A dive into the world and studio of French artist Adrien Vescovi, whose textile compositions are thought and composed like paintings, both monumental and vulnerable, subject to the natural elements and impregnated with the places where they are exposed.

First recording: a cascade of sounds and words, recorded one after the other as they arose in the mind, consists of songs and poetry from diverse sources as well as original works by the artist.

A retrospective devoted to Jonas Mekas's 70-year activity within and beyond the history of avant-garde cinema.

Michael Snow, Hrair Sarkissian, Klára Hosnedlová, Unvanquished: Iraq's art under two decades of occupation, Dark Matter: Pierre Soulages and Pierrette Bloch...

An artistic and reflexive project around the notion of the "future perfect", the passage of time, individual and collective responsibility in the current cultural and political ecosystem, and future perspectives and goals.

Archives on Show brings the potential of reformulating the social and political relevance of archives by curatorial means into focus.

The reference book in French on the Global Tools design movement linked to the Italian radical architects of the 1970s.

An exploration of the form of conversation as a method of aesthetic solidarity and empowerment.

Bill Noir; contemporary Arabic poetry: Mouna Ouafik; Bani Khoshnoudi by Carole Rieussec & Elena Biserna; Sister Iodine by Michel Henritzi; interview with Emmanuel Lalande; Stefan Fraunberger by Delphine Dora; Willem Breuker by Gérard Rouy; book and record reviews...

An incisive examination of the intersection of global art and political resistance.

The return issue of Luvah journal, after a long absence, on the theme of power relations.

Zone to Defend in Germany, the opera in Odessa, investigation on the lost trilogy of Abdellatif Kechiche, the end of dancers' careers, the artists in the ready-to-wear, interviews with Mariana Enríquez, Tiphaine Raffier, Bertrand Bonello, Fatima Ouassak, Núria Güell...

In the 17th issue of the critical review on contemporary drawing: interviews with Mira Schor, Katrin Ströbel, Paul Maheke, Éric Watier, Kamil Bouzoubaa-Grivel; the Ramo Collection; unpublished drawings by Ulla von Brandenburg; shared drawing by Laurence Schmidlin; Ghérasim Luca by Alexandre Leger; articles on Ketty la Rocca, Rokni Haerizadeh, Ramin Haerizadeh and Hesam Rahmanian, Natalia Jaime-Cortez; artistic contributions by Sylvie Sauvageon, Olivier Garraud, Nicolas Aiello and Sally Bonn...

The Colour Journal is a lavish publication that explores colour in art and photography. It has been conceived as a collection of six volumes, each devoted to a single colour: blue, red, yellow, green, white and black. The Blue Issue contains, over more than 400 pages, about twenty contributions by international art historians, writers, anthropologists, philosophers, critics, artists and photographers that start from the colour blue.

First monograph of the Kenyan artist.

The most complete publication ever dedicated to the Tuscan artist.

The indispensable equine bible by Nils Bertho, illustrator allergic to horses, is back for a third (and final?) edition.

Both a conference proceedings and an exhibition catalogue, this publication looks back at the career of Denis Briand, artist and university professor, who died on 23 April 2018.

Curva Cieca Oblio was born out of the collaboration between two artists whose paths have intertwined many times over the course of twenty years. The work of Muna Mussie, who investigates the languages of the visual and performing arts, for this creation on record extends and enters into a fusional dialogue with the rigorous and prismatic sound vision of Massimo Carozzi, also an explorer of the relationships between different languages.

Tocqueville's travel notes, enriched by a photo essay by Ramak Fazel.

A look at 40 years of artistic practice by Belgian artist Michel François.

Part visual essay, oral history and artist book, DNCB – A History of Irritation is a companion to the multi-channel installation DNCB by Oliver Husain and Kerstin Schroedinger, around the history of the chemical substance DNCB, used both in film and photo labs to process color, and as a treatment in alternative AIDS clinics.

Vannina Maestri is an author associated with the 2020-2021 exhibition season of La Kunsthalle Mulhouse. She immersed herself in the universe of three exhibitions, composed freely around the works and ideas she perceived there.

François Mangeol appropriates Michel Houellebecq's Sérotonine and reduces it to only the letters representing the chemical symbols composing the neurotransmitter linked to the state of happiness (artist's book).

