This catalogue interrogates the notion of play in contemporary art, bringing together artists who use formats and imagery from popular culture usually addressed to children or teenagers.

An aesthetic and ethical approaches to the handling of natural resources. By drawing connections between works that derive from artistic practice, journalism, philosophy, activism, and other realms of research, “World of Matter” provides a place of commonality for eco-logical imaginaries.

Rike Frank and Grant Watson's research project examines the referential and analytical qualities of textiles through both contemporary and historical works.

Stephanie Kloss's photographs capture the mythos and utopianism of architecture in locations as diverse as Athens, Berlin, the United States, and Japan (catalogue / artist's book).

The decay of Detroit and its people's resistance in words and photographs (photographs by Antonio Rovaldi).

This project stages the collision between the book Walden or Life in the Woods by Henry David Thoreau (1854) and the mission of Mercury Seven (1958) sending men to space. It is a polymorphic work, evoking the questions of autonomy, isolation, solitude, but also contemplation and enlarged perspectives through music and live performance with modular synthesizers.

Luca Trevisiani stamps images derived from antique herbaria and design magazines on objects with heterogeneous surfaces (textiles, clothing, tropical leaves, minerals).

The publication brings together extensive material from Hamlet, mise-en-scène, an homage to Jack Smith presented at Portikus in 2012, along with recently restored and never-published stills, drawings, and writings by the American filmmaker related to his film Hamlet in the Rented World (A Fragment) (1970-73).

Ixiptla vol. 3 explores archaeological heritage and how it is expressed, contaminated or dissolved in the present.

An extensive publication, documenting the process and final outcome of Powered A-Hole Spanish Donkey Sport Dick Drink Donkey Dong Dongs Sunscreen Model, a sensational and excessive exhibition by the two controversial artists which takes the form of a “Gesamtkunstwerk” pointing the multifaceted excesses of contemporary art production and commodification.

A selection of xerox copies coming from original drawings reproduced by hand fifty times by twenty artists as part of an editorial game organized by Fabio Marco Micheli and Gigotti Pirovino in 2014 (limited edition).

New monograph.

The artistic and pedagogical experimentations and the alternative networks developed in California from the late sixties.

First monograph.

With Rubber Man (2015), Khvay responds to the colonial legacy of land use and its effects on Cambodia's indigenous forests and culture today.

An alternate temporal manifestation of the themes developped by artist Christodoulos Panayiotou and curator Omar Kholeif at the Cyprus Pavilion at the 56th Venice Biennale, in 2015.

A piece for voice(s) an dead electronics with Loré Lixenberg (mezzo-soprano).

An innovative study of David Claerbout's work, following the shady—and dark—logic, until now never raised by critics, that structures many of his films with mineral duration and slowness, but also number of “invisible” photographs.

Summer Winter East West discusses Martin Beck's engagement with display not only as a tool of presentation but also as a form of communication—within and beyond the realm of the exhibition.

Before History catalogues the exhibition for the Abraaj Group Art Prize 2015, which includes a new body of work by Yto Barrada, the winner of the prize, and existing work by shortlisted artists Sarnath Banerjee, Setareh Shahbazi, and Mounira Al Solh.

Comprehensive monograph of the Californian artist and political activist.

L'Écart et l'Accolade gathers 23 texts of various kinds dedicated to contemporary artists, artistic practices, the art critic, exhibitions and curatorial activities.

Fines as an artistic medium: Stefan Marx illustrates the monetary penalties collected by Christoph Keller for its activity as a distiller.

First monograph / artist's book.

A volume of photographs by Heinz Peter Knes representing a small selection from his extensive archive of travel photography dating back to 2010.

After the infamous split in the Situationist International in 1962, the Danish artist J. V. Martin was unexpectedly put in charge of the group's Scandinavian section. This book is the first presentation of Martin's strange trajectory within the SI, in which he would remain a member until the group's dissolution in 1972.

A shamanic journey in Tazartès's universe.

A concrete / post-digital oratorio in 5 parts.

A photographic account of Carsten Höller's journeys to the Democratic Republic of the Congo for the purpose of a film about Fara Fara music.

The Korean artist's first monograph.

This catalogue, based on works and publications in the Serralves Collection, reconstitutes the trajectory of the KWY group and its members—from Lisbon to Paris, to Munich—, their collaborations with other artists and publications and their links to international avant-garde movements.

A concrete / post-digital oratorio in 5 parts.

This luxury monograph focuses on Xavier Veilhan's Architectones project, a series of interventions started in 2012 in which the artist invests major modernist's architectural sites.

The complete work (unreleased for the most part of it) by a key composer of Belgian electronic music.

An anthology of the work of a key composer of Belgian electronic music (color vinyl).

Mirror Landscape weaves together a rich documentation on the design, construction and installation of Two Way Mirror / Hedge Arabesque, the pavilion created by Dan Graham for the sixth edition of “All'Aperto” (Outdoors)—the art event organized by the Fondazione Zegna and curated by Andrea Zegna and Barbara Casavecchia—with a wider overview on the relationship between artwork, viewer and landscape, which runs through the entire production of the artist.

An artist's book presenting the many aspects of Susan Cianciolo's artworks.

The catalogue of the Iraqi Pavilion at the 56th Venice Biennale.

Miriam Sturzenegger's Renovieren is a compilation of texts about space, time, and the relationship between them, as well as with her work.

An extensive documentation on Céleste Boursier-Mougenot's installation for the French Pavilion of the 56th International Art Exhibition of the Venice Biennale.

A fiction reflecting on the issues of language and information.

Monograph based on an exhibition project based on a critical rereading of Roland Barthes' writings.

Monograph / artist's book: a broad selection of Mirjam Thomann's work from 2006 to 2015.

Catalogue.

This publication supplements the exhibition of the same title at the MAXXI museum in Rome and contains a selection of texts, installation views and a special section focused on Huang Yong Ping's project notes, sketches and models.

Produced under the auspices of the exhibition “Transmitting Andy Warhol” at Tate Liverpool, this issue includes a history of the relations between drugs and groups by Ian Svenonius, an e-mail exchange between Paul Elliman and pioneer of voice synthesis Richard T. Gagnon, a collage of voices that conjure Warhol's aura by Michael Bracewell...

Disembodied girls and sadistic imagery: the nightmarish and disturbing universe of The Pit. Perfect, graphically speaking.

The cinematic essay thought as a hybrid form between fiction and documentary, cinema and contemporary art: a cartography of the contemporary cinematic essay in 47 critical texts written by filmmakers, artists, historians and art theoreticians.

Dora Budor, Martine Syms, On the copy (by Bettina Funcke, Michele Robecchi, Ian Cheng, Liam Gillick, Daniel McClean, Kenneth Goldsmith, Darren Bader, Nick Currie, Martin Clark, grupa o.k.), L'imitation by Philippe Pirotte, Walter Benjamin by Jens Hoffmann, Jim Nutt, Leidy Churchman, Albert Serra, The 80s by Kelly Taxter, Yuri Parrison, Rachel Rose & Ben Russell, Michael Snow & Sharon Lockhart, Aldo Tambellini, Nancy Lupo & Hayley Silverman, f.marquespenteado...

Alessandra Eramo (Ezramo) talks about growing up in Tarano, a city shaped by Catholicism and superstition, by industrial pollution and the ancient tradition of mussel farming. Includes link to the audio files of the sound installation Se Dio Vuole.