This catalogue presents the artist's recent works, tackling issues related to the plasticity of space and the creation of gaze. It brings together exhibition views and photographs, an essay by Florian Gaité and an interview with Marion Guilmot.

This catalogue documents a project for which Steegmann Mangrané intends to reframe the history of abstraction, inviting us to re-evaluate the traditional division between nature and culture. It features a selection of works inspired by the artist's readings, from Roger Caillois to Merleau-Ponty.

Four compositions by the electronic musician from Quebec, conceived during his studies at the Conservatoire de Musique de Montréal, from 2017 to 2019.

The third title in a series of publications dedicated to artists' residencies at Maison Bernard, a masterpiece of organic architecture carried out in the 1970s by Antti Lovag in association with Pierre Bernard. The book documents a site-specific project by photograph Yves Gellie, a work on light and perception.

Artist and teacher-researcher Marie Preston speaks with Nora Sternfeld and Julie Pellegrin about her practice as a crossroads for art, education and cooperative working.

Texts by / interviews with Chitra Ganesh, Tania Cypriano, Charles Atlas, Netta Yerushalmy, Vi Khi Nao, Amani Al-Thuwaini, Andrea Hasler, Bruce Boone.

A cross-disciplinary reader investigating dizziness in artistic, art-historical, philosophical and natural scientific sources.

A collection of conversations, essays, artists' projects, and inserts, critically reflecting on the concept of “exhibition history”.

Wolfgang Tillmans; Ben Russell; Philippe Descola; Exarcheia; Hasmik Tangyan; Rone & (La)Horde; the “bioartists”; Vaslav Nijinski...

The eighth issue of the journal of the École Nationale Supérieure d'Architecture de Bretagne focuses on the relationship between heritage, ecology and creation.

This book tiptoes between aesthetics and ethics; it proposes to rethink trauma in its necessity as well as impossibility to be represented and understood.

An in-depth history of the landmark situationist international periodical edited by artist Jacqueline de Jong from 1962–67. This lavishly illustrated publication features many previously unseen archival material, historical texts and new commissioned contributions.

This anthology gives voice to seven curators who discuss the conception of shows they organized that marked curatorial history thanks to their structural innovation in terms of exhibition siting.

The catalogue of the 33rd Ljubljana Biennial of Graphic Arts, curated by art collective Slavs and Tatars, examines the relationship between graphic arts and satire.

This March in Artforum Chloe Wyma on the art of cover artist Agnes Pelton, J. Hoberman on Corneliu Porumboiu's The Whistlers, Hannah Black on Kandis Williams, plus Alex Jovanovic introduces an artist portfolio from Chason Matthams, James Meyer on Hans Haacke and exhibition reviews from Paris, Stockholm, Doha, Moscow, and more. 

The content of this book is the result of a series of solo exhibitions; staged outside of any gallery space, visually undocumented, and taking place without visitors.

A retrospective look at the work of our contemporary art godfather.

A companion guide to Beutler's site-specific installation practice classifying each of his works according to the components, tools, and production methods used to create them.

A notebook based on Ursula Biemann's latest film, Acoustic Ocean, an expedition to the depths of the Arctic Ocean in search of interspecies communications.

An anthology of Claire Fontaine's texts.

A book of photographs and texts showing young people in their precarious work uniforms, drawing up a sensitive social chronicle of the precariousness of work among this generation.

A collection of photographs of former border regions around the globe and down through the course of human history.

Revised and expanded edition of the playful fanzine-manifesto for a rebellious art, presenting 66 more or less subversive artistic movements, to become a rebellious artist in less than a year...

A return on Mark Geffriaud's film installation (artist's book).

First monograph.

This publication documents new spatial notational systems developed by architect Nina Valerie Kolowratnik to help Indigenous communities from New Mexico to protect and regain traditional lands.

Catalogue of the Estonian Pavilion at the 58th Venice Biennale.

An anthology of texts on contemporary art during the second decade of the twenty-first century.

A research on the verbal transcription of sound and an inventory of the first sound productions of Alice, the daughter of Camille Llobet (artist's book).

The catalogue of the duo's exhibition at CAPC, featuring a new site-specific work and a series of performed or filmed actions. A project about situations of reversal, confronting the exogenous realities of the enterprise, the working-class, and the museum.

Second volume of a publication dedicated to the artist's novel, this metafiction follows a detective investigating the conditions of production of a novel within an artistic framework.

Two thinkers of different generations discuss the question of sexuality and philosophy.

This artist's book is a written rendering of monologues included in The Zone, a performance based on a series of narratives staged within the exhibition space of the Iberê Camargo Foundation in Porto Alegre in 2018.

The performative aspect of the British artist's practice in the form of scores, transcriptions, and photographs (limited box set edition).

This publication presents an extended interview with the French architect Claude Parent (1923–2016) by curator Mai Abu ElDahab and visual artist Benjamin Seror that took place between 2013 and 2015. It features a wide selection of drawings by Parent.

Vinyl record unique for each edition, accompanied with a 36 page booklet with 16 drawings by Stéphane Thidet.

Around 1999, artist Becky Beasley began writing to her former tutor, Claire Scanlon, who kept her letters but never replied. Years later, in 2016, the two began to intermittently record their conversations, now as friends.

A conversation about Ergonomic Futures, Tyler Coburn's furniture for humans to come.

The first English-language anthology of writings by the Slovak critic Tomáš Štrauss.

The scenography of the project for the restructuring of the Besançon Museum of Fine Arts and Archeology by Architectures Adelfo Scaranello.

The 2 volumes of the catalogue documenting the project for the restructuring of the Besançon Museum of Fine Arts and Archeology by Architectures Adelfo Scaranello (special offer).

This publication offers a feminist and queer interpretation of artistic practices of the last forty years. It gathers a selection of works and texts from the late 1960s to the present, newly commissioned essays and an anthology of artists's texts.

Will Benedict, Kahlil Joseph, Mahfuz Sultan, Ari Marcopoulos, Lynda Benglis, Camille Blatrix, Jesper Just, Lex Brown, Matt Copson, Fin Simonetti, Autumn Knight, Iman Issa, Nevine Mahmoud, Berenice Olmedo, Igor Simić...

Intertwining transdisciplinary discourses, transcultural perspectives, and methods of practice, this anthology provides new insight into the analysis of things in a curatorial context.

This publication extends an exhibition program that examines the environmental challenges facing the art world and its institutions, drawing on the concept of “destructive plasticity” theorized by philosopher Catherine Malabou.

Retrospective monograph documenting the exceptional yet little-known journey of Cathy Josefowitz (1956-2014), painter, designer, dancer and musician.

A project by Éva Le Roi & Pierre Burquel (drawings and sketches of São Paulo); hand drawings by Éva Le Roi.

A science of sensitive experience prolonged by a theory of atmospheres, at the origins of philosophical aesthetics.

This issue of Flash Art explores a sort of archeology of images, aiming to reflect on issues of appropriation and authenticity in their most contemporaneous sense, whereby any original or preexisting artwork, image, or product can be invested with a multiplicity of meanings.

How can we today situate the artist or, more broadly, the act of creation using artificial intelligence?