An overview of the Canadian designer's creative process.

Photographer Adrienne Raquel explores the intensity and escapism of the nightclub experience, documenting the power of the performers at Houston's famed Club Onyx.

A brand new body of recent works by the French painter.

A "post-episode" of a series of curatorial projects based on the Kontakt Collection and dedicated to the artist Mladen Stilinović.

First comprehensive monograph, surveying three key series spanning Mungo Thomson's investigations into mass culture and everyday perceptual experience.

Jérôme Duwa proposes sixteen ways to embark in the company of Jean-François Bory's books.

A guided tour to Ana Jotta's most immersive project.

New monograph.

Through a concise set of spatially-connected field recordings, Philip Samartzis' Atmospheres and Disturbances registers the changes in high altitude ecologies caused by increasing global temperatures.

A vinyl release composed by Alexandre Babel in close collaboration with artist Latifa Echakhch, featuring significant contributions from the Berlin based musicians Rebecca Lenton, Theo Nabicht, Jon Heilbron and Nikki Schlierf. The record is meant to accompany the eponymous exhibition at the Swiss pavilion of the 59th Venice Art Biennale.

A retrospective of the American artist's work, balanced on the fulcrum between sculpture and architecture, spanning more than twenty years, presented as a visual essay on experimental space-making.

A piece whose structure is "visually inspired by the wall frieze in its various forms from antiquity to art nouveau, musically by the chants of the Middle Ages moving around a central tone".

Taking off along the grotesque evolutionary curve of the internet, this novel by Mochu brings together Japanese otaku subcultures, Hindu mythology, darknet highways, ultraviolent cyberpunk forums, and renegade university departments.

By now a regular and esteemed presence among the Discrepant sprawling household via releases with projects such as Alförjs, Banha da Cobra or Jibóia, Mestre André "resurrects" his O Morto alias (bad pun somewhat intended) after 2016 "The Forest, The People And The Spirits".

Reference trilingual monograph / a conceptual art's discourse around Hélio Oiticica's parangolés.

Two performances from 2020 and a selection of 1980s recordings by Japanese Fluxus artist Takako Saito.

A selection of recordings made by reductionist composer Ernstalbrecht Stiebler and cellist Tilman Kanitz between 2020 and 2022 and four improvisations with two short pieces by Stiebler.

A photographer-cum-explorer presents his stunning (both sublime and alarming) landscape images from around the world.

The Parc la Villette, Paris, as told by a series of mobile barriers.

The great Brazilian critic Mário Pedrosa (1900-1981)'s farewell to art criticism, written to his countrymen in the manner of Montesquieu's Persian Letters.

An international essay (France, USA, Brazil, etc.) on digital poetry, from the first attempts to generate text on the computer to the most contemporary developments and the problems posed by artificial intelligence.

In The Institute for Other Intelligences, Mashinka Firunts Hakopian brings speculative fiction and media studies to bear on an imagined future where machine intelligences convene annually for curriculum on algorithmic equity.

How art and the artist inspire business: an examination of the origins of this relationship from Joseph Beuys and Andy Warhol.

This 4 CD box edition collects all concert musics by French composer of electroacoustic music Michèle Bokanowski, eleven visionary and avant-garde works composed in 1974 and 2020.

The music of "Senzatempo", by Italian duo Ozmotic and guitarist, composer and electronic musician Christian Fennesz, moves in balance between composition and improvisation. It is a symphonic work for an imaginary orchestra in which melodies, counterpoints, dynamics and sonorities define a structural breadth reminiscent of classical music.

A hybrid collection of five illustrated short stories of speculative fiction from five countries and four continents

A glorious design herbarium of marijuana ads from the great underground magazines of the 1960s and '70s.

Yve-Alain Bois on the Reina Sofía, Claire Bishop on information overload, Sung Tieu, Josh Kline, Aria Dean, Tarek Atoui...

The central theme of the 55th issue of the design research journal are the objects created by and for the organization and mobilization of communities.

A critical investigation into the material heritage and entangled histories of Western encyclopedic museums.

A body of essays and artworks, edited by Marina Folkidis, about artistic production in the Mediterranean terroir.

Spike #75 fêtes the museum in all its stuffy, messy, showy, old-timey glory, as a home-away-from-home, the address of solace and astonishment. Featuring William Pope.L, Simon Wu, Louise Lawler, Ben Davis, Ann Demeester, Anthony Hudek, Meschac Gaba, Bernadette Van-Huy, Ghislaine Leung, Estelle Hoy, Tea Hacic-Vlahovic, and many more. 

A collective and transdisciplinary publication to address the question of the forms of the living in its scientific, philosophical, artistic and aesthetic dimension, engaging a systematic reflection on our relation to the living and to its forms, and on their theoretical and practical significance with regard to the current world.

Two unpublished texts that demonstrate the extent of the writing work that Marcel Alocco has been producing for over half a century.

First compilation on LP of the sound works of the two Dutch visual artists, demonstrating that sound produced by the Bosch & Simons music machines can also be listened to as autonomous "music".

Swedish drone alchemist Mats Erlandsson is sitting in a fictional room on "Gyttjans Topografi", imagining a virtual chamber orchestra using zithers, tapes, double bass, harmonium, organ, and various synthesisers to draft a treatise on alternative tuning and non-normative harmonic structures. Transcendent material.

Recorded at the height of the global pandemic, and at a time when remote communication was becoming increasingly prevalent, "Choreological Exchanges" is part of Hastings Of Malawi's continuing investigations into the medium of communication itself.

A theater work by Jacques Jouet with "performative" rules for the actors in each play.

A retrospective of 50 years of creation of the visual artist Bistra Lechevalier.

The Well & The Gentle, two of the major works of Pauline Oliveros, are presented here in a first time reissue on double vinyl in a gatefold sleeve with extensive liner notes.

An artist book by Luca Trevisani, overwriting in the mode of a palimpsest Piero Camporesi's Bread of Dreams, an Italian cult classic of "food" anthropology.

The first collaboration recorded on CD between the two American artists and musicians, based on a process of reciprocal sending of electronic and acoustic sound sources, reworked successively by each and then together, gives rise to a series of delicately crafted and wonderfully evocative atmospheric pieces.

An immersion in the creative process of the American painter.

A collaboration between Otto (10) and Robin (42).

First reissue since its initial 1969 release of New York minimalism and drone pioneers La Monte Young and Marian Zazeela's first full-length album, popularly known as "The Black Record" or "The Black Album".

Twelve interviews (Sarah Morris, Nathaniel Mary Quinn, Austin Eddy, Jameson Green, Sébastien Tellier & Xavier Veilhan, James Richards, Tursic & Mille...), a dozen exhibitions and places in images (Genesis Belanger, Julia Scher, Robert Longo, Matthew Lutz-Kinoy, Man Ray's studio, Sam McKinnis, William Morris. ..), texts and special projects by artists (Sarah Morris, Emma McIntyre, Pierre Charpin, Marina Faust on Pierre Klossovski's studio...), exhibition reviews and columns, over 300 pages.

An illustrated almanac on arts, science, and society, dedicated to the wise men and the fools.

The temporal dimension of the image.

An multidisciplinary approach of the war by its traces.

The second part of José Vicente Anaya's poetic trilogy, deeply rooted in the infra-realist movement founded in Mexico City in the 1970s, combining verse and prose, is marked by a formal experimentation anchored in the poet's life and his wanderings from the north to the south of Mexico.