Commissioned by the Ruya Foundation for Contemporary Culture in Iraq and published on the occasion of the 58th Venice Biennale, Fatherland presents the work of Kurdish Iraqi artist Serwan Baran and his investigation of the concept of “fatherland” as opposed to what we traditionally understand as “motherland.”

Horizons presents a group of approximately seventeen large-scale works from the last thirty years by British abstract artist Ian Davenport, from the earlier pieces made with industrial materials of the '80s, till the more complex multicolored works of the last years.

Interdisciplinary and cross-border collaboration between Belgian architect Inessa Hansch and German artist Susanne Kühn: a work that combines architecture and painting, around space and its representation, which questions the idea of the inside and the outside.

An extensive overview of Scott Reeder's production from the 1990s until today.

An artist's book that reflects Sophie Jodoin's ongoing preoccupation with the interaction of language with images.

Light Boiled like Liquid Soap is an immersive installation by Wilfrid Almendra featuring radio transmissions and a series of sculptural elements made of copper, plaster, and silicone in various states of dematerialization. Combining found and repurposed materials, the works attest to notions of desire, circulation, and flux, from protective spaces of retreat to global economies of exchange.

Published on the occasion of the 58th Venice Biennale and edited by curator Hesperia Iliadou de Subplajo-Suppiej, Maleth / Haven / Port is inspired by the Odissey and provides a contemporary reinterpretation of our timeless need of seeking Haven, most strongly experienced in times of crisis.

New monograph, featuring American–Canadian artist's latest work, in dialogue with a museum collection.

Post-empire in the new Middle Kingdom: what once was America is now China. After his Insert Coins project (2016) about the decline of Las Vegas, Swiss photographer Christian Lutz set off to explore the world's new gambling capital, Macao, where everything revolves likewise around money, luxury, surfaces.

Published on the occasion of the 58th Venice Biennale and edited by Magalí Arriola, Acts of God by Pablo Vargas Lugo reflects upon faith beyond the confines of religion, and finds its traces, in different forms, in our contemporary world.

Aesthetics and politics of architecture of logistics.

Interviews with Mary Weatherford, Nanfu Wang, Lee Quiñones, Venkatachalam Saravanan, Tyshawn Sorey, Ben Whishaw, Édouard Louis, Geovani Martins, Prageeta Sharma, and James Thomas Stevens.

An history of the artwork and the image first apprehended as an act and a process.

The comprehensive catalogue of the 9th Busan Biennale, curated by Cristina Ricupero and Jörg Heiser, on the theme of divided territories caused by war, conflict, or colonization.

Artist's book: a catalogue of Alex Hanimann's photographic explorations over the past twelve years, with interview by Hans Ulrich Obrist and two essays.

Large format catalogue documenting a multichannel installation by Florian Hecker at Kunsthalle Wien, transformated into a resonating space, with texts by curators, researchers, theorists, and art historians.

Published on the occasion of the 58th Venice Biennale and curated by Hyunjin Kim, History Has Failed Us, but No Matter explores the history of modernization in East Asia through the lens of gender and the agency of tradition.

Fanzine / artist's book.

Guillaume Dustan; Japanese playgrounds; dance and pornography; Patrick Bouchain; Raffaella della Olga; Mohamed Bourouissa...

Sofi Hémon; interviews with Maria Chavez, Tori Kudo, Rudolf Eb.er and Anne-Laure Pigache; arcticles on Max Neuhaus and Tetsuo Kogawa...

The Fevered Specters of Art is the final chapter of a long-term project curated by Edit Molnár, Lívia Páldi, and Marcel Schwierin that started with a group exhibition at Edith-Russ-Haus für Medienkunst, Oldenburg, in 2016. The show looked back on the epoch of Cold War radicalism and anti-colonial revolution, an era characterized by a proliferation of ideas about how radical social change might permeate the globe.

This book traces Jennifer Caubet's work during her residency at the Centre International de Recherche sur le Verre et les Arts plastiques (Cirva), from 2017 to 2019.

New book on Maya Schweizer's moving image works and complex montage aesthetics, with six essays.

The fifth issue of the magazine for visual and experimental poetry and works inspired by Dada and Fluxus, directed by Jean-François Bory.

The second issue of Le Consortium's magazine, documenting L'Almanach 18, as well as the two previous editions of this biennale exhibition.

Kali Malone's critically acclaimed album "The Sacrificial Code" is a major work featuring almost two hours of concentrated pipe organ pieces with profound emotional resonance.

Kali Malone's critically acclaimed album "The Sacrificial Code" is a major work featuring almost two hours of concentrated pipe organ pieces with profound emotional resonance.

This publication brings together the work of five anthropologists and five artists/collectives researching and responding to the dramatic rise and fall of Mongolia's mineral economy. Drawing from ongoing fieldwork in Mongolia, the contributors conceptualise crisis as a space for the emergence of new possibilities.

A curated collection of essays by art critics, philosophers, curators, designers, researchers and conservators, whose considerations address the transformations in the contemporary landscape of fruition and production of art.

Bringing together art, science, and humanities, and focusing on environmental phenomena that directly influence our lives, the project for the 58th Venice Biennale by Ane Graff, Ingela Ihrman, and artist duo Nabbteeri is themed around the complex and varied relations between the human and nonhuman, in an age when climate change and mass extinction are threatening the future of life on Earth.

The summer issue of Flash Art is an attempt to map the ecological breakdown> that is restructuring our belief systems, forcing us to conceive of new relational modes that reappraise our centrality in the world and advocate for a new continuity with the other.

An inquiry into the inadmissibility of the artistic exception today, and the importance of atypical individuals in the symbolic economy of a society.

Art, destruction and creation.

A collective reflection on reciprocal relations between design and the ethics of care, in the areas of health, social innovation, objects, or the environmental issue.

Conceived around an anthropology of the object, this book proposes to follow the course of royal objects of Abomey, former capital of the pre-colonial Kingdom of Dahomey (in present-day Benin).

This catalogue documents Claudia Comte's project for the 2016 edition of the Printemps de september, based on a selection of 600 parts from the aeronautics industry.

In this brilliant intergenerational dialogue curator Camila Marambio and Cecilia Vicuña, one of the most intriguing Indoamerican artists of our times, converse about mestizaje/miscenegation, ecological disaster, eroticism and decolonization in their multilingual, subversive and irreverent humorous slang.

The Japanese master's new large-format artist's book: a graphic hallucination on 40 pages of Bichrocolor collage drawings.

New monograph.

This lavishly illustrated catalogue comprehensively documents three recent projects by Franco-German artist Ulla von Brandenburg.

The ten essays in After the Wagnerian Bouillabaisse offer original critical discussions of some of the major European artists and movements of the twentieth century.

Accompanying the first retrospective exhibition of the artist at Mudam Luxembourg – Musée d'Art Moderne Grand-Duc Jean, this monographic publication surveys Bert Theis' entire career.

First monograph.

First monograph.

New monograph.

Unreleased rarities from Ariel Kalma's personal archives recorded in the legendary GRM's Studio 116 during the 1970's.

The Santos Silva / Zetterberg / Lindwall trio's second album takes the musical creation a step further by adding live electronics for real time sound treatment to an unique conceptual approach to composition & improvisation rooted in both free jazz and contemporary classical music.

Masayuki Takayanagi's legendary “lost” album.

Artist's book.

As part of the 2016 edition of the Printemps de septembre, British artist David Shrigley designed a tailor-made project for the Institut supérieur des arts de Toulouse by providing all the elements needed to organise a music festival.