In five chapters, the photographer reflects on the multiple "correspondences", influences and interactions at the heart of his artistic work.

The music composed by Federico Chiari for various film and video works by the artist Diego Marcon.

A polyphonic examination of the Italian artist's project for the Centro per l'arte contemporanea Luigi Pecci in Prato, the largest display of the artist Diego Marcon artworks in an Italian institution, reviewing some of the central themes of Diego Marcon’s research.

Comprehensive monograph.

New improvised quartet synthesizer / voice / accordion / saxophone / drums, recorded in concert in Paris then mixed / edited by Jean-Marc Foussat.

A reflection on the notions of catch and data.

A sound postcard by eRikm: an instant composition recorded on CD, somewhere between sound performance and radio creation, accompanied by a booklet of photographs.

Attempting to bridge the gap between specialised scholarship in the humanistic disciplines and an interdisciplinary project of cultural analysis, Mieke Bal has written an intellectual travel guide that charts the course "beyond" cultural studies.

A vast research on the notion of acoustic and sound ecology and its transition to a new sound ecosophy, integrating the multidimensionality of listening to propose to hear differently.

This book documents six years of reflections and productions, that is to say the 47 exhibitions—dedicated to young emerging artists as well as to major actors of the French and international art scene—organized at the Galerie Art & Essai of the University Rennes 2 between 2014 and 2020 under the direction of John Cornu.

Paradis is a continuation of the eponymous exhibition conceived by artist Marie Angeletti in Marseilles in 2021. The exhibition brought together 56 artists of different origins and generations. More than just a transcription of this event, this catalogue brings together some one hundred contributions, combining critical texts, poetry, artists' writings and new translations, alongside an equally large number of visual contributions and ad hoc works, most of them previously unpublished.

The fourth issue of the annual publication dedicated to sound and music experimentation, co-published by Shelter Press and Ina GRM – Groupe de Recherches Musicales, around the topic of voice (with François J. Bonnet, John Giorno, David Grubbs, Lee Gamble, Sarah Hennies, Joan La Barbara, Pierre Schaeffer, Peter Szendy, Ghédalia Tazartès...).

The Drawer #23, on the theme of portraits, gathers drawings and contributions by some twenty artists and creative people.

Issue 54 "Voicings" explores modes of being, perception and expression that have been historically and often violently disabled by society. Focusing on art practices that centre the perspective of D/deaf and non-verbal communicators, it proposes reconfigurations of voice, language and sound. It asks readers to tune into a chorus of voicings, not necessarily audible, but perceivable as "atmospheres", "vibrations", "rhythms".

Stanley Brouwn, Walter de Maria, Peter McGough, Art history after Black Studies...

Francisco Meirino; Mona Kareem; Peter Brötzmann; Les Arènes du vinyle by Carole Rieussec & Elena Biserna; interviews with Limpe Fuchs, Quentin Conrate, Mayuko Hino, Yuki Fuji & Wamei...

An overview of Studio Marconi's publishing activities since the 1960s, tracing the studio's history.

Cally Spooner, Donald Rodney, Ivan Cheng, Niloufar Emamifa, McKenzie Wark, Clémentine Deliss, Kerstin Stakemeier, Chus Martínez...

Spike's Autumn issue is decoding AI, beginning with the age-old question of what intelligence is.

Interviews with artists and researchers on the issues of catch and data.

Comprehensive documentation on the vast and daring interdisciplinary project conceived and staged by the Swiss artist John Armleder, a programme of exhibitions comprising invitations to other artists as well as presentations of different collections, for the Kanal-Centre Pompidou spaces.

The most comprehensive publication to date on Korakrit Arunanondchai's practice.

The very first book of Swedish film director, artist, and artistic researcher Ester M. Bergsmark.

The first book of drawings by writer Magali Brénon, a body of work developed over several years, between automatic drawing, collage, assemblage, illumination or graffiti, accompanying her daily life and her writing.

A project by artist Fatma Bucak that considers the relationships between political violence, environmental destruction, and climate change.

