Publication documenting a centuries-old choreo-musical ritual from Southern Italy, used to exorcise women of a mysterious evil caused by the bite of a spider. It gathers contributions by artists, sociologists, anthropologists, scientists, and priests, and features a large ensemble of photographs.

Françoise et Jean-Philippe Billarant's collection of minimal and conceptual art.

A proposal for a radio project on the diffusion of world music in the digital age, focusing on the concept of “seismographic sound”.

A collection of musical compositions derived from film interviews with conceptual artists, including Martha Rosler, Art & Language, Andrea Fraser, Ed Ruscha, Shilpa Gupta, Sol LeWitt, Lawrence Weiner and Yvonne Rainer.

Monograph dedicated to artist Brittany Nelson, who appropriates techniques from 19th century photography to create works of feminist science fiction and queer abstraction.

Artist's book.

Monograph dedicated to the films of the Israeli artist Assaf Gruber. Articulated around eight conversations related to the films' production, this publication reflects an important theme in Gruber's work: what effects can art have on individuals far removed from the artistic field.

A series of colorful invented landscapes, by American painter Shara Hughes.

A post-colonial pamphlet on the ethnological museums of Europe, primarily the upcoming Humboldt Forum in Berlin.

Reference monograph on the singularly radical work of Michel Parmentier—an important addition to the history of painting in the second half of the 20th century.

This bilingual publication retraces a journey and a set of studies, graphic creations and texts that lead to a process of drawing research in a digital environment.

A compilation of string compositions and collages by multimedia artist and composer Milan Knížák, performed by the fama Q string quartet.

This monograph documents a research on an abandonned site of the Swedish Defence Research Agency (FOI). For his investigation, artist Henrik Andersson relied on various public archives as well as on the FOI's astonishing art collection.

The heart of the political-aesthetic debate.

Comprised of a series of texts, drawings and photographs, this catalogue documents and expands on the multimedia installation by "Natascha Süder Happelmann" (Natascha Sadr Haghighian), an artistic reflection on ruinous space (catalogue of the German Pavilion at the 58th Venice Biennale).

Artist's book.

Since 2016, choreographer Lenio Kaklea has been collecting the practices of Europeans. Taking to the streets and pathways of Athens, Aubervilliers, Essen, Guissény, Nyon, and Poitiers, she has gathered nearly 600 unique stories. This compilation testifies to the familiarity and diversity of habits, of rituals, and of trades that compose and distinguish these territories.

A reverse encoder that keeps only frequencies usually removed by the mp3 encoders, giving the “inaudible” frequencies to listen (software edition on SD card and silkscreen booklet, including a text by Jonathan Sterne).

The everyday life of Stefan Marx in Berlin, in a 300-page volume of drawings.

Stefan Banz has brought together and evaluated all the relevant documents and sources relating to Fountain by Richard Mutt alias Marcel Duchamp. At least one thing is certain after reading them: Elsa von Freytag-Loringhoven had definitively nothing to do with the creation of Fountain. In addition, Banz has succeeded in writing a highly inspiring book containing many new and revealing ideas that present this work of the century in a much more differentiated light.

Celebrating the ten-year anniversary of the project A Collective Memory by Azin Feizabadi—a series of five narrative films—this publication features fictions by guest contributors who were asked to expand on their viewing experience of one of the films in the Collective Memory series.

Publication documenting a series of workshops involving Raumlabor, a Berlin-based group architects, and the youths of Barca, a neighbourhood in outskirts of Turin. The project, which advocates for the re-appropriation of the public space, saw the development of a series of inhabitable environmental installations.

The second in the series of publications "Notes on Archives" dedicated to archival practices, Culture is Our Business offers a comparative case study on the archival policies of a commercial agency and a non-profit independent organization through the example of a 1919 image by photographer Willy Römer.

The fourth in the series of publications "Notes on Archives" dedicated to archival practices, Dear Jadwa draws on a photographic archive from the Wadi Ara Valley in Israel to reflect on how visual archives can shed light on forgotten stories.

