La Tranchée Racine becomes weekly for 42 issues on the occasion of Stéphane Blanquet's exhibition at the Halle Saint Pierre, Paris, from September 2020 to January 2022: a crazy project that intends to constitute a vast panel of art brut, contemporary art and drawing at the rate of one issue per week for more than a year...

La Tranchée Racine becomes weekly for 42 issues on the occasion of Stéphane Blanquet's exhibition at the Halle Saint Pierre, Paris, from September 2020 to January 2022: a crazy project that intends to constitute a vast panel of art brut, contemporary art and drawing at the rate of one issue per week for more than a year...

La Tranchée Racine becomes weekly for 42 issues on the occasion of Stéphane Blanquet's exhibition at the Halle Saint Pierre, Paris, from September 2020 to January 2022: a crazy project that intends to constitute a vast panel of art brut, contemporary art and drawing at the rate of one issue per week for more than a year...

The exhibition catalogue for the Château d'Oiron presents more than 170 artworks from the collection of Antoine de Galbert, placed in such a way as to dialogue with the permanent collection of contemporary art Curios & Mirabilia, assembled by Jean-Hubert Martin in 1993.

Cao Fei, Fatima Al Qadiri, Caterina Barbieri, Will Benedict, Cecilia Bengolea, Giulia Essyad, Roe Ethridge, Jenna Gribbon, Ru Kwok, Lydia Ourahmane, Heron Preston, Emily Segal...

Art, environment and climate emergency.

The collection of the Musée d'art et d'histoire de la Ville de Genève revisited by the transversal scenographic interventions of the Viennese artist and performer Jakob Lena Knebl, who turns perspectives upside down and radically renews our perception of the works.

The collection of the Musée d'art et d'histoire de la Ville de Genève revisited by the transversal scenographic interventions of the Viennese artist and performer Jakob Lena Knebl, who turns perspectives upside down and radically renews our perception of the works.

Marie Bauthias' poetic collages.

A study of representations of HIV and AIDS in American and European art, that opens up a vast political, economic and social history of two decades fatally haunted by the catastrophe.

A series of drawings, sculpture, and a new film, in which the artist explores the ideas of transformation and metamorphosis.

Second issue of the critical journal Dixit in which the words of the architect Yony Santos from the swiss architecture practice TYPICALOFFICE and of Marina Otero Verzier, director of research at Het Nieuwe Instituut (HNI), confront each other around the theme of “A Matter of Data”.

Deluxe boxed set of Graham Lambkin's remastered first four solo records, including an expansive 42-page book with unseen photos and reproductions of artworks as well as essays and anecdotal recollections.

Music Book is a 64-page facsimile artist's book by Sarah Cain, comprising a series of colorful abstractions painted directly over a collection of vintage sheet music.

Tom Bishop traces his career and intellectual path through conversations with Donatien Grau.

Sylvère Lotringer traces his career and intellectual path through conversations with Donatien Grau.

Sylvère Lotringer traces his career and intellectual path through conversations with Donatien Grau.

Tom Bishop traces his career and intellectual path through conversations with Donatien Grau.

This catalogue brings together a series of contributions taking as inspiration Polys Peslikas's painting at the Cyprus Pavilion at the 57th Venice Biennale, in 2017.

This journey, this slowly drifting sonic meditation, is an "inner soundscape", a dialogue between the senses, the conscience and the world, inside / outside, interconnected. Like waking up from a long dream, and being stuck into its echo. The April Sessions immerges the listener into a drone-ish universe, full of random acousmatic events, inner monologues and a vast and unwritten subjective map to be drawn.

The posthumous catalogue of one of the most personal curatorial projects of Igor Zabel (1958-2005).

A small selection of Ronan Bouroullec's ballpoint pen drawings.

A small selection of Ronan Bouroullec's recent drawings.

An electronic interpretation of the works of Phill Niblock by the Prague-based group Opening Performance Orchestra.

The complete edition of Takashi Homma's acclaimed homage.

Bastien Aubry's sculptures.

First comprehensive monograph.

An uncanny electroacoustic composition that incorporates field recordings, synthesis, and acoustic sources, among Carlos Casas's most ambitious and accomplished musical endeavors to date.

Second volume of Ion Grigorescu's translated diaries, assembled like a small literary and art-historical sensation of the period between 1976 and 1979.

Building on the ground of many of the historic French electroacoustic pioneers connected to studios like Groupe de Recherches Musicales (GRM), while moving into new realms, this electroacoustic composition of sprawling scope weaves a free-standing world of texture and sublimated tonality to produce ambient expanses comprising pointillistic detail drawing on unplaceable generative sources.

The new collection of drawings by the Portuguese artist.

Unreleased 25'06 side A track (1979-80) + selected works circa 2000 by a key composer of Belgian electronic music.

A short essay on the concepts of "latent images" and "latency" based on the philosophy and history of the work of French artist Aurélie Pétrel.

A series of visual documents and theoretical inquires around the work rs548049170_1_69869_TT, a translation of artist Emilio Vavarella's genetic code into a fabric, using the 19th century Jacquard loom.

Created by the author-poet Frédéric Forte, the "Questions obliques" cards, with their three levels of difficulty, question the visitor of an exhibition on his perception of an artwork.

The first volume of a new series of publications by the collective Wages For Wages Against that reports on active research engaged within the artistic professions and institutions since 2017. Its aim is to question the underlying neoliberal logics in the contemporary art world, by orienting its object of study towards the struggles that impact it.

After the first two issues Mineral Pornography and Vegetal Trauma, the 3rd issue of Spectre invites contemporary artists to deliver their interpretation of contemporary ruins.

Thinkers revisit INTRA SPACE, an artistic research project that experiments with the substances, constructions, and manifestations of our bodies.

The twelfth volume of the Critical Spatial Practices series focuses on “Don't Follow the Wind,” the acclaimed collaborative project situated in the radioactive Fukushima exclusion zone.

A collective reflection on the richness of the untranslatable.

Artistic production as a tool of political and diplomatic influence during the Cold War.

Interviews with Addie Wagenknecht, Antonia Hernández, Elisa Giardina Papa, Finn Brunton, Mario Santamaría, Sung Tieu; articles: Muzak that listens, Just Say No...

Catalogue of a virtual exhibition of works by contemporary artists in response to the famous Neapolitan love song.

The call is clear: Museums must change. Amid an ongoing global pandemic and growing demands for decolonization, racial justice, and economic parity, culture needs new tools for structural transformation. In the first of two special issues focusing on this urgent topic, Artforum has invited some of our leading theorists, curators, artists, and museum directors to consider how art institutions might evolve.

Bundle (special offer for the purchase of six issues of the contemporary art journal about sound).

Contemporary poetry in Arabic: Maya Abu-Alhayyat; "Jean-Michel Jarre or the time of the jesters", by Jérôme Noetinger; Takayuki Hashimoto; Louis Moholo-Moholo; Simon H. Fell; Titania Tapes; 60 album reviews...

How the organization of time structures the creative process and more broadly our relationship to the world.

A metaphysical poem divided into 21 chapters inspired by a series of researches performed among Iran, Armenia, and Ethiopia.

Can we recognize a book by its silhouette? (an artist's book about artists' books).

Devoted to the late work of José Clemente Orozco (1883–1949), a pioneering artist who founded the Mexican Mural Renaissance with Diego Rivera and David Alfaro Siqueiros, that illustrates the artist's career-long interests in human history and politics, surrealism, symbolism, abstraction and the human form, this catalogue also puts into dialogue the echoes of the painter's influence found in contemporary practices in the city of Guadalajara, where he has left an undeniable mark to our day.