A reverse encoder that keeps only frequencies usually removed by the mp3 encoders, giving the “inaudible” frequencies to listen (software edition on SD card and silkscreen booklet, including a text by Jonathan Sterne).

Early electronic music from 1959 to 1969 produced by the Institute of Sonology, in Utrecht, Holland. Their pioneering research work helped define brand-new forms during the crucial 1960s decade.

Early electronic music from 1959 to 1969 produced by the Institute of Sonology, in Utrecht, Holland. Their pioneering research work helped define brand-new forms during the crucial 1960s decade.

A collection of texts, notes and drawings from Alina Popa (1982-2019), edited as a tribute publication by her longtime accomplice, the artist Florin Flueras. A political and theoretical work that questioned both the intimate and social mechanisms of the contemporary.

Twenty multidisciplinary texts and artistic proposals to re-examine our relationship to the natural world.

What can it mean to return home? Inspired by author Georges Perec's Espèces d'espaces and artist Hreinn Friðfinnsson's House Project, this catalogue brings together international artists to investigate the various facets of coming home.

The catalogue of the Second Yinchuan Biennale articulates itself through the themes of the desert, nomadism, and ecology. Taking the form of an illustrated atlas, the publication documents works by more than 90 participating artists.

Corner is a Romanian artist-run magazine that approaches football from an interdisciplinary perspective (anthropology, art, contemporary dance, architecture, economics, politics...). This volume comprises all contributions from the first six issues, published between 2015-2017.

The first in a series of publications dedicated to the exploration of the archives of the Italian region of Basilicata from an artistic perspective. This volume focuses on areas affected by the reclamation of the water system.

An intimate audio archive of the British novelist, coupled with a 18-track sonic portrait of Burgess by invited artists and musicians.

An intimate audio archive of the British novelist, coupled with a 18-track sonic portrait of Burgess by invited artists and musicians.

A compilation of texts, poems and stories whose title is borrowed from the safe words used in BDSM practices.

A long-term photographic study on the sociopolitical evolution of the Sahelo-Saharan region since 2008.

A comprehensive documentation on Ruth Ewan's installation at CAPC, a tangible plastic version of the revolutionary calendar.

First monograph dedicated to the young American painter, whose expressive and colorful universe draws on the everyday life in the margins, from bohemians to non-conformists. The publication also presents the Gray's theatrical works and associates the artist's two practices.

This publication is the result of a research project led by artists Raphaël Grisey and Bouba Touré around the archives of the self-organized agricultural cooperative Somankidi Coura, in Mali. A historical reflection on agricultural, archival, health, and migratory issues through a decolonial perspective.

First retrospective monograph overviewing the Danish video artist's body of works for over a decade.

Julio Le Parc and the practices generated by digital creation.

An interpretative study of a catalogue published on the occasion of the discovery of two sculptures in the canal of Livorno in 1984. Attributed to Modigliani, these sculptures were, in fact, a student hoax.

The catalogue of the eponymous exhibition by Caroline Mesquita, published on the occasion of her Fondation Ricard Prize. The French artist works primarily with metal, creating sculptures and staged video with strong narratives.

This catalogue explores how miracle making—making the impossible possible—is reflected in artistic practices today. It includes commissioned essays and poetry by the Miracle Workers Collective and writers close to the collective (catalogue of the exhibition at the Finnish Pavilion at the 58th Venice Biennale).

This catalogue for Philippe Parreno's first solo show in mainland China, at the Rockbund Art Museum, reveals the artworks presented in the exhibition.

This publication documents a visual research on the perimeters of all five boroughs of New York, featuring a photographic portfolio, a set of maps and a series of texts.

A collection of colorful paintings inspired by science fiction and classical Antiquity. A prequel to the artist's ongoing Megalith series of publications that acts as a PH sample of his broader painting, collage, and print studio practice.

This artist's book derives from a series of videos documenting the present situation of six unrecognized Republics on the border of Eastern Europe and Western Asia. Vellahu collects the collective memories of people and lands which have been affected by years of war and by the politics of borders.