Une généalogie des grandes oreilles is the result of an iconographic research conducted by artist Lauren Tortil over the past three years on what she calls “Big Ears”: these military surveillance devices that call upon mediated listening – an increased listening through a mediator, such as a tool, an instrument, an architecture, a system, etc.—and that the modern man has relentlessly improved with the purpose of anticipating potential dangers.

Three unreleased field recordings from August 1990, documenting a sound installation made from a damaged piece of the Berlin Wall.

This monographs presents a decade of Wudtke's artistic work on gentrification in the city of Berlin.

Early electronic music from 1959 to 1969 produced by the Institute of Sonology, in Utrecht, Holland. Their pioneering research work helped define brand-new forms during the crucial 1960s decade.

Early electronic music from 1959 to 1969 produced by the Institute of Sonology, in Utrecht, Holland. Their pioneering research work helped define brand-new forms during the crucial 1960s decade.

A collection of texts, notes and drawings from Alina Popa (1982-2019), edited as a tribute publication by her longtime accomplice, the artist Florin Flueras. A political and theoretical work that questioned both the intimate and social mechanisms of the contemporary.

Twenty multidisciplinary texts and artistic proposals to re-examine our relationship to the natural world.

What can it mean to return home? Inspired by author Georges Perec's Espèces d'espaces and artist Hreinn Friðfinnsson's House Project, this catalogue brings together international artists to investigate the various facets of coming home.

The catalogue of the Second Yinchuan Biennale articulates itself through the themes of the desert, nomadism, and ecology. Taking the form of an illustrated atlas, the publication documents works by more than 90 participating artists.

Corner is a Romanian artist-run magazine that approaches football from an interdisciplinary perspective (anthropology, art, contemporary dance, architecture, economics, politics...). This volume comprises all contributions from the first six issues, published between 2015-2017.

The first in a series of publications dedicated to the exploration of the archives of the Italian region of Basilicata from an artistic perspective. This volume focuses on areas affected by the reclamation of the water system.

An intimate audio archive of the British novelist, coupled with a 18-track sonic portrait of Burgess by invited artists and musicians.

An intimate audio archive of the British novelist, coupled with a 18-track sonic portrait of Burgess by invited artists and musicians.

A compilation of texts, poems and stories whose title is borrowed from the safe words used in BDSM practices.

A long-term photographic study on the sociopolitical evolution of the Sahelo-Saharan region since 2008.

A comprehensive documentation on Ruth Ewan's installation at CAPC, a tangible plastic version of the revolutionary calendar.

First monograph dedicated to the young American painter, whose expressive and colorful universe draws on the everyday life in the margins, from bohemians to non-conformists. The publication also presents the Gray's theatrical works and associates the artist's two practices.

This publication is the result of a research project led by artists Raphaël Grisey and Bouba Touré around the archives of the self-organized agricultural cooperative Somankidi Coura, in Mali. A historical reflection on agricultural, archival, health, and migratory issues through a decolonial perspective.

First retrospective monograph overviewing the Danish video artist's body of works for over a decade.

Julio Le Parc and the practices generated by digital creation.

An interpretative study of a catalogue published on the occasion of the discovery of two sculptures in the canal of Livorno in 1984. Attributed to Modigliani, these sculptures were, in fact, a student hoax.

The catalogue of the eponymous exhibition by Caroline Mesquita, published on the occasion of her Fondation Ricard Prize. The French artist works primarily with metal, creating sculptures and staged video with strong narratives.

This catalogue explores how miracle making—making the impossible possible—is reflected in artistic practices today. It includes commissioned essays and poetry by the Miracle Workers Collective and writers close to the collective (catalogue of the exhibition at the Finnish Pavilion at the 58th Venice Biennale).

This catalogue for Philippe Parreno's first solo show in mainland China, at the Rockbund Art Museum, reveals the artworks presented in the exhibition.

This publication documents a visual research on the perimeters of all five boroughs of New York, featuring a photographic portfolio, a set of maps and a series of texts.

A collection of colorful paintings inspired by science fiction and classical Antiquity. A prequel to the artist's ongoing Megalith series of publications that acts as a PH sample of his broader painting, collage, and print studio practice.