The reissue, in a new translation, of one of the most important essays of Latin American poetry from the historical avant-gardes.
Experimental poet,
postal artist,
performer, curator, essayist, Clemente Padín (born in 1939 in Lascano, Uruguay) is an Uruguayan artist who actively contributed, through his magazines, his actions and his manifests, to the artistic experiments carried out in
Latin America in the turbid context of dictatorships.