Both a journal and a photographic report, this publication documents Luca Vitone's travel from Italy to India, in the footsteps of the first Roma migrations between the eighth and fourteenth centuries.

A platform for discussions between some of today's leading artists, writers, theorists, curators, and historians aimed at questioning the very status of photography today.

A platform for discussions between some of today's leading artists, writers, theorists, curators, and historians aimed at questioning the very status of photography today.

This November in Artforum Bruce Hainley on Pierre Bonnard, Domenick Ammirati on the art of Georgia Sagri, Declan Long on Derek Jarman, and Natasha Stagg on Anicka Yi. Plus, exhibition reviews from Milan, Berlin, Amsterdam, Istanbul, Dubai, and more. 

The portfolio of the exhibition at the Jeu de Paume – Château de Tours provides an overview of the photographer's career through forty key images.

Matera and Taranto; interviews with Abraham Poincheval and Siri Hustvedt; Nyege Nyege and underground music in Ouganda; Jonathan Capdevielle...

A collection of ten facsimiled Moleskine notebooks filled with works by Swiss artist Aldo Schmid.

The fifth issue of the annual magazine mixing graphic design, publishing and architecture questions these disciplines through the theme of obsession.

Erin Manning expands her research on movement politics to the concept of minor gesture.

The reception of Charles Fourier's thought in Japan.

The soundtrack of an interactive project around phantom islands—islands that appeared on historical maps but never actually existed. A collection of fictitious soundscapes, between field recording and exotica music.

This anthology brings together rare documents pertaining to so-called occult phenomena, most of them taken from little-known archives. In the course of three volumes, this series traces an audio history of parapsychology. The first volume is an exploration of spiritualism and haunted houses. It features records of spiritual séances and medium trances, haunting spirits and haunted places, audios of Sir Arthur Conan Doyle, Harry Houdini...

This reader brings together artistic and theoretical contributions on the instertitial nature of sound. This issue is addressed through a variety of prisms, such as format, language, politics, or new technologies.

A long-term photographic study on the sociopolitical evolution of the Sahelo-Saharan region since 2008.

Günter Erbe on the Dandy in and outside society up until the digital age, Taslima Ahmed on how Putin's political culture has affected art, Masato Fukushima looking at multiple personae taken on by contemporary artists, a seminal essay by Andrés Gómez Emilsson's designing eight models of art for a scientific paradigm of aesthetic qualia, plus recent film reviews by A.S. Hamrah and a documentation of Michael Farin's search for a lost oasis in the Saharan Desert.

Candice Breitz, Meriem Bennani, Marianna Simnett, Elysia Crampton, Too Old to Die Young and essays by Pierre Bal-Blanc and Monique Roelofs, a selection of excerpts from Intervista, Flash Art's side publication on visual culture in the late 90's...

The artistic, social and political issues of manifestos.

The development of the ideology of transparency within aesthetic modernity and the importance of being able to circumvent it.

Peter Halley's multimedia installation for the Magazzino del Sale N. 3, a 15th-century warehouse in the Dorsoduro district of Venice.

A collection of all writings, in the form of slogans, which have accompanied Marcello Maloberti in almost thirty years of poetics introducing themes he finds meaningful.

A transdisciplinary history of exhibitions.

The complete writings of an influential figure.

Researcher Elena Vogman examines the unpublished archival material relating to the film adaptation of Karl Marx's Capital by Sergei Eisenstein. The analysis of these materials reveals the clear and ambitious idea that animated the Soviet filmmaker for this aborted project: to build a visual theorization of value.

There is no theory that is not aesthetic (collective publication edited by Dieter Mersch, Sylvia Sasse and Sandro Zanetti).

Dorata Sajewska proposes an innovative perspective for looking back at the formative process of Polish modernity, delving into repressed areas of experience connected with World War I and the ensuing emancipatory movements.