The first major book by the Lisbon-based French artist Mattia Denisse.

First monograph of the Spanish artist Eva Fàbregas.

An overview of Michel Gouéry's surrealist and exuberant artistic output, through a collection of previously unpublished works and documents, as well as detailed notes by some twenty specialists.

A photographic essay on the abandoned project of a suspension bridge between the Calabrian and Sicilian coasts and on the coastline of the Strait of Messina, documenting the transformation of suburban coastal areas and the daily life of the inhabitants.

A rested development is a collaborative sound and moving image work that used chance as a process to develop a sequence of autonomous elements that intersect and diverge in their unfoldings.

Hybridizations presents the most recent work of the French artist ORLAN which reflects, from the aesthetics of ancient Mesoamerican cultures, on the canons of beauty, cultural exchanges, and the symbolic and material powers of native peoples in a globalized world.

A visual attempt to index photographic images.

The second and final installment of FUTURE, a series of publications by Taiyo Onorato & Nico Krebs, explores the deep watery world.

Saxophones, voice, electronics and percussions, recorded remotely between France and Australia, with texts/poems by James Worse, and artwork by Steven Stapleton (Nurse With Wound).

The third issue of the annual review of the École des arts décoratifs de Paris, placed under the complex and ambivalent sign of "TRANS", covering the various ways of transgressing (identity, textuality, coding, training, etc.).

The first book to unveil the main pictorial works (drawings, paintings and collages) of the British film director, the source of his entire cinematic oeuvre (new edition).

Three-volume catalogue raisonné of the work of Alain de la Bourdonnaye.

Issue 36 of the Palais de Tokyo magazine proposes to explore the multiplicity, hybridity and fluidity of identities and the ways of loving, the plurality and complexity of our affects and our sexualities.

The life and work of the precursor of happening and streaking in Japan, Itoi Kanji (aka Dadakan, 1920-2021): the first comprehensive chrono-biographical study in Western language on the great Japanese Dadaist nudist ascetic, with a rare iconography.

A parallel dive into the images of filmmaker Andrei Tarkovsky and photographer Sophie Ristelhueber.

The challenges of the library and the photographic collection founded by Aby Warburg in the 1920s, as a "laboratory" for collective research on the forms of transmission of images since Antiquity, and an intermedial device of knowledge. An exceptional case study, driven by the question: what was the impact of photography in Warburg's turning point in the history of art and culture?

Charles Fourier and the origins of feminism.

A design theorist (Alexandra Midal), a neuroscientist (Albert Moukheiber), two designers (Antoine Fœglé and Emma Pflieger) and two curators (Jolanthe Kugler and Scott Longfellow) take a look at the mechanisms behind the flat-Earth theory, and the ways in which "alternative" narratives are disseminated (also available in English).

A design theorist (Alexandra Midal), a neuroscientist (Albert Moukheiber), two designers (Antoine Fœglé and Emma Pflieger) and two curators (Jolanthe Kugler and Scott Longfellow) take a look at the mechanisms behind the flat-Earth theory, and the ways in which "alternative" narratives are disseminated.

Artists, designers and researchers investigate the "becoming object" of the Earth, in the face of the techno-scientific vision and geo-engineering projects that tend to turn our planet into a design object.

Artists, designers and researchers investigate the "becoming object" of the Earth, in the face of the techno-scientific vision and geo-engineering projects that tend to turn our planet into a design object.

The first comprehensive monograph and critical survey of American artist Pippa Garner, Act Like You Know Me surveys fifty years of her radical and transdisciplinary art practice, from the late 1960s to the early 2010s, through ca. 400 photographs, illustration, ephemera, and original writings.

Four works based on four performances.

Archivio n°9, the first issue of the third editorial cycle, is entirely dedicated to fashion and its history.

A series of rail graffiti by the KCBR collective, renewing the practice with an original reflection on the medium, concealment (including, of course, with regard to police services), the trace, public reception and ephemerality, as the works are obliterated by the artists themselves immediately after completion.