Introduction to Sylvère Lotringer's Interviews by Chris Kraus, interviews with David Wojnarowicz and Kathy Acker by Sylvère Lotringer, Machines for Looking by Karl Holmqvist, Anette Freudenberger on Hélène Fauquet, Gianmaria Andreetta on Yuki Kimura, Nick Irvin on Sam Pulitzer, Annie Ochmanek on Marc Kokopeli, Benoît Lamy de la Chapelle on Nicolas Ceccaldi, Shiv Kotecha on Klara Lidén and Hannah Black, Anke Dyes on Marie Angeletti, E.C. Feiss on Andrea Fraser, Thea Westreich Wagner, Our Guide to Comedy-Adventure by Bernadette Van-Huy.

The far right and culture in Italy; everyday dystopia in Palestine; extraterrestrials and conspiracy; interview with Yolande Zauberman; intimacy coordinators against predatory cinema; meeting with Camila Sosa Villada...

Speaking Nearby blends theoretical orientations and artistic gestures that embody various degrees of intimacy, sympathy, and permeability.

Anne Mathuri, Amal Khlif, Fanny Chiarello, Delphine Dora, Félicie Bazelaire, Dominique Grimaud, Kevin Orliange, the Fougère label, John Butcher...

The catalogue of the Malta Pavilion at the 60th International Art Exhibition of La Biennale di Venezia, 2024.

Julien Blaine's rebellious confidences, between the political and the poetic.

A continuation of Jean-Guy Coulange's radio projects and his attempt to "show sound".

The catalogue of the Serbian Pavilion at the 60th International Art Exhibition of La Biennale di Venezia, 2024.

A glimpse into the garden—where worry, a lonely bird and others live—of EF+MRA, a collaborative drawing project that Norwegian artists Espen Friberg and Marianne Røthe Arnesen started together in 2014.

A book bringing together about 160 portraits of artists when they were "about" five years old.

Social Engineering brings together thirteen text fragments from so-called phishing emails. Using speech synthesis, they are spoken, sung, and/or transformed into abstract textures. The result is a 36-minute language and sound collage devoted to the dark forces of phishing.

The catalogue of the Turkish Pavilion at the 60th International Art Exhibition of La Biennale di Venezia, 2024.

An overview of the Portuguese painter's work.

A comprehensive survey of acclaimed artist Ariane Loze's videographic oeuvre.

New monograph.

The catalogue of the Lithuanian Pavilion at the 60th International Art Exhibition of La Biennale di Venezia, 2024.

A collection of walking and writing exercises to put our perspective about self and what is other to self, as well as the relations between things, even beyond the human, into question.

The Significance and Relevance of Early Modern Indian Painters to the Contemporary Indian Art, written in 1971, reevaluates the legacies of painting inherited by the artist Nilima Sheikh.

A series of preparatory drawings for exhibitions by Michael E. Smith, collected over fifteen years.

Double issue dedicated to the memory of Bernard Stiegler.

Informal Inclusion poetically unveils the violence of a world, our own, that is the offspring of our forgotten colonial world, and is crossed each day by migratory processes that transform the social and geographic fabric thanks to the paradoxically "inclusive" power of the dynamics that are generated in the marginal spaces.

This publication examines the intersection of art and politics, through the deeply engaged work and thought of two contemporary artists.

Originally released in 1974 on Shandar, Dream House 78'17" is the second full-length album by La Monte Young and Marian Zazeela. This first-time US edition reproduces the original gatefold sleeve with beautiful calligraphy by Zazeela and liner notes by Young and French musicologist Daniel Caux.

This special boxed set, numbered 1 to 50, contains Franck Scurti's DVD Ulf Linde – Marcel Duchamp: Certifié pour copie conforme, Pascal Goblot's DVD Richard Hamilton dans le reflet de Marcel Duchamp and Pascal Goblot's book To be Broken / À refaire le Grand Verre, plus a silkscreen print on transparent film.

A chronological dive into a decade of production from one of the major representatives of contemporary drawing, with over 500 images and an essay by Catherine Francblin.