First monograph dedicated to Marie-Claire Mitout's series of painted images, fixing the best of the day, a life's work initiated in 1990 now including more than one thousand gouache paintings on paper.

Retrospective monograph.

In Reto Pulfer's novel, the artist draws a rich picture of a community of hybrid living beings. Characters and scenes from the novel also appear in the works and exhibitions of the artist. A multi-layered cosmos of links emerges and takes the reader into a parallel universe full of references to our current relationship with nature.

Two pieces written by Éliane Radigue at the same period (2014-2018), one instrumental (recorded at the Philharmonie de Paris by Ensemble Dedalus) and the other electronic (performed by Ryoko Akama).

Kein Witz, No Joke combines paintings and objects by Sophie Reinhold with the "Typewritings" of Ruth Wolf-Rehfeldt. As different as the artists may be, their works share a manic perseverance, precision, and subversive humor.

The posthumous album of naturalist field recordings from The London Sound Survey: a sound-journey through the dark in East Anglia, roaming across the counties of Norfolk and Suffolk to places whose sounds have a precarious existence outside the crowded realities of modern everyday life.

Laura Vazquez is an author associated with the 2019/2020 exhibition season of La Kunsthalle Mulhouse. She immersed herself in the universe of four exhibitions, composed freely around the works and ideas she perceived there.

The immersive sound diary of a trip to Bali.

The first monograph of writing by visual artist Emma Wolf-Haugh interconnecting performative works, performance scripts and assemblage texts.

A sound and music experience along the Dordogne river, with Le Chant du Moineau and the Ensemble UN orchestra (Pascal Battus, Benjamin Bondonneau, Michel Doneda, Jérôme Noetinger, Mathieu Werchowski...), and a group of invited researchers (with a composition by Lionel Marchetti on CD and a film by Camille Auburtin on DVD).

The very first book devoted to the creations of artificial intelligences in literature and art, and the problems they raise.

Vernascacadabra is a series of compositions for ocarina as a part of an artistic journey through the history of music routes that Invernomuto has been carrying out for years, starting from the sound and the imagery it generates.

A fully-fledged artistic project expanded with writings, poems, and aphorisms by the artist alongside various interviews.

The first publication dedicated to the French artist known for her avant-garde practice, pushing back the codes of the textile industry, questioning the dichotomy between made-to-measure and ready-to-wear, and the place of women and the female body in society.

A manual for academic teaching and learning contexts.

The Colour Journal is a lavish publication that explores colour in art and photography. It has been conceived as a collection of six volumes, each devoted to a single colour: blue, red, yellow, green, white and black. The Blue Issue contains, over more than 400 pages, about twenty contributions by international art historians, writers, anthropologists, philosophers, critics, artists and photographers that start from the colour blue.

This book traces the last thirty years of Rita Ackermann's career containing both well-known and previously unpublished works, ranging from painting to drawing, created in a range of media and formats.

The dynamic aspects of neurodiversity in creation, in the context of art therapy, or the production of contemporary visual art works.

The first monograph of the painter Nicolas Ionesco, born in 1919 in Bucharest, active all his life in Paris, who occupied a prominent place in the art of the 1950s before being forgotten because of the direction he had taken his work: an opportunity to reconsider everything anew.

A thorough exploration of the discourses on Japonisme that emerged in France from the late 19th to the early 20th century, placing them in the context of the totality of discourses of the time and exploring their dynamic meanings in their places of origin.

A series of one-hundred masks constructed of everyday materials by the Mexican artist, featuring texts by writer and poet Luigi Amara.

Thomas Köner's eighth album, originally released in 2002, pressed on vinyl for the first time, including a 12 minute bonus track.

Thomas Köner's eighth album, originally released in 2002, including a 12 minute bonus track.

Forms of Abstraction engages with abstraction not as a formal option in art, or as an airy theoretical speculation, but as an operational force that has redesigned our world, and continues to do so.

Yves Klein may be one of the first European artists to have taken an explicit interest in Aboriginal visual art. This catalog offers a poetic and completely new approach to his work, placed in perspective with the works of twelve Aboriginal artists.

A new revised version of the notebook of the legendary American dancer, artist and choreographer Simone Forti in which she shares her poetry as well as her thoughts on dance, the body, writing, the state of the world.