First monograph, with an essay by Jacqueline Burckhardt.

A book that documents an oral presentation given by Pierre Bal-Blanc to a jury of professionals, as part of his application to curate the 7th Berlin Biennale. Devised as an exhibition in several acts, the session adheres to the rules of a score performed by its author or by a third party.

Rethinking public space.

New monograph, with texts by Quinn Latimer and an extensive interview with the artist by Adam Szymczyk, also including a catalogue raisonné of Auder's video works.

A collection of ten short stories that reflect on contemporary society, politics, and the human condition.

The design, construction and reception of all interventions by Daniel Buren in the public space of the city of Istres in 2013.

This book traces the evolution of Ulrike Gossarth's practice, with a particular emphasis on her training as a dancer in the 1970s, to draw connections between the early years with her sculptural settings and actions and her most recent work, which engages with history more generally.

Does Mona Lisa deserve her mustache? An erudite review of 180 pre- and post-Duchamp caricatures and misappropriations.

Science and Pataphysics, volume I: the history of the origin myths—how science is torn from what is now defined as pseudo-science.

Science and Pataphysics, volume II: the birth of linguistics, as an academic field, in France, and the ideological and political issues that contribute to this implementation.

Artist's book.

12 typescripts of concrete poetry (signed and numbered artist's book).

Since 2010, Sophie Lapalu and Jean-Christophe Norman have worked together in the form of interviews and critical writings focussing on artistic actions and their visibility. De l'action à la conversation (“From action to conversation”) forms part of this reflective approach.

A collection of textual and visual essays stemming from a series of lecture-performances in which artists and curators experimented with various strategies of reprise in the fields of publishing, visual arts, animation, new technologies and the law.

A comprehensive examination of Robert Smithson's work and creative process.

A research project in progress developed by the artist Johanna Viprey: the book narrates the encounter that has led the artist to investigate the personal history of Jeff Perkins, American performer painter and documentary filmmaker, from an anthropological perspective.

Artist's book.

First monograph.

Minimalist progressive lofi techno tracks by MACON (Nicolas Murer) for a series of exhibitions by visual artist Lili Reynaud-Dewar.

Camille Pamela Rosenkranz, Tauba Auerbach, Renzo Piano, the 12th Lyon Biennale, Thomas Hirschhorn, Palm Springs, the 14th Venice International Architecture Exhibition, Camille Henrot, Mathias Faldbakken, Milan Kunc, Katharina Fritsch, Richard Artschwager, Haim Steinbach, Collier Schorr...

The second issue of the magazine published by Optical Sound, between experimental music and contemporary art.

As much adventure novel as catalogue raisonné, this book tells the fabulous pedagogical and artistic experience of the studio Pensée nomade, chose imprimée (Nomadic thought, Printed matter) led from 1989 to 2013 at the Bordeaux School of Fine Arts in France by Michel Aphesbero & Danielle Colomine (4taxis), and Jean Calens.

Lasse Marhaug, Les Instants Chavirés, William Basinski, Uzeste Musical / Cie Lubat de Gasconha, a history of musical destructions by Matthieu Saladin (on John Cage)...

A continuation (rather than simply documentation or commentary) of the exhibition “The Crime Was Almost Perfect” at the Witte de With Center for Contemporary Art in Rotterdam.

Affect, or the process by which emotions come to be embodied, is a burgeoning area of interest in both the humanities and the sciences. For Timing of Affect, Marie-Luise Angerer, Bernd Bösel, and Michaela Ott have assembled leading scholars to explore the temporal aspects of affect through the perspectives of philosophy, music, film, media, and art, as well as technology and neurology.

A complete record.

The role of history and commemoration in Germany today.

An innovative analysis of our relationship to the image.

Mendini's writings 1972-2011.

Artist's book (limited edition).

The 2015 Toilet Paper wall calendar features photographs conceived by Maurizio Cattelan and Pierpaolo Ferrari taken from their image-only magazine.

A new reappropriation of Ed Ruscha's Various Small Fires and Milk (signed and numbered artist's book).

Through the notion of ecology of art, Des récits ordinaires (On ordinary conversations), a project by Grégory Castéra (curator), Yaël Kreplak (linguist) and Franck Leibovici (poet and artist), attempts to vizualise the various modes of existence of artworks.

Soun-Gui Kim engages her collaborators—philosophers Jacques Derrida and Jean-Luc Nancy, and John Cage—in conversation about contemporary art and the relationship of artists to the globalized art world and market, from the perspective of Eastern thought.

A collection of recent colored pencil drawings by artist Keegan McHargue.

This book brings together the documentation of seven installations, produced by Corin Hewitt from 2007 up to the 2013, including preparatory sketches, process shots, exhibition documentation, and discrete photographic works. This visual mass helps understand Hewitt's practice as a continuum of interconnected actions and materializations, instances of generative discovery and contextual play.

First release by Yvan Etienne (Serge Modular, field recordings, hurdy gurdy).

Improvisation as musical and political experimentation (essay).

Five Pieces for Projection introduces recent projection work from 2010 to 2014, with an essay by Hanne Loreck, an afterword by Eva Schmidt and texts by Victor Burgin.

A “fictionalized adaptation” taken from the audio of Seth Price's Digital Video Effect: “Spills.”

Retrospective monograph / artist's book.

An experimental novel written by two powerful voices of French experimental poetry. With illustrations by Charles Pennequin.

A critical approach to practices of photographic representation and information.

The first instance of considering Okiishi's work from the last fifteen years as a heterogeneous whole.

The chimerical final work by Maxim Komar-Myshkin, one of the most elusive and tragic figures in Israeli-Russian art.

A photographic encounter between Guillaume de Sardes, Nicolas Comment, Ola Rindal, and Henry Roy, four French photographers who are fond, each in their own way, of the mundane, the insignificant, which they interpret with controlled blur, subtle color palettes and perspectives that make sense.

A photographic encounter between Guillaume de Sardes, Nicolas Comment, Ola Rindal, and Henry Roy, four French photographers who are fond, each in their own way, of the mundane, the insignificant, which they interpret with controlled blur, subtle color palettes and perspectives that make sense (available in English edition).

The art/research articulation.

Catalogue of the main contemporary exhibition at HOK in 2014.

The meaning of performance and performativity today.