New edition of the American compositor's writings, with an essay on his oeuvre and some testimonies by Steve Reich and Joan La Barbara.

A series of portraits of the musician, guitarist, rapper, producer, and actor Adam Keefe Horovitz, member of the Beastie Boys under the name Ad Rock.

A one-off title by Ari Marcopolous combining old and new photographs in a unique body of work, thought to create a larger picture of Marcopoulos' work.

Pauline Oliveros's early and definitive contribution to the tape and electronic music of the late fifties and sixties.

Comprehensive monograph following the development of Alfredo Jaar's work, with texts by Georges Didi-Huberman, Jacques Rancière...

The book reunites some of the performer, musician, visual artist and filmmaker's most important films and projections to date, with five important essays and an interview by Michael Snow.

J. Donguy introduces the visual and sound experimentations of concrete poetry, from 1953 (Gomringer and de Campos) to the current movements ("digital area"). The anthology, followed by an international bibliography, offers the first overview of this art, with 300 illustrations.

A b/w portrait of the Norwegian snowboarder Terje Haakonsen.

Dick Higgins, one of the main figures of Fluxus, points out the particularity of poet-artists who, since German and English Romanticism, have refused to make distinctions between what is sonorous, visual and written.

Reference monograph: an overview of a sound art pionner's career through documentation of seminal projects, including a CD of works ranging from early performance experiments to current digital projects.

The first duo recording of Joëlle Léandre (double bass, voice) and Akosh S. (tenor & soprano saxophones, metal clarinet, tárogató, flute): a wonderful syntonic improvisation in a Hungarian synagogue.

When the personal becomes political.

Fluxus special issue: texts by theoreticians and artists (Conz, Ucciani, Giroud, Donguy, Martel, Chopin, Heidsieck...), documents (Dupuy, Knowles, Ben, Williams...) .

Quotes, aphorisms and stories to relate Tchouang-tseu's Eastern thought to Wittgenstein's philosophy.

The first volume of the experimental and electronic music anthology (1921-2001), with some major works (Pierre Schaeffer, Iannis Xenakis, Edgard Varèse, Henri Pousseur, Konrad Boehmer, Luigi Russolo), a few rarities (John Cage, Nam June Paik, Gordon Mumma, Walter Ruttmann) and plenty of previously unreleased material (Sonic Youth, Einstürzende Neubauten, DJ Spooky, Ryoji Ikeda, Pauline Oliveros, Angus MacLise, Philip Jeck, Survival Research Laboratories...).

The first critical edition treating a fundamental text by one of the principle actors of Fluxus.

The essential compiled by Stephen Vitiello.

Catalogue documenting the series of works by Soun-Gui Kim presented for her exhibition "Stock Exchange" at the Art Sonje Center, Seoul, in 2000.

A one-hour interview with Noël Akchoté. Joëlle Léandre talks about her career, her beginnings, her struggles as a woman musician and improviser.

A piece for string quartet, narrator and fixed sounds, guided by the texts of Edmond Jabès and Franz Kafka, in dialogue with those of Marc Feld and Michel Butel.

First publication in French on Fluxus artist, including the transcription of an intervention by Higgins at the International Conference on Action Art in October 1998. With texts by Charles Dreyfus and Jacques Donguy.

Korean artist Soun-Gui Kim's first essay relates memories, anecdotes, and small timeless tales.

Jean-Luc Nancy reflects on the concept of value, around Soun-Gui Kim's “Stock exchange” project.

New monograph.

Edited by Marc Dachy, this first CD devoted exclusively to Marcel Duchamp brings forth some very rare documents of the '50s.

Art production of the last few decades has given rise to an increasing number of ambiguous or paradoxical situations related to the musical form (score, stage area, lute-making, CD, video...) thus transcending the traditional divisions between space, time and movement.

Art production of the last few decades has given rise to an increasing number of ambiguous or paradoxical situations related to the musical form (score, stage area, lute-making, CD, video...) thus transcending the traditional divisions between space, time and movement.

For his first ever conceptual piece from 1990, Frédéric Acquaviva collaborated with Australian pianist Mark Knoop on the recording of all harmonic frequencies using only the damper pedal of a piano.