Issue number nine tackles all manner of sports and games, providing commentary on their language, politics, and philosophies.

Noël Dolla's iconoclastic artistic approach defies categories. This book seeks to explore the heterogeneity of Dolla's works to better demonstrate the singular common thread between them.

Amy Lien and Enzo Camacho, Georgie Nettell, Dave Miko, Ned Vena, Antek Walczak, by Tanja Widmann / Paris Noche by Jay Chung / Verena Dengler by Lili Reynaud Dewar / Call and Response and Forever Now by Kari Rittenbach / Daniel Pommereulle by Hélène Fauquet / Hans Christian Lotz by Sam Pulitzer / Sigmar Polke's reception in the United States and Germany in the 1980s by Magnus Schaefer / interviews with Magnus Schaefer et Guy Tosatto / On Some Models of Artist / Gallery Relations (with Marie Angeletti, Camille Blatrix, Hélène Fauquet, Renaud Jerez, Mélanie Matranga)...

Featuring: Julien Mabiala Bissila, Benjamin Dupé, Édouard Louis & Guillaume Bresson, Tunisian film societies, Marie Losier, portfolios by Florian van Roekel and Simone Holliger, Life? or Theatre? by Charlotte Salomon...

This book gathers the papers presented at an international symposium on artists' periodicals, organized by academical Marie Boivent and curator Stephen Perkins. It serves as a smart introduction to a broad range of publishing strategies adopted by artists and others who were experimenting across the field of periodical publishing in new and expanded ways from the 1960s onwards.

This monograph aims to highlight the very diverse features and extraordinary richness of Arte Povera painter Giorgio Griffa. With a selection of the artist's writings and comprehensive chronology.

Featuring: Frances Stark, Rachel Rose, Christodoulos Panayiotou & Salvatore Settis, Valeria Luiselli, Heman Chong, the emerging art of India, Cameron Rowland...

A review of voluntary bareness and simplicity practices in art.

The 2015-2016 edition of contemporary art's directory & referential book Art Diary, released by Flash Art Books, celebrating its 40 years with a new design and new editorial content. Updated every year with more than a thousand new addresses, this Who's Who lists essential information about the main actors in the field of art (over 50,000 entries).

The fourth cahier of Dora Garcia's Mad Marginal project brings together essays by international authors that develop different threads pertaining to artist Dora García's practice.

The exhibition Canto di strada placed Fulton's & Höpfner's work side by side identifying a common ground for comparison in a 14-day walking journey through the Supramonte and Gennargentu mountains in Sardinia. The artists undertook separate journeys, experiencing a total immersion in the harsh environment without even meeting each other. Their respective approaches have been documented in two separate booklets.

A series of geometrical abstractions forming symbolic totems that draw on the annals of visual history.

This book offers several thematic gateways to Alain Huck's work showing the persistence of the same autobiographic, environmental, historic and linguistic issues in a variety of mediums.

A project by internationally working documentary photographer Claudio Cambon that tells the story of the last voyage, dismantling, and recycling of an American merchant vessel in Bangladesh in the late 1990's.

A facsimile edition of the first ever monograph dedicated to Marcel Duchamp and originally published in 1959. A complete introduction to his works and personality as well as a reflection on the artist's role in modern society. Graphic design by Marcel Duchamp. With texts by Duchamp, André Breton & Henri-Pierre Roché. Featuring a bibliography and a catalogue raisonné.

A complete study on Tinguely's Torpedo Institut, an ever-evolving & never-ending iconoclastic exhibition venue shut down after his death – and against his will. Gathering the Swiss artist's latest works, and those of his closest friends (Niki de Saint Phalle, Daniel Spoerri, Ben...), this “total anti-museum” is now reassigned to its rightful place among Tinguely's oeuvre in the form of this exceptional publication.

Since 1986, Max Armengaud takes photographic portraits of European Institutions, from the Paris Opera to the Vatican city.

Céline Condorelli; emerging artists lga Balema, Darja Bajagić, Sasha Braunig, Rachel Rose, and Marguerite Humeau; the Museu Coleção Berardo in Lisbon with Pedro Barateiro; Ryan Gander; Michael E. Smith; Josh Kline; GCC Collective; Villa Design Group; Lena Henke and Anna Gritz; Wim Beeren; Jean-Max Colard on poetry in the exhibition space...

Taking its cue from the aftermath of the events of the Egyptian Revolution in 2011, these five essays contemplate the language's role in moments of dramatic change, and ask how to find meaning for artistic practices in these transformative conditions.

Sport shows & jubilating fans drawn with minimalism (artist's book).

By creasing photographs from the golden age of porn magazine, Patrick Weidmann dismantles their deep-rooted conservative values and reconstructs an underlying aesthetics, an underside of desire.

An artist's book presenting an extensive series of grilles from American cars built between 1955 and 1962. A book allowing multiple readings and meanings, in a balance between conceptual rigor and visual sensuality.

A facsimile edition of a surrealist poem by Robert Lebel and originally published in 1943. Illustrated with seven constructions by artist Isabelle Waldberg.

