An absorbing sound collage album that emerged out of the production material of the film, The Works and Days (of Tayoko Shiojiri in the Shiotani Basin) by C.W. Winter & Anders Edström, with musical excerpts from Tim Berne & Bill Frisell, Tony Conrad, Graham Lambkin, Mary Jane Leach, Alvin Lucier, Phill Niblock, Folke Rabe, Éliane Radigue, and Akio Suzuki.

The complete Ceremonies (2013-2020) by Béatrice Balcou, testing our visual and experiential approach to artworks, confronting us with the basic status of material objects before actually revealing their identity.

Tetsuo Furudate's new album, featuring Keiko Higuchi and Olga Magieres.

An essay by the distinguished philosopher and theorist of art and media on the current evolution and possible future of museum collections practices and strategies.

Retrospective monograph.

An essay on the Argentine director Hugo Santiago that questions the very definition of cinema.

Attempting to explore the transdisciplinary aspects of artistic practice, this book revisits a tipping point in art history: the invention of preconceptual and minimal art forms by George Brecht, a chemical engineer and artist.

Bernard Chambaz, Bertrand Dezoteux and David Redon review the complex history of the construction of the Guiana Space Center, the French space launch base in Kourou, in the 1960s.

The Italian edition of Flaubert's account of his trip to Egypt, illustrated by Nathalie du Pasquier.

Two compositions conceived mainly from researches on the inaudible and the unspeakable, as part of a series devoted to the representation of infraliminary sound phenomenons of the reality, of everyday life.

Algorithm as material and writing.

The meeting between the artist and the philosopher, working together to create a common space.

Josh Sperling's first catalogue raisonné: this carefully produced publication (cloth-bound cover, different papers) is a comprehensive record of paintings produced thus far by the prolific artist, featuring an accompanying essay by Kyle Chayka.

A caustic diagnosis of the situation of the current art, by one of its major protagonists.

A multiformat release inspired by and channeling the culture and traditions of the Aeta, an indigenous group from the Zambales region in the Philippines, some of the most ancient nomadic and hunter gathering cultures. A sonic exorcism filled with ancestral frequencies, haunted ghosts, and other animistic spirits from the Pinatubo forests, going from the realms of the real to the imaginary, from transcription to syncretism, from concrete to abstract.

In 2020, Caroline Rennequin painted 301 flowers. A series of gouaches on hand-made Indian cotton paper reproduced entirely in this book.

A reflection treating the game of football as an expression of both individual and group "identity".

Microbial oceanography as a means to better understand the conditions of life (and survival) in the Anthropocene era.

Architect Philippe Chiambaretta brings together thinkers, researchers and contemporary artists in the 5th edition of the exploration book-magazine Stream, which investigates the different forms of intelligence that must be considered, implemented and passed down to move beyond the Urbanocene.

Forty-one contributions by artists, scholars, scientists, and ocean activists in response to the current dramatic evolution of the oceans.

In the age of "post-truth", Spike busts the line between fact and fiction open, untangling the politics and implications of crafting (and being crafted by) narrative.

Terrine, Gabi Losoncy, Nour Mobarak; focus Bruisme Festival; Augustin Bette; 20 Italian records; interviews: Thurston Moore by Jacques Debout & Michel Henritzi ; Michel Chion by Jérôme Noetinger; John Tchicai by Gérard Rouy; Pole Ka; books and records reviews...

Robert Longo, Ed Atkins, Pattern and Decoration, The Velvet Underground, Mona Hatoum, Jay DeFeo, Huguette Caland...

A series of interdisciplinary contributions around the political and social dimensions of ecology and its implications in the humanities and social sciences, artistic practices and design.

Between a film diary and a manifesto on the creative process, this book is a wild and enchanting journey in Karen Dalton's footsteps, the cult singer and her breathtaking voice, friend of Bob Dylan and forgotten muse of the '60s, and offers an investigation combining texts, photographs, drawings and archives, at the crossroads of the worlds of art, music and cinema.

The collaboration of two American greats: master of metafiction Robert Coover and graphic legend Art Spiegelman.

Through short poetic texts that are both humorous and insightful, Quebec artist Annie Descôteaux speaks to her ever-evolving art practice and relationship with the physical world, while also incisively critiquing the institution.

In an age characterised by the increasing dematerialisation of cultural production and transmission, Database, Network, Interface explores architecture's historical role in representing and organising information and knowledge.

