First vinyl LP edition by Dutch sound and visual artist Paul Panhuysen since 1986 (sound installation).
In terms of sound art, Paul Panhuysen is well-known for his long string installations, yet he has produced a vast amount of other sound installations using different materials and sound sources ranging from various instruments to animals such as birds. This LP contains a recording of the installation “Pendulum Change Ringing,” displayed at Pand Koloniale Waren in Hasselt (Belgium) in 2012. The installation consists of twelve engraved Turkish metal platters, each mounted onto a black plastic bin, and placed in a 20 meters long row. The rim of each platter is hit by a metal pendulum operated by a tiny electromotor. Each hit causes the platter to resonate with a rich sound texture full of dissonant overtones. During the recording, the twelve pendulums are activated one after the other. The paces at which they swing differ due to their rods having different lengths. This causes interlocking rhythmic patterns to emerge that become more complex with each step and never stay the same. Hits aggregate into clusters, then thin out again. The sound is not chaotic, yet its regularity is hard to comprehend.
“You might call Pendulum Change Ringing a typical Paul Panhuysen piece: it works according to a system, quite a simple one in fact, but its effect surpasses that apparent simplicity by far.” (René van Peer)
Limited edition of 300 copies.
Artist, musician, performer, organizer, Paul Panhuysen (1934, Borgharen – 2015), after having studied painting and monumental design at the Jan van Eyck Academy in Maastricht, and art sociology at the University of Utrecht, was, successively, the director of the Fine Arts Academy in Leeuwarden, and a curator and head of education and public relations for the Den Haag City Museum and for the Van Abbe Museum in Eindhoven.
In addition, he continued to paint and make collages.
In 1965 he founded the artist group “De Bende van de Blauwe Hand.” This group, which was closely related to
Fluxus, presented exhibitions, environments and happenings in museums and galleries.
Starting in 1965, he presented “situations” meant to involve the audience, and in 1968, he started the Maciunas Quartet, who are still making
experimental music as the
Maciunas Ensemble.
In the early seventies, Panhuysen worked as an advisory artist with urban development teams (o.a. in Zoetermeer, Lunetten, Maaspoort) and developed systematic ordering systems and mathematical series that he has continued to use in his work as an artist. In addition, Panhuysen's work shows a predilection for found objects and the element of chance.
To an increasing degree, Panhuysen has been concentrating on
sound art, which has come to occupy an important place in his visual art work.
He has presented his
Long String Installations, which are played in concerts personally and in exhibitions as automats,worldwide in festivals since 1982
.
These installations are set-up in indoor or outdoor spaces for anywhere from 1 to 40 days, using specific properties and architectural prospects of the location.
Since 1989 Panhuysen developped artworks in which he confronts the audience with the creativity, intelligence and communicational skills of animals, especially of birds.
In 1980, Panhuysen founded Het Apollohuis, and since then till 1997, he has been the director of this internationally oriented podium where artists from divergent disciplines did present their work.
In 1996 he received the Cultural Award of Noord-Brabant and in1998 he became Companion of the Order of the Dutch Lion.
In 2004 Panhuysen received in the category Digital Musics from PrixArs Electronica an Honory Mention for the composition
A Magic Square of 5 to Look at / A Magic Square of 5 to Listen to.
See also
Maciunas Ensemble.
