First QR-Code EP, edition of 100 copies, recorded at EMS, Stockholm, December 2015, with the voices of Frédéric Acquaviva and Loré Lixenberg.

This Flipbook by Michalis Pichler is a reformulation of the artist's film Une Seconde d'Éternité (d'après un idée de Charles Baudelaire) by Marcel Broodthaers (8mm film, b/w, 1 sec.).

Reference monograph (also available in English).

Outside museums, on the roadsides, a journey through the gardens and backyards of Europe and America to discover the "madmen's art": an illustrated essay on the birth and the future of Art Brut (new expanded edition).

Monograph featuring series of paintings made by the French-American artist between 2013 and 2016 and based from photographic documents originating mainly from sexploitation films of the 1960s. The volume also includes two essays and exhibitions views.

The critical edition of Hans Hartung's autobiographical writings.

The critical edition of Hans Hartung's autobiographical writings.

First double album of the "art brut" sound artist Jean-Marie Massou, mixing field recordings, laments and messages to humanity, recorded by himself on his cassette recorders.

First double album of the "art brut" sound artist Jean-Marie Massou, mixing field recordings, laments and messages to humanity, recorded by himself on his cassette recorders.

Collage-book from vintage strip-tease magazines.

With this collage book Polish artist Olga Lewicka draws an illuminating parallel between the visual and cultural history of clouds and the historical development and structures of capitalist and neo-liberal society.

The second issue of Frédéric Acquaviva and La Plaque Tournante's audio / video hybrid magazine includes documents on Trevor Wishart, Denis Dufour, Hém-Ish, Ione, Broutin, François Poyet, Johannes Kreidler, Gil J Wolman at work, a film by Frédéric Acquaviva on the late Pauline Oliveros, Silva Gabriela Béju on Henri Chopin and the magazine OU, a set of posters and postcards…

A collection of misprinted sheets originating from books designed by graphic designer Manuel Raeder: a “behind the scene” project, which documents the early stage of book production and its conventions.

Issue of the Cahiers du Centre Dürrenmatt Neuchâtel dedicated to French artist Jean-Christophe Norman with essays by Jean-Michel Espitallier, Patrice Joly, Frank Smith, Ulrich Weber, and an original work by Norman inspired by Swiss writer Friedrich Dürrenmatt's library.

Influential musician Andrew Liles releases a dark and fantastic literary work relating to childhood and sufferings, illustrated with six images and a sound piece.

The best of 2016: Seventeen distinguished contributors consider the year in art; “The Artists' Artists,” reflections of the most striking single work, event or exhibition of 2016; Top Tens on the best in film, music, books, and performance from John Waters, Angel Olsen, and Terry Castle, and a special section on “The Year In Shock.”

This publication collects black and white photographs taken at apartment viewings in Berlin, London and Zürich in 2015. The images render a landscape of apartments, mostly empty, punctuated by potential buyers or renters projecting their own possible futures onto the spaces.

French artist Raphaëlle Paupert-Borne summons the myth of Demeter in an epic film shot in the Mediterranean city of La Ciotat. This edition also features a short documentary on a series of drawings made by the artist in Algeria, and an accompanying book which includes texts by specialists, film captions and sketches.

This publication serves as an extension of Joachim Koester's artworks and research on Jerzy Grotowski's (1933-1999) mythical persona and experimental approach towards theater. More specifically here, Koester retraces Grotowski's trips to Mexico with the help of historians, anthropologists, and former students.

10-year anniversary special issue: a selection of essays, interviews, conversations, and projects appeared in the first ten years of Mousse.

This publication offers new insights into the broad and differentiated spectrum of functions images could assume in political contexts in those areas dominated by the Portuguese in early modern times. How were objects and artifacts staged and handled to generate new layers of meaning and visualize political ideas and concepts? And what were the respective reasons, means, and effects of the visualization of Portuguese power and politics?

The history of the emergence and appropriation of the score in extra-musical domains (theater, dance, performance).

First monograph by New York-based Thai artist Korakrit Arunanondchai, this publication is the first extensive presentation of the artist's video trilogy Painting with History, which ambitiously addresses a digital native's relationship with art history, spirituality, globalization, technology and self-promotion.

Music performance by Joe Jones's Solar orchestra recorded at a Erik Andersch's Garden party in 1983. This edition includes the reissue of a rare photographic book documenting the event, as well as a poster and a postcard.

Nightfall gives an overview of Gothic imagination in the arts, from the 18th century to the present day. This pocket-sized catalogue examines the persistent influence of the pioneering works of modern gothic fiction through a series of essays and a rich iconography.

A compilation of restaurants receipts collected between Rome and Berlin on which the British conceptual artist reproduced images of works by other artists (Luciano Fabro, Donald Judd, Andy Warhol, Jenny Holzer, André Cadere, Maurizio Cattelan…). Far from being innocent, this appropriationist gesture reflects on the art world economics while displaying a panorama of art history, stretching from the 1960s to the present day.

Reference catalogue that examines the notion of Art Brut in a time of new technologies. The first section of the volume features a selection of essays by specialists; the second and richly illustrated section introduces the works of 28 iconic or emerging artists.

First volume of a special issue devoted to the rediscovery of Charles Fourier's oeuvre by the Surrealists. This volume focuses on the pioneer works of philosopher Simone Debout, including early and recent works, and an unpublished correspondence with André Breton. The issue also features an introduction by Florent Perrier & Gérard Roche, and texts and essays by Charles Fourier, Philippe Audoin, André Breton, Michel Butor, Roger Garaudy, Annie Le Brun, Robert Pagès, Octavio Paz, Raymond Queneau and Alejandra Riera.

This issue explores the interfaces between clubs, clubbing culture and creative communities.

An intervened facsimile of a anthropological catalogue listing the items belonging to three collections of Mexican fabrics and weaving patterns constituted during the mid-seventies.

Companion book to Basim Madgy's eponymous video: a dreamlike tale about the ocean and its secrets.

The eighth volume of the Critical Spatial Practice series focuses on Jill Magid's “The Barragán Archives,” a multiyear project that examines the legacy of Pritzker Prize—winning architect Luis Barragán (1902-1988), and questions forms of power, public access, and copyright that construct artistic legacy.

The new novel by Keren Cytter: an incomplete guide for life.

First publication ever to provide a complete survey of the artist's oeuvre to date: like Prouvost's art, the book is fast-paced and full of quick turns and surprises. It includes a series of essays, a conversation between the artist and her model Barbara Steveni, and a complete list of her works and exhibitions.

Part fact, part fiction, this collaborative artist's novel is set in the curious town of Kalimpong, India, where past meets present in a multi-layered tale of espionage and the esoteric.

An artist's book / catalogue exploring the new role of the image in a world modeled by visual artifacts.

Artist's book accompanying a sequence of exhibitions by James Richards in Norway, England, and Germany. The publication contains a series of visual essays by the artist, documentation of recent exhibitions, as well as essays by Dan Fox, Ed Atkins, Steve Reinke, Chris McCormack, and Fatima Hellberg.

Project monograph by the Serbian artist revolving around a precious edition of Marcel Proust's collected works translated by Croatian poet Tin Ujević.

New collection of essays by Boris Groys in which the philosopher discusses the works and artists that influenced his thinking, from Paweł Althamer to Andy Warhol.

In this post-truth era, how does one navigate the endless information available and choose a viable narrative of reality? In How to Know What's Really Happening Glasgow-based writer and curator Francis McKee looks at various techniques for determining verity, from those of spy agencies and whistle-blowers to mystics and scientists.

The work of African-American artist Rashid Johnson is considered central in the contemporary debate revolving around the issues of identity, integration and memory. This exhibition catalogue showcases a series of his most iconic oeuvres to offer an intimate yet broad introduction to Johnson's artistic practice.

An erotic coloring artist's book juxtaposing scenes of intimacy and loneliness in the city at night.

This artist's coloring book is a silent illustrated narrative of a sudden lust-filled encounter between a cowgirl and an Indian girl and their threatening journey through a psychedelic Wild West at night.

Monographic publication on Ukrainian-born artist Anastasiya Yarovenko, the joint recipient of the 2015 Kunsthalle Wien Prize, whose work is concerned with the body's relationship to societal structures, behaviors, and space.

The new organic soundtrack creation by Francisco López inspired by trance rituals.

An analysis of the posthumous interpretations of Brancusi's life and work, and of the political use of the Romanian sculptor as a nationalist figure.

This volume documents two parallel solo shows by Angela Bulloch and Maria Zerres, framed by the notion of entropy.

A presentation of Pierre Conté's notation system and research on dance and movement.

An introduction to the art of Stephen Felton, with an essay by Jill Gasparina, “On the uselessness of sophisticated discourse,” as a guiding thread to better understand a work relying on simplicity and narratives.

The two dancers and choreographers share and compare ideas and references that underpin their respective work.