Catalogue / artist's book with twenty-one colour illustrations of German artist Maximilian Kirmse's paintings, as well as several drawings.

Mark Leckey finally presents the soundtrack to his autobiographical allegory 'O' Magic Power of Bleakness', a mind sluicing fantasy/autobiographical narrative inspired by folklore and half-remembered tales of teenage life growing up in the Wirral, a personal history woven into screwed 808s, ringtones, sacred chimes, smudged synths, sirens and levitating ambience that sounds like nowt else.

Machines & Fictions is a monograph on the work of Spanish artist Félix Luque Sánchez over the last twelve years, in collaboration with fellow artists Damien Gernay and Íñigo Bilbao. The book includes texts by leading scholars, curators, and art critics who discuss Félix Luque Sánchez's artistic projects.

Artificial intelligence and temporality.

A work for underwater performance that literally immerses the listener into an acoustical substance, released in Sub Rosa's Early Electronic series.

An attempt to feel and investigate the quality of time, with references to Jonathan Crary, Paul B. Preciado, Charles Baudelaire, and Walter Benjamin.

The first new album in over 40 years by American composer, pianist, and digital audio pioneer Loren Rush: Bay Area experimentalism meets 20th century classical modernism.

décal'âge is a manuscript, reproduced here in facsimile, between intimate writings, working reflections, and diaries of thought. We find in it Claude Rutault's style, his familiarity with literature, the meditative density of his daily reflection.

An iconographic taxonomy—researched, conceived, and ideated by Wolfgang Scheppe, also author of the book's final essay—that traces the state and police visual control through almost 500 images from the May 1968 police archives in Paris.

Issues 31 to 34 of the critical review dedicated to graphic design.

Marcel Alocco's Events, some poem-scores to be performed in a real or imaginary space.

Between a film diary and a manifesto on the creative process, this book is a wild and enchanting journey in Karen Dalton's footsteps, the cult singer and her breathtaking voice, friend of Bob Dylan and forgotten muse of the '60s, and offers an investigation combining texts, photographs, drawings and archives, at the crossroads of the worlds of art, music and cinema. The book is accompanied by Emmanuelle Antille's film A Bright Light – Karen and the Process on DVD (special offer).

La Tranchée Racine becomes weekly for 42 issues on the occasion of Stéphane Blanquet's exhibition at the Halle Saint Pierre, Paris, from September 2020 to January 2022: a crazy project that intends to constitute a vast panel of art brut, contemporary art and drawing at the rate of one issue per week for more than a year...

La Tranchée Racine becomes weekly for 42 issues on the occasion of Stéphane Blanquet's exhibition at the Halle Saint Pierre, Paris, from September 2020 to January 2022: a crazy project that intends to constitute a vast panel of art brut, contemporary art and drawing at the rate of one issue per week for more than a year...

La Tranchée Racine becomes weekly for 42 issues on the occasion of Stéphane Blanquet's exhibition at the Halle Saint Pierre, Paris, from September 2020 to January 2022: a crazy project that intends to constitute a vast panel of art brut, contemporary art and drawing at the rate of one issue per week for more than a year...

La Tranchée Racine becomes weekly for 42 issues on the occasion of Stéphane Blanquet's exhibition at the Halle Saint Pierre, Paris, from September 2020 to January 2022: a crazy project that intends to constitute a vast panel of art brut, contemporary art and drawing at the rate of one issue per week for more than a year...

Rethinking the role of the museum today.

An analysis of the spatial representations using new digital location and mapping technologies, in the light of the political issues that accompany their multiple interpretations.

From the observation of a society of capuchin monkeys and thought experiments borrowed from theater, Zaven Paré, artist and researcher in interaction design, specialist in theater and robotics, attempts to dismantle the pitfalls of anthropomorphization, in an attention that seeks to preserve the irreducible character of an interspecific copresence.

The unexplored interactions between hypnosis, music and medicine in the 19th century, between the world of science and the world of art.

The second volume of the Wattis's annual reader, ​A Series of Open Questions.

A hybrid publication that gathers 18 architecture projects from the student collectives of Roberto Gargiani's Superstudio at the École polytechnique fédérale de Lausanne, 2020–2021, and a series of 13 theoretical, practical and historical reflections on (antagonist) rationalism in architecture.