The work of Austrian artist Christoph Meier examines space as a site of social interaction and interrogates the conditions of contemporary art production and presentation. This exhibition catalogue provides multiple entry points to his practice, with three in-depth articles by Vanessa Joan Müller, Anna Nowak, and Thomas D. Trummer, and an interview with the artist.

An overview of the German artist's work, through a selection of paintings from 2006 to 2016.

This monographic catalogue presents a series of works by artist Minouk Lim which draws on the tragic events of the 1950 Korean war and their aftermaths. Based on installations, sculptures, videos, and performance pieces, Lim's visual language mirrors a nation's refusal to face up with its history and initiates a reflective process to come to terms with the past.

This catalogue presents the projects of artists, designers, writers, directors, musicians, performers, philosophers and researchers in residence at theVilla Medici – French Academy in Rome during the year 2015-2016.

New expanded edition of a major text by the American choreographer-dancer.

This issue discusses the various outlooks of the term “perspective”—from a particular opinion to an axonometric projection.

Four portraits depicted with four raw matters: the regular and expanded edition of a limited edition artist's book originally published in 2012.

Publication documenting a project installation by German artist Margit Busch, the joint recipient of the 2016 Kunsthalle Wien Prize. Busch's project sheds light on the meeting points of scientific, philosophical, artistic, and practical discourses.

Second DVD in the “Works & Process” series to be dedicated to Daniel Buren's work, this new collection of films offers various documentary approaches of this major artist's work in a 3-hour program.

Publication documenting a series of sculptural works focusing on everyday items.

Expanding its mapping of landmark exhibitions and curatorial history from the 1960s to today, the “Archives” series dedicates its fifth DVD to Sonsbeek, an art manifestation held in 1971 and 1986 in and around Arnhem (Netherlands). Mainly showcasing large installations and sculptures in natural surroundings, these two events are crucial to the history of outdoor exhibitions, shifting the boundaries of traditional sculpture.

Transmitting specific technical skills in contemporary dance (an educational booklet).

Books and Ideas after Seth Siegelaub spans an arc of tension between the works of Seth Siegelaub and contemporary cultural production. This highly documented publication features an interview with Seth Siegelaub, two essays by Regine Ehleiter and Michalis Pichler, and an extensively illustrated catalogue with bibliographic details.

Élodie Lesourd's first retrospective monograph provides a complete overview of her work since 1993, highlighting her inclination toward Rock culture and hyperrealism.

The political dimension of Visual Studies, between Francophone and Anglo-American studies.

Poet Harry Burke recounts an extreme and barely legal experiment led by artist Raphael Hefti in a mountain village in Switzerland in 2008 (artist's book).

6th issue of the art and research magazine is dedicated to Nathalie du Pasquier.

This catalogue examines the role of the Museion Bolzano in the urban environment of Bolzano city in Italy by looking back at the museum's history and mission from the perspective of artists in all disciplines: architects, filmmakers, performers, musicians, composers, etc. These are joined by a number of major historical works that have inspired the exhibition throughout its conception and helped our understanding of museographic history.

This richly illustrated monograph documents a series of sculptural works engaging with the histories of 20th-century architecture, design and art—particularly the heritage of the Black Mountain College and the international Modern Movement.

Peeping Tom's Digest is an experimental, empirical and subjective publication dedicated to contemporary artistic practices. This issue, dedicated to Paris, teases out an offbeat and distanced portrait of the Parisian and French scene

Peeping Tom's Digest is an experimental, empirical and subjective publication dedicated to contemporary artistic practices. This issue, dedicated to Paris, teases out an offbeat and distanced portrait of the Parisian and French scene

Combining the artist's early works and the most recent series inspired by van Gogh's oeuvre, this monograph underlines the variety of Brown's practice as well as his exceptional way of interpreting and appropriating the Old Masters.

Devoted to the graphic practice of the artist, Giorgio Griffa – Works on Paper points up the singularity and importance of drawing in Griffa's creative process while introducing a rare selection of drawings and watercolours.

