Grande poussière is the product of a collaborative poetic writing process carried out over the course of several years. Forms, approaches and sensibilities come face to face, an uneasy meeting of words and matter.

In February 2016, French astronaut Thomas Pesquet produced aboard the ISS an artwork by Eduardo Kac, entitled Inner Telescope. This film documents the conception and the realization of the very first artistic performance in Space.

An overview of the works of the avant-garde group Warsztat Formy Filmowej (WFF), pioneers of video art in Poland and structural cinema in Central and Eastern Europe between 1970 and 1977. The publication examines all of the aspects of the WFF's activity, as well as their pedagogical heritage.

In its third edition, Diaphanes probes the (im)possibilities of coming to visual and conceptual grips with the present, and brings together artistic, literary, and critical positions and perspectives on imperative contemporaneity and absolute nowness (with Manuel Franquelo, Dietmar Dath, Nicole Bachmann, Maël Renouard, Esther Shalev-Gerz, Gilles Rotzetter, Alexander Kluge, Lucy McKenzie, Markus Proschek, Philip Topolovac, Ko Murobushi, Stephen Barber, Elena Vogman, Marcus Quent, Wolfgang Plöger, Jso Maeder, Luc Meresma, Dieter Mersch, Penelope Umbrico, Christine Tauber).

Contemporary perspectives on artists' publications twenty-three interviews with twenty-five artists who make publishing an artistic practice).

The third issue of the erotic journal Féros, featuring Phoebe Clarke, Claire Dantzer, Victor Man, Anthony Pearson, Benoit Platéus, Georges Tony Stoll, Matthew Stone, Phillip Zach...).

Mouvement inaugurates its new formula: a new visual identity, new sections and 16 additional pages dedicated to photography. Contents: interviews with Jacques Rancière, Julien Gosselin & Aurélien Bellanger, Katsuya Tomita; portraits of Neïl Beloufa and Mette Ingvartsen; Pierre Ducrozet; Nik Void & Peter Rehberg; Ana Pi; Pauline Bayle; makers and sculpture in Sheffield; Iraqi cinema; portfolios, January-February agenda…

The publication traces the architectural program carried out by par Pierre Bal-Blanc at CAC Brétigny from 2003 to 2015, a series of site-specific projects with both creative and pedagogic purposes, favoring relations with the outside and the local residents.

The proxy—an intermediary for requests from clients—has become an emblematic word in our networked age. Edited by the Research Center for Proxy Politics, this publication uses the term as a dialectical figure to examine today's post-democracies politics.

In 1918, art historian and cultural theorist Aby Warburg emerged from a severe episode of psychosis. At about the same time he gave a conference on the Hopi nation's ritualistic snake dance. Focusing on his bout with mental illness, the film melds the aftermath of the Great War with his hopes for eventually recovering.

A collection of textual and visual essays stemming from a series of lecture-performances in which artists and curators experimented with various strategies of reprise in the fields of publishing, visual arts, animation, new technologies and the law.

Vincent Barras's poems-scores; the music of David Jackman and Organum by Paul Hegarty; Ring-Modulation # 25: "Some Classicism" by Kasper T. Toeplitz; 30 years of Metamkine: interview with Jérôme Noetinger and Franck Laplaine; carte-blanche to Patrick Renaud; chronicles and disc reviews…

The third volume of a collection of papers on cognitive capitalism in relation with the conditions of mind and brain in the Information Age.

The first French translation of the landmark work by media theorist Friedrich Kittler.

First French translation of this much noted collection by the London-based writer and performer.

This collection of texts offers a philosophical and textual analysis of the work of butō dance creator, Hijikata Tatsumi. The author, the philosopher and translator Uno Kuniichi, gives a deterritorializing reading of the Japanese dancer and choreographer, linking him to figures like Genet or Artaud, while restoring his own specificity.

The first four issues of the critical review dedicated to the analysis of Graphic design, published by Empire books (studio Syndicat). Each publication documents a specific object, addressed by a renowned author: the Rouge-gorge series at Éditions Cent pages by S.P. Millot; the database colorlibrary.ch by studio Maximage; the monograph Recollected Work by Mevis & Van Deursen; and the invitation cards by the artist Stanley Brouwn.

Catalogue accompanying a selection of works by the German artist showcased at Castello di Rivoli. Weisz combines references to Renaissance art, psychoanalysis, memories and the female body, creating complex and poetic installations, inspired by a text by poet Paul Celan.

This catalogue is part of a project investigating the decentralization of the hegemonic and indisputable model of western artistic modernity in the current geo-political scenario. It attempts to reflect on the construction that the West has made of Africa through works from major collections on Italian colonial history, as well as from Fondation Cartier in Paris. It also includes texts from key postcolonial figures W. E. B. Du Bois, Édouard Glissant, and Léopold Sédar Senghor.

A collaboration between Toilet Paper and Martin Parr.

A collaboration between Toilet Paper and Martin Parr, in a limited edition, with an exclusive tote bag included.

First comprehensive monograph on British experimental filmmaker Ben Rivers.

Novel.

Monograph devoted to Georges Tony Stoll's painting, with a hundred reproductions, a long essay by Éric de Chassey and eight unpublished texts by the artist.

This publication documents a research made by Dora García for a video project on Oscar Masotta, pioneer of Lacanian psychoanalysis in Latin America and influential art critic. It features a selection of Masotta's writings as well as contextual essays on his work.

After the long acclaimed Nova Sodomia opus (Une indécence française), S.E. Otto is back with this oversized book (A3 format) Colossale finesse (Colossal Fineness – The women of cockaigne). Otto pays hereby a thundering tribute to all things fleshy, ample, in a single word: to abundance.

Artist's book: an illustrated collage-book made up of recurring visual elements from Franco-Belgian comics. The publication is designed in the traditional format of the bande dessinée.

Reference monograph, lavishly illustrated, with a preface by Philippe Dagen and a long analysis by Xavier-Gilles Néret of Daisuke Ichiba's work (based on unpublished interviews with the artist), placed in the double context in which it emerged, the Japanese and French graphic underground scenes.

Following a thread, from string figures though algorithms.

Texte 3 is another pictureless book by Beni Bischof, printed in standard pocket size. It is Bischof's personal presentation of his rich collection of catchy headlines and slogans, absurd comments and off-the-wall remarks. His text archives are a trove of inspiration for his pictures and titles.

Mike Bourscheid takes aim at social mores by humourously exploring society's codes and behaviours (catalogue of the artist's exhibition for the Luxembourg Pavillon at the 57th Venice Biennale).

An unpublished talk given by Harun Farocki in 1987 at the event "Films that Think in Images" at the Akademie der Künste, West Berlin. The typescript was found among Farocki's papers after his death.

Catalogue of the namesake exhibition dedicated to artists' calendars, featuring a text by the project's curator Marie Boivent, interviews with Matthieu Saladin and Claude Closky, plus a selection of works with explanatory notes.

Carlos Bernal Ferrara illustrates the fluctuations induced by the printing of a PDF file by printing a square repeatedly until a grid is obtained. From the immaterial plane image to the printed tangible notebook, the physical factors related to the printer or the paper moved the lines. Through this gesture of repetition, the artist demonstrates that we will always obtained a different result even if the file is the same.

An odyssey into sex, death and terror: the sleaziest and scariest pulp comics ever created.

A self-portrait (a collection of Robert Breer's interviews, correspondence and statements over fifty years).

A self-portrait (a collection of Robert Breer's interviews, correspondence and statements over fifty years).

This book forms part of Liv Bugge's artwork To accept theirs, to make it mine, to wish it for myself developed and produced under the auspices of Public Art Norway (KORO) in connection with the construction of new cell blocks at Eidsberg and Ullersmo Prisons.

Artist's book exploring the notion of rigor in experimentation through the constraints of the grid and structure.

A collection of amateur photographs selected from more than ten thousand digital photos retrieved from found SD cards.

A series of images from a movie shot in Super8 format, on an industrial cod-fishing trawler in Terre-Neuve.

Artist's book.

Mapping the practices of performative cinema today.

A guidebook to Oslo's brutalist architecture.

A collection of texts written by patients of a hospital center, following photographs taken by the artist Richard Louvet.

The portfolio of the exhibition at the Jeu de Paume.

The portfolio of the exhibition at the Jeu de Paume.

Collective study dedicated to the founder of Lettrism Isidore Isou.

Illustrated catalogue published in conjunction of the first comprehensive overview of Qiu Zhijie, one of the most important Chinese artists of his generation. The publication directly addresses the challenges of conveying the complexity of Qiu Zhijie's practice in the European context. It features essays by Andrea Bellini, Davide Quadrio, and Francesca Girelli, an extensive interview with the artist by Liu Jingjing, and descriptions of the exhibited works.

Since 1953, the Kulturkreis der deutschen Wirtschaft has awarded the Ars viva Prize to young artists living in Germany. The 2018 edition goes to Anna-Sophie Berger, Oscar Enberg, and Zac Langdon-Pole.