A poem of sheer brutality on the corporal incarnation of the language.

An unprecedented encounter between contemporary art and World War II historic & natural sites in Austria.

Sicilia Bambaataa is a booklet, risograph printed, which documents the namesake installation, a “soundscape” within the Museo Civico in Castelbuono, Sicily which plays in loop, repeating the audio recording of the dawn chorus, slowly diminishing as the city awakes.

The text published in Villa is a risograph printed transcript of a heretofore unpublished manuscript by Emilio Villa, written around 1962 and addressed to the painter Mario Schifano. The publication remains faithful to the original document and thus there have been no spelling or language corrections.

Sylvie Fleury's chromatic and esoteric works from the 2000's are presented together for the first time with her classic pieces from the 1990's in this reference monograph. It thus offers readers a new way to register Fleury's contribution to the art of the last decades.

The story of an iconic work by Claude Rutault.

How did an urban apparatus put in the service of authoritarian power became the place of its undoing: the roundabout revolutions, from South Korea to recent Arab Spring.

Issue 2 features an extensive look at the Louvre Abu Dhabi in the context of universal museums worldwide by Kanishk Tharoor; Marina Fokidis on artists and galleries in Athens after economic crash; rising costs and problematic leadership in art school today; Amy Winehouse documentary and structural changes in film after a turn toward digital; interviews with architect Liz Diller and artist Agnieszka Kurant, reviews from New York, L.A., Tokyo...

Collected amateur photographs tell with a wistful eye the magical heyday of Motor sports from the sixties until the eighties.

This publication explores the basic principles and applications of Rudolf Benesh's dance notation system.

The Laban system of Kinetography: a handbook (first volume).

The Laban system of Kinetography: a handbook (second volume).

The Laban system of Kinetography: a handbook (third volume).

Mottled sausages, icy landscapes with worms that seem to have died trying to make it over hurdles, portals to impossible lands: welcome to the accidental world of ceramist and drawer Anne Brugni.

Monir Shahroudy Farmanfarmaian & Frank Stella, Art & Architecture, A.K. Burns, Dance Factory (by Sven Lütticken), Richard Rezac, Kelly Akashi, Mernet Larsen, Oscar Enberg, Calvin Marcus, Yves Scherer, How to become a very famous artist (by Chus Martínez), Irena Haiduk, Jim Shaw, Bruno Gironcoli, The Materiality of Digital Forms...

A provocative interrogation of race and identity in contemporary Italy envisioned by visual artists, scholars and writers from Africa, Europe and the United States exploring new forms of subjectivity and agency shaped by history, immigration and integration, the legacy of colonialism and persistent stereotypes (a project curated by Lyle Ashton Harris, Robert Storr and Peter Benson Miller).

The artist's magazine's rich and diverse third issue welcomes fiction for the first time.

Taking as a starting point the description of an exhibition project, the British artist reflects on the creative process, serendipity, and writing as an exploratory tool in conceiving and creating a work.

A set of contributions that explore the conditions of possibility of speculative (and truly engaged) “gestures”, in the context of a widespread crisis of the modes of thinking of modernity (contributions by Didier Debaise, Donna J. Haraway, Bruno Latour, Pierre Montebello, Isabelle Stengers...).

Niki, Lucy, Lola, Viola collects screenshots of a desktop-performance made by Petra Cortright where virtual erotic dancers perform on various backgrounds. As a result, the pages of the book look like continuous digital collages; synthetic and painterly landscapes populated by the strippers posing for the viewer.

A selection of visual source materials which browse Fecteau's influences, inspiration and research methods.

This publication documents a collective project conceived by artist Rirkrit Tiravanija, architects Nikolaus Hirsch and Michel Müller, and chef Antto Melasniemi, which takes the form of an experimental platform, working as the extension of an artistic community based in Thailand. This large-scale installation explores urbanization in a post-rural condition, the act of building as a collaborative process, and land as a concept that can exist outside of ownership.

A subjective compilation by David Le Simple and Vincent Romagny concluding the three exhibitions cycle “Doppelgänger” at CEAAC curated by Romagny.

Nieves reissues Frank Asch's famous children's book, originally published in 1972.

Issue 22 of Palais magazine is entirely devoted to the Ugo Rondinone's exhibition “I Love John Giorno” at the Palais de Tokyo (October 21, 2015 - January 10, 2016), the first retrospective of the life and work of the American poet John Giorno, a key figure of America's counterculture since the 1960s.

The present portfolio is a sampler of some various structural beam combinations from 20th Century edifices. It can be viewed as a book, spread by spread, or pinned on the wall, according to taste, the way a kid might stack up building blocks.

Special “Migrations & Borders” issue: texts by Bernard Schütze, Geneviève Chevalier, and Michael Blum, Milutin Gubash by Chantal T. Paris, François Morelli by Bernard Lamarche, interview with Aram Han Sifuentes, Dominique Sirois-Rouleau's essay on outdoor art, the usual features…