Between 1946 and 1953, the Macy Conferences brought together a diverse and interdisciplinary community of researchers who together developed the basics of the new science of cybernetics. This publication contains the complete transcription and protocols of all contributions of one of the most important event in the contemporary history of science.

This publication documents the making of a sound mapping project of the city of Melbourne by artists Jean-Luc Guionnet and Eric La Casa.

First volume of a hors-series' collection focusing on the theory and practice of republishing and archiving.

Based on an exhibition and conferences that took place in 2012 at the Academy of Fine Arts Vienna, this volume expands on the issues raised by queer art practices through interviews, essays, collages, as well as personal and academic texts.

An ambiguous portrait and evocative rendition of Clive Entwistle's life, the artist's grandfather and architect. Halfway between biography and monograph, this publication reaches beyond these genres to resemble an artist's book of poetry and prose fiction.

L'art de la fuite is a selection of first recordings originally released on selftitled homemade tape in 1995. Mainly composed with turntables and prepared records (with various other sources), these recordings have laid the foundation for his future work as turntabilist / improviser / composer. 20 years later, this unique blend of musique concrète and post-industrial still sounds fresh today.

This trilingual publication dedicated to the Polish artist and theorist deceased in 2014 emphasize his essential contribution to action art by gathering previously unpublished articles from his friends and colleagues in the contemporary art world. The authors recount his ideas, career and influence. Photos, reproductions of the artist's original articles and a DVD all serve to enrich this publication.

Through the use of a saturated blue color altered by light and demarcated by architectural forms, Haliti's installation for the Kosovo Pavilion at the 56th Venice Biennale reflects on the salient concepts of the border, freedom and mobility. This extensive documentation is an invitation to encounter a visual field in which territorial boundaries are referenced and mediated by the sensory.

This book discusses preservation and outcomes of design-related objects in artistic collections taking the example of Dieter Roth's works inside the Frac Bretagne's collection.

The internet is an ever-growing storage space of information that we have come to rely on—but what does this thing called the internet really mean? (contributions by Julian Assange, Franco “Bifo” Berardi, Diedrich Diederichsen, Joana Hadjithomas & Khalil Joreige, Bruno Latour, Hans Ulrich Obrist, Hito Steyerl...).

The European colonial heritage revisited: Meessen invited ten international artists to think the colonial modernity and connect it with the history of avant-garde, political and independence movements (catalogue of the Belgian Pavilion at the 56th Venice Biennale).

PARIS LA #13 or CHEZ CHEZ PERV PERV has been especially created by the artists Gardar Eide Einarsson, Matias Faldbakken, and Oscar Tuazon.

Liz Magic Laser's recent works.

The possibility and power of art to imagine futures that are not irrevocably determined by the present, but are invested with struggles fought here and now.

A catalogue / artist's book as puzzling and conceptually elaborate as the exhibition it accompanies.

An embracive and well-documented overview of three works by Stan Douglas covering the emergence of political and multicultural emancipation projects during the Seventies, from Portugal's 1974 revolution and the end of colonialism, to the emergence of multicultural music such as jazz-rock, funk, disco, and afrobeat.

Artist's book based on a complex project linking Vernasca, Ethiopia and Jamaica according to two points of view, placing certain critical moments in Italy's colonial history in relation to the symbolism of Rastafarian tradition.

First monograph.

Artist's book.

Improvisation as musical and political experimentation (essay).

“Marigold and Cable” marks an indelible new phase in the trajectory of Alex Cobb's solo recordings and prior missives as Taiga Remains.

An audio-visual project about the impossibility of a film on the Deir Yassin massacre, exploring the complex ramifications of the place (2 volumes artist's book).

A tribute to film director Derek Jarman (reissue of the second full-length album by Robin Rimbaud / Scanner on Sub Rosa).

The fourth title in the “Archives” series, which is dedicated to landmark exhibitions and curatorial practices, and provides sources and moving images to the growing field of research of curatorial studies and exhibition history.

Taking as its starting point a pilgrimage that takes place in Italy during the day of the dead, this publication is part of a collective and multidisciplinary project which aims to reflect upon death, to more deeply celebrate life.

Luis Camnitzer plays the Drawing Room Confessions.