An "ABC of the arts in transition" examining the ecological turn of the arts, the outcome of long-term collective research into the fundamental elements running through the art world and, more generally, the aesthetic and social universe in the current ecological crisis.

The first scientific work to trace the history of female comic strip creators, for the (re)valorization of women's heritage.

Julien Blaine's new collection of poetic, visual and typographic experiments.

Reissue of Charles Pennequin's first book, a lengthy text in which the author's writing is characterized by obsessive repetition, a breathless rhythm, a combination of introspective movement and prosaic elements, and a staging of proferation.

10 years of stolen iPhone photos of dogs. We follow the author's life and peregrinations, the constancy of a singular passion and the evolution of phones, all with images that are still modest, but constitute a substantial sum—1000 images in 384 flip book pages, with the Instragram scroll effect.

The catalogue of the Japanese Pavilion at the 60th International Art Exhibition of La Biennale di Venezia, 2024.

Originally released in 1974 on Shandar, Dream House 78'17" is the second full-length album by La Monte Young and Marian Zazeela. This first-time US edition reproduces the original gatefold sleeve with beautiful calligraphy by Zazeela and liner notes by Young and French musicologist Daniel Caux.

The inaugural issue of Flash Art's yearly review dedicated to design at large and an in-depth analysis of market relevant issues, titled Anti Composition, provides an aesthetical upgrade at world scale sources and phenomena (featuring Michael E. Smith; Peter Fischli; Anne Imhof; Paride Maria Calvia; Armature Globale; Joshua Brinksman; Mishima House, Tokyo; Winter House, London; Hopkins House, London; Wolf D. Prix; Bruce Graham Residence, Chicago; Sci-Arc, Los Angeles; The Met, New York; Scad Museum Of Art, Savannah; Bottega Veneta...).

Inter 143 invites you to explore Mad art, Crip art, disabled art, deaf art, raw art, edible art, situated art and inclusive art: all ways of perceiving, thinking and creating by people with different abilities (physical, intellectual, cognitive, mental, sensory, learning, language and communication skills) or functional diversity.

A philosophico-cinematographic journey through Fassbinder's filmic oeuvre, from the avant-garde daring of 1968 to the fallout of the leaden years ten years later.

Accompanying Abdullah Al Saadi's eponymous solo exhibition at the National Pavilion UAE at the 60th International Venice Biennale, this publication invites an immersion into the artist's singularly subjective universe.

A new poem composed by the legendary dancer, artist and choreographer Simone Forti.

This critical biography guides readers through artist Magda Stawarska's practice via a series of journeys—from the streets of Istanbul to the canals of Venice and across the waters of Zanzibar.

Eight pieces of free vocal improvisation by the duo of Jason Kahn and Alice Hui-Sheng Chang, who have been working together since 2015.

Three pieces spanning free improvisation, noise and extended saxophone technique with Ulrich Krieger, one of the masters of contemporary experimental music.

The first monographic publication dedicated to Souleymane Keïta (1947-2014), a major figure in Senegalese art.

New monograph.

Jean-Michel Alberola's series 1965-1966-1967 (Details), a group of drawings, engraving and oil on canvases.

An interdisciplinary investigation by French-Bulgarian visual artist Iglika Christova, an explorer of the microcosm, into the relationship between the mechanisms of the living world and drawing.

Known for his braided canvases, French artist François Rouan presents his latest "photographic-tableaux", a group of forty previously unseen pieces.

An overview of the career of Amerindian composer and artist Raven Chacon.

This monographic essay explores Iris Clert, an unclassifiable and emblematic figure of the 1960s artistic avant-garde.

Challenging dominant histories of the genre, this book focuses on translocal and transcultural connections, and seeks to generate, expand knowledge on different narrations of the beginnings of Performance Art.

CURA. turns 15 and celebrates this important milestone with We Monsters, a special "horror" issue dedicated to the exploration of the revolutionary role of monsters in modern civilization, and contemporary art.

MUdec United, the publication of the MUDEC – Museo delle Culture di Milano, one of the Italian leading institutions, is a book-zine dedicated to interdisciplinary research on world cultures. The second issue questions the quintessential symbolic device of the museum machine: the showcase—a tool of preservation, mummification, and desire, with many stories to tell.