Dedicated to John Latham's heterogeneous and paradoxical practice, this book highlights the artist's contradictory relationship with knowledge and language, through a selection of translated texts and images of some of his projects, all articulated around a glossary.

Seven films on the architecture of the Centre de création contemporaine Olivier Debré in Tours and on the exhibitions that have marked its recent history.

Destruction/reconstruction and contemporary art.

Haig Aivazian, Zuzanna Czebatul, Maria Eichhorn, Adam Farah, Raque Ford, Aziz Hazara, Sebastian Jefford, Lap-See Lam, Maurizio Vetrugno...

Ai Hasegawa, Robertina Šebjanič, The Centre for Genomic Gastronomy, Kasia Molga, The Radiant Future of Solarpunk, Listening as Activism, Werkleitz Festival 2021, Climate Care...

The restitution of a research and production program (Chair "Young Creation and the Sacred") conducted at the Ecole des Arts Déco by students, teachers and a number of invited artists and thinkers on the question of the sacred in contemporary creation.

Collective and individual artistic practices from a gender perspective.

A study of the body of concrete poetry in the MAMCO collection.

Ten contemporary Italian writers dialogue with the works displayed in the exhibition inaugurating Luca Lo Pinto's program at the Museum of Contemporary Art in Rome.

Sylvère Lotringer remembered, Liz Larner, Toyen, Iiu Susiraja...

Wicked Little Town gathers more than fifty artists and critical thinkers traversing trans-temporal imaginations of resistance, unruliness, and non-compliance across genders, abilities and national borders.

Transdisciplinary research on the theme of justice and the agency of imagination in the artistic, discursive and political realms.

An artistic project about the processes of dehumanization that are are taking place in Europe and possible ways for a re-humanization.

An exploration of the complex relationship between contemporary pictorial practices and their digital environment, examining in particular the idea of license and the strategies of appropriation pushed to the limit by unlimited access to digital resources.

First monograph.

New monograph.

The photographic works of the artist Tiane Doan na Champassak's grandmother, Alsatian married to a Vietnamese in Baden Baden in 1913.

A collection of biographical and musical essays about composer-performer Julius Eastman—a compelling portrait of Eastman's enigmatic and intriguing life and music.

A reflection on the aesthetic stakes of baroque dance, resituated in the vast field of contemporary dance.

Autobiography by Jonathan Monk is the first attempt of display of the artist's collection of "Crackers" copies by Ed Ruscha.

A renewed approach to the history of sculpture and post-minimalism, based on the Royden Rabinowitch collection at MAMCO.

A multifaceted view of an artist who is interested in both larger global politics, and intimate, domestic spaces and the inner psyches of individuals under duress.

A singular history of cultural encounters between Italy and Denmark.

An extensive and comprehensive polyphonic exploration of the work of The Otolith Group.

A rereading of Tatiana Trouvé's work based on her drawing practice.

An excerpt from the Album of a Pessimist by the suicidal writer Alphonse Rabbe, whose exaltation and licentiousness were made for Nurse With Wound, who musically accompanies the text.

A hybrid edition (a vinyl record with a newspaper and an insert) extending the artist's research on the links between sound, architecture and the history of spiritism.

The partitions, to be activated by the reader, by Garance Dor, Diane Giorgis, Joël Hubaut, Alexandre Koutchevsky, Daniel Larrieu, Saïdo Lehlouh & Johanna Faye, Vincent Menu, Cécile Mainardi, Malte Martin, Delphine Perret, Pauline Picot, Aziyadé Baudoin-Talec.

Reevaluating the scholarly knowledge about Dada and its legacy, this publication reconstructs how Dada was (re)invented in the 1950s and the 1960s, especially by the Dada protagonists themselves, and asks to what extent Dada's impulses are still relevant regarding current aesthetic, literary and cultural analyses.

The complex architectures of the new “memory palaces”, from libraries, archives and museums to the IT structures, databases and server farms that feed the flow of data on the network.

The Nietzschean notion of superman and the very real effects of the virtual, the networks, the digital image and the video game in human interrelationships: a striking essay resulting from the posthumously defended thesis of Benjamin Lavigne (1981-2020), which draws up a singular, committed and rigorous critic of the technological foundations of contemporary society.

Spike's "Web3" issue is all about the blockchain (with Holly Herndon, Rhea Myers, Charles Broskoski, Constant Dullaart, Jerry Gogosian, Ruth Catlow, María Paula Fernández, Wassim Z. Alsindi, Damien Hirst, Miao Ying, Harm van den Dorpel, Sarah Friend, Kenny Schachter, Mónica Belevan, Rafaël Rozendaal, Toby Shorin, Mark Alizart, Primavera De Filippi, Elie Ayache, Simon Denny...).

The first vinyl LP release from Fluxus pioneer Alison Knowles (remastered edition transferred from original tapes, with an expansive 20-page booklet).

Finding a future desert without deserting the future.

An anthology of the theoretical and critical texts on experimental cinema and moving images written by Yann Beauvais in parallel with his films and his activities as programmer and curator.

This collective publication is a singular invitation to discover or deepen the universe of Tabita Rezaire, at the intersection of new technologies, decolonial healing, spirituality and the political history of science. Through numerous contributions from poets, theorists, artists and her friends and relatives, she invokes the wisdom of the womb: the mother womb, the earth womb, the cosmic womb, for us to receive its grace.

The redefinition of the medium through the interrelation between contemporary art and cinema.

Peter Piller's peripheral excursions around Bremen.

A staircase drips, not with water but with sound: book / CD dedicated to Fritz Hauser's impressive "sound drawing" for the Vincent van Gogh Foundation in Arles.

A visionary analysis of what Terry Smith identifies as the "visual arts exhibitionary complex."

The second issue of the editorial discursive space for the Bergen Assembly triennial, conceived by Saâdane Afif, is dedicated to the manifold figure of the Moped Rider, which is approached differently by the seven contributors.

First retrospective monograph.

A performative publication by author and choreographer Sara Gebran aiming to immerse readers in a world of social intimacy.

Two pieces based on Milan Knízak's canonical text Aktual University, dating from 1967, containing ten short lectures outlining the university's character—On Conflict, On Dreams, On Revolutions, On Love, On Belief, On Art, etc. These lectures were to serve as inspirational schemes for lectures, seminars and discussions held at an ideal university.

A series of new semi-abstract oil paintings by the American artist.

New monograph.

Ronan Bouroullec's ceramic bas-reliefs.

A book-exhibition that brings together the practice of three artists from the contemporary publishing scene around the figure of Mary Ellen Solt (1920-2007), an American artist whose works of concrete poetry enter into graphic and conceptual resonance with the three artists' own publications.

99% Darkness is a compilation of recent collaborative paintings and drawings, featuring the night sky. Short scattered texts take inspiration from the cold vast emptiness of space, with applied human longings and hopes.

The architectural proposals of Gordon Matta-Clark.