

How the diagrammatic forms affect the worlds of images in contemporary art.

The publication, conceived by Clegg & Guttmann, is a response to Maier-Reimer's invitation to present his recent body of work for his contribution to the exhibition “Villa Romana 1905–2013: Das Künstlerhaus in Florenz” at the Bundeskunsthalle, Bonn.

Seven fold-out posters and a text by Martin Herbert.

A statement about speculation, photography, time and withdrawal.

Six hundred watercolors realized by Yvan Salomone during the first fifteen years of his career (1991-2006).

A compilation of interviews with thirty-one artists related to questions about the value of attention and spectacle..

Françoise et Jean-Philippe Billarant's collection of minimal and conceptual art.

The first edition of the triennial of contemporary art Bergen Assembly.

On Art and Film, Art and Moving Images, Ross Birrell and David Harding, Yve Laris Cohen, Con Jobs, Douglas Coupland, Heinrich Dunst, Jimmie Durham, Ed Fornieles, Brennan Gerard and Ryan Kelly, Patrick Jackson, Wyatt Kahn, Amar Kanwar, Isabel Lewis, Liberation through Laziness, Heather Phillipson, Organic Photography, Torbjørn Rødland, Surrealism and Tags, Philippe Thomas, Brad Troemel, The Artist as Curator (Richard Hamilton and Victor Pasmore, John Cage)...

Chiming with “L'État du ciel” [The Sky's State], the new season of exhibitions at the Palais de Tokyo, from February to September 2014, this issue of the magazine Palais brings together contributions by a large number of artists, writers, critics and researchers (Hiroshi Sugimoto, Thomas Hirschhorn, Georges Didi-Huberman & Arno Gisinger, Marie de Brugerolle & Gérard Wajcman, Ed Atkins, David Douard, Michaela Eichwald, Angelika Markul...).

Richard Nonas / Claire-Jeanne Jézéquel / Hans Segers / Sylvie Bonnot / Les Ateliers du Plessix-Madeuc / Lionel Redon / Claire Tabouret / Peter Soriano / Ulla von Brandenburg / Marianne Berenhaut.

Special issue (two of two): sixteen exhibitions held in 2013 as part of the "Ulysses" curatorial program coordinated by the FRAC Provence-Alpes-Cote d'Azur, on the occasion of Marseille-Provence 2013.

Based on a series of interviews and site visits with living artists about the role of their home in relation to their work, Kirsty Bell looks at the house as receptacle, vehicle, model, theater, or dream space.

A book / DVD on the artist residency in Tetouan in Morocco, with works by Fouad Bouchoucha, Jordi Colomer, Moussa Sarr, Simohammed Fettaka, Mohssin Harraki, Youssef El Yedidi, and Kader Attia.

A philosophical, historical and poetic book project based on the Central Asian Pavilion at the 55th Venice Biennale.

First major publication on Ed Atkins' work.

The first catalogue raisonné of editions and multiples by Matt Mullican.

Ella Kruglyanskaya, Christian Falsnaes, Ned Vena, Haroon Mirza, Loretta Fahrenholz; the deployment of off-camera commentary as a conceptual device in moving image works; the controversial work of Francesco Vezzoli; Kaspar Müller, Simon Castets, the art scene in Shanghai, Christina Ramberg, Albert Oehlen, Matthew Barney...

Artist's book.

In his influential 1986 text, now translated into English for the first time, Swiss artist Rémy Zaugg (1943–2005) laid out fundamental ideas on the art museum. For him, the museum is an everyday tool that enables the encounter between viewer and work—raising the question of the kind of architecture appropriate for such a space.

A collection of 80 images, selected by eight artists and eight curators, dedicated to the identification and construction of a personal and collective imaginary, in tribute to Aby Warburg's lecture on Serpent Ritual.

Issue dedicated to Marguerite Duras.

An historical and theoretical investigation into art teaching and transmission.

First translation into French of a series of fundamental texts by Kandinsky, published in Russia in the early twentieth century.

Retrospective monograph of the work both conceptual and sensitive of Dadamaino (1930-2004), at the crossroads of major European postwar avant-garde movements.

Actions and discussions around personal skills in art and other disciplines, physical and film (performances, video), sports and burlesque.

A reflection on the Russian avant-garde's artistic project in the early twentieth century, and the problem of their paradoxical relationship to history.