In 2015, the web radio RadioDordogne offers five carte blanche to sound artists and composers. They each deliver a piece, born from what the territory evokes to them.

A suite of musique concrète composed in the personnal studios of the composers from 2013 to 2015.

Monograph dedicated to Dokoupil's most recent soap bubble paintings series.

An oversized artists' book celebrating Pink and Evil: 16 pages for Ciou and her witches + 16 pages for Malojo and his monsters.

This LP inaugurates a new series of vinyl-only releases based on the extraordinary Logos archives. Here, never released before recordings from live sessions at Logos Foundation, in 1974, 1979 & 1981, featuring Max Eastley, Feminist Improvising Group, COUM, Derek Bailey, and the Logos Ensemble.

Gong!'s second issue is devoted to stylist and occasional photographer Rosa Codina. Rosa decided to devote the issue to her daughter and everything around her, in a project she entitled Autour de Alia and which she decided to base on monographic content rather than time or technique.

A singular series of photographs exploring the theme of alternative therapies.

Compilation of photographs taken by Carla Pérez Vas, composer and guitar player with music band Mourn, during her first North-American tour.

Catalogue gathering the early paintings of Charline von Heyl.

A large selection of drawings from Brauntuch's early carreer, based upon iconographic resources from the Third Reich.

Publication exploiting the book's physicality as a metaphorical space to express the artist's feelings after a breakup.

Documentation of Inferno, a prophetic short film on the inauguration and the destruction of a replica of Solomon's Temple in São Paulo

Chus Antón's first book guides us through the mythical locations of Los Angeles that inhabit our collective imagination: film and music video sets, recording studios, crime scenes… Including maps and texts by Cristian Rodríguez.

Interviews with Jon Ippolito, Ben Fido-Radin, Olia Lialina, Constant Dullaart, Graham Dunning, Museo dell'Informatica Funzionante (Working IT museum); articles on Artworks & defunct software, embracing social life & forgetfulness, sound reconfigurations, reports on Bio-Fiction 2014, Transmediale 2015, Sonic Acts 2015, Accès)s( #14, records and books reviews...

A literary and sound dive into a fantastic and whimsical bestiary (with Benjamin Bondonneau, Jean-Pierre Drouet, Géraldine Keller and Michel Mathieu).

A collection of sentences from Wikipedia articles including "trench". The words are engraved by notches in photographs. A kind of eroded field that becomes a graphic novel.

A series of photographs by Izet Sheshivari made on the island of Fårö, where Bergman shot numerous films (newspaper).

An anthology surveying the relationship between artistic practices and documents.

This publication results from Braegger's “The Grateful Dead” paintings series, ink jet prints of colorful psychedelic marching bears on canvas. These bears were used as a logo by San Francisco Sixties rock band The Grateful Dead.

A glossy and luxurious exhibition catalogue including an illustration board with 24 bittersweet photographs.

The first monograph dedicated to Fortino's performances and videos takes the form of a 160 pages volume which constitutes a synthesis of the work and research conducted by the artist at ESAAA art school, Annecy, and beyond.

Grégoire Bergeret collected 1.000 images from his vast personal database to build this ambitious first monograph: an erratic and abundant selection of documents introducing Bergeret's artistic practice.

First monograph: thirty-four watercolors summarizing Lionel Renck's three years research at ESAAA art school.

Since his historical research on the line, anthropologist Tim Ingold has been working closely with laboratoire des intuitions on diagrams. This unpublished text follows a working session at the Kandinsky Library at Centre Pompidou, Paris.

This artist's book features the research notes of a video work based on a sign language interpretation by a deaf performer of a Geneva College Orchestra's live performance.

Filmmaker Rudolf di Stefano shares his views about cinema through a series of quotes by four representants of contemporaneity in film: Robert Bresson, Jean-Luc Godard, and Jean-Marie Straub & Danièle Huillet.

Artist's book featuring a selection of photographic archive from the European Organization for Nuclear Research: without the context of the archive or explanatory legends, the content becomes abstract and hypothetical, and plays with the representational capacity of the image and with the reception of information.

This artist book is composed of the observations, texts and images that Durham collected during a Venetian stay, pointing out the complex relationship between the tourism industries, the stories of local workers and Venice's history.

Drawing from a namesake installation, No More Sleep No More engages in a reflexion on the chronopolitics of sleep under neoliberalism.

An historical-critical recontextualization of the artist's figure with an important tool of documentation on his work from 1973 to 1979.

This cookbook is the outcome of a collective project for which random people opened the door of their kitchen to share their favorite recipe and tell their life experience. A celebration of life and cooking in 52 recipes and 31 portraits illustrated with colir photographs.

This catalogue-reader accompanies Armando Lulaj's project for the Albanian Pavilion at the 56th Venice Biennale. A time capsule of the country's past, presenting strange memorabilia and trophies that tread the line between fact and fiction.

Monograph / catalogue.

An embracive and well-documented overview of three works by Stan Douglas covering the emergence of political and multicultural emancipation projects during the Seventies, from Portugal's 1974 revolution and the end of colonialism, to the emergence of multicultural music such as jazz-rock, funk, disco, and afrobeat.

Publication gathering five conference performances, written in French and English, by the Franco-Korean duo of artists and researchers Ju Hyun Lee and Ludovic Burel, whose works combine installations, performances, and publications.

A facsimile edition of a fanzine originally published in 1977. It gathers sculptures and fluxus' objects from Laurence Whitfield.

A complete survey of performance arts between Canada, Cuba, Noway, Philippines, and Poland.

An unconventional autobiography based on the American artist's sales catalogue of personal belongings on eBay.

Published in homage to Pier Paolo Pasolini, this edition (conceived by Alfredo Jaar) features the poem imagined in 1954 by the Italian filmmaker while visiting the grave of Italian Marxist revolutionnary Antonio Gramsci. In this poem, Pasolini meditates on life in front of Gramsci's tomb, evoking themes such as politics, poetry, sexuality, and Italy.

Firenze 77 tells the story of a number of artists who passed through Florence, and Villa Romana, between the second half of the 1970s and the early 1980s. This publication is a collection of heterogeneous, autonomous material—a series of notes, comments, book summaries and various kinds of devices.

The last volume of the journal of political activist Jann-Marc Rouillan after his prison release.

In Mohammed Laouli's Golf project, residents of a poor neighbourhood nearby Rabat are invited by the artist to play golf in their own streets, thus subverting the signs of power.

First monograph.

Video art history.

An adventure exploring drifts in translation (artist's book).

Limited edition (20 copies) of Roberto Cuoghi's artist book, accompanied by an offset printing in colors + selective varnish laminated on Dibond (27 x 40 cm), numbered and signed by the artist.

The illustrated catalog raisonné of works from the collection of the Espace de l'Art Concret (Gottfried Honegger and Sybil Albers donation) in Mouans-Sartoux.

A reflection on translation phenomena in the arts.

An in-depth critical examination of the Piotr Uklański's ongoing series of abstract “blood” and “ink drop” paintings.

Based on a travelling exhibition, this small monograph includes an essay by Alex Farquharson, a conversation with Adam Szymczyk, and an essay by Harry Burke.