Mail Art

The first ever vinyl release to attend to James Tenney's legendary "Postal Pieces", marking the first ever appearance of five of the suite's works on vinyl, drawing upon recordings made in 2003, by the Amsterdam based ensemble, The Barton Workshop, under the direction of James Fulkerson.

Kein Witz, No Joke combines paintings and objects by Sophie Reinhold with the "Typewritings" of Ruth Wolf-Rehfeldt. As different as the artists may be, their works share a manic perseverance, precision, and subversive humor.

A poem first published in 1975 by Bern Porter, presented in alphabetical order, with the same number of acts for each letter. This new edition presents an additional introduction, transcribed from a reading given by Bern Porter on May 19, 1985, in Madison, Maine.

First French translation of Clemente Padìn's first poems.

The reissue, in a new translation, of one of the most important essays of Latin American poetry from the historical avant-gardes.

An extensive investigation on art conducted for thirty years by an artist for whom the archives constitute an artistic material in its own right.

A selection of about 2.000 mail art works on paper (drawings, collages…) created between 1991-1994 by the artists' trio. They would mail each other pictures, repeatedly overpainting and adding to them until they comprised several layers. Each book cover is unique, individually designed by Eric Schumacher and Andrea Clavadetscher.

The history of capitalism of the 1960s revisited in the light of the artworks that challenged it.

Since 2008, Walead Beshty photographs the art people he works with at every stage of his projects. This first volume features a gallery of black and white portraits spanning from 2008 to 2012.

A collection of monographic texts and essays by the artist.

The publication addresses performative artistic strategies as a lived practice of resistance in Latin American countries such as Argentina, Brazil, and Chile.

A critical book: a reassessment of Julien Blaine's poetry and the aesthetic problems related to it.

New expanded edition: this reference monograph, realized in close collaboration with the artist, presents a 10-year overview of Walead Beshty's approach to photographic and sculptural representation.

Three artist's books in a box set.

New monograph.

A surrealist, erotic and political assemblage of texts, quotes and images with which Thierry Tillier, heir to the great tradition of artistic collage, exposes his libertarian vision of contemporary art.

A surrealist, erotic and political assemblage of texts, quotes and images with which Thierry Tillier, heir to the great tradition of artistic collage, exposes his libertarian vision of contemporary art (limited edition accompanied by an original and unique collage, signed).

Artist's book: Joël Hubaut's ABC (“a compressed, unprecise mini ABC of the art of living for the young generations in art schools in particular and for everyone else in general”).

Works 2007-2011, with a new essay by noted British critic Rebecca Geldard as well as a preface by curator and art historian Daniel Kurjaković.

Mapping Boetti's work.

A panorama of Ben's conflicting ideas and various activities since 1959.

This edition of 4 audio CDs in a wooden case comprises the reading of On Kawara's One Million Years [Past and Future], with Gemma Saunders as the female voice reading all even numbers and Leo Chadburn as the male voice reading all odd numbers, covering 969 611 BC to 967 811 BC & 33 411 AD to 34 450 AD.

New monograph: a walk within a series of recent works by French artist.

Artist's book based on Sedá's work for Documenta 12.

Box gathering the two volumes of the catalogue Consciousness. Meditation. Watcher on the Hills, published for the world tour of the exhibition by On Kawara.

This installation juxtaposes photographs of eight “landscapes” with “soundscapess” created by French sound artists, who made a free sound interpretation based on the chosen picture and collected raw sounds.

The first biography of Robert Filliou.

An exhaustive documentation on the work of the French artist since 1970, fully illustrated.

Two texts by Jean-Charles Agboton-Jumeau et Marion Hohlfeldt on Lefevre Jean Claude, with some “inserts” by the artist on divider pages.

Monograph conceived by the artist, documenting a series of exhibitions and Leblon's video works.

Kawara's Date paintings, telegrams and books from the One Million Years series.

Unpublished text, original signed silkscreen print.

Out of the Grid presents a critical selection of 100 Italian zines from 1978 to 2006 that display a broad spectrum of social, political, aesthetic, and technological changes in the use of language and communication strategies across the territory of self publishing.

Over five hours of video and audio documenting the three-day Intermedia event organized by Fluxus artist Eric Andersen in 1996, involving parachute jumps, helicopters, mountain climbing, live sheep and over 100 singers walking on water.

Edition at 1:1 scale of Lefevre Jean Claude's notebook insertions—an investigation into the work of art at work.

Facsimile of the seminal magazine created by Ulises Carrión and Cres, originally published in 1979. In this photographic book—one of very few of Carrion's entire practice—the author is very critical about his own affiliation with the mail art movement. The book presents a series a photographs of his calling card filing box, which the author juxtaposes with witty and poignant captions.

This catalogue revolves around the transcript of a long length conversation between the French artist and art critic Irmeline Lebeer, structured as an illustrated abécédaire.

This LP inaugurates a new series of vinyl-only releases based on the extraordinary Logos archives. Here, never released before recordings from live sessions at Logos Foundation, in 1974, 1979 & 1981, featuring Max Eastley, Feminist Improvising Group, COUM, Derek Bailey, and the Logos Ensemble.

Reading of One Million Years (Past and Future 51 – 62) by male and female voices (250 copies limited edition wood boxed set of 24 audio CDs).

Catalogue published, as a second volume, after the world tour of an exhibition by On Kawara Consciousness. Meditation. Watcher on the Hills, gathering the complete documentation produced for the exhibitions and presenting the installations views.

The 1990s in eleven "Date Paintings" As one of the most important Conceptual artists, On Kawara features in most of the surveys on post-war art. This book, conceived in close collaboration with On Kawara himself, takes a very intimate form in comparison to many monographs published recently. This seems an appropriate manner in which to discover eleven paintings created over a decade, letting the viewer complete their reading with personal associations, historical events, or academic interpretations. “Perhaps,” writes Thierry Davila in his text, “art is simply a particular way of taking time … So the work, the on-going creation is essentially a question of using time … ” Seen from this perspective On Kawara has invented a simple and striking way to make art, by taking time, taking his time. He found a way to use the calendar to make a kind of “non-individual” art work. In his Date Paintings, time itself has become a piece of art. The work is pure realism, the existence of time put in painting, thus rendering it—up to a certain point—viewable and readable.

Filliou's catalogue raisonné.

A monumental monograph: works (1964-1995), texts (around thirty since 1970), the most important solo and group shows since 1969.

Portrait of On Kawara by